Questões de Concurso
Sobre tradução | translation em inglês
Foram encontradas 653 questões
Ano: 2026
Banca:
COPERVE - UFSC
Órgão:
UFSC
Provas:
COPERVE - UFSC - 2026 - UFSC - Analista de Tecnologia da Informação
|
COPERVE - UFSC - 2026 - UFSC - Assistente Social |
COPERVE - UFSC - 2026 - UFSC - Engenheiro Agrônomo |
COPERVE - UFSC - 2026 - UFSC - Auditor |
COPERVE - UFSC - 2026 - UFSC - Bibliotecário-Documentalista |
COPERVE - UFSC - 2026 - UFSC - Engenheiro de Segurança do Trabalho |
COPERVE - UFSC - 2026 - UFSC - Economista |
COPERVE - UFSC - 2026 - UFSC - Contador |
COPERVE - UFSC - 2026 - UFSC - Médico/Cardiologia |
COPERVE - UFSC - 2026 - UFSC - Médico/Cirurgia Geral |
COPERVE - UFSC - 2026 - UFSC - Médico/Clínica Médica |
COPERVE - UFSC - 2026 - UFSC - Médico/Ginecologia-Obstetrícia |
COPERVE - UFSC - 2026 - UFSC - Médico/Medicina da Família e Comunidade |
COPERVE - UFSC - 2026 - UFSC - Médico/Radiologia |
COPERVE - UFSC - 2026 - UFSC - Médico/Medicina do Trabalho |
COPERVE - UFSC - 2026 - UFSC - Médico/Psiquiatria |
COPERVE - UFSC - 2026 - UFSC - Museólogo |
COPERVE - UFSC - 2026 - UFSC - Nutricionista/Habilitação |
COPERVE - UFSC - 2026 - UFSC - Psicólogo/Educacional |
Q4038020
Inglês
Texto associado
Text 1
Popular career choices
Researching popular career choices gives you an idea of the job opportunities other job seekers are
interested in. Here are some popular career choices to consider:
Sources: https://www.indeed.com. [Adapted].
All the translations for the words below are correct, according to their use in text 1, except:
Ano: 2026
Banca:
UNIVALI
Órgão:
Prefeitura de Luiz Alves - SC
Prova:
UNIVALI - 2026 - Prefeitura de Luiz Alves - SC - Professor de Língua Inglesa |
Q4020430
Inglês
Analyze the following statements regarding the practice
of translation:
I.Compensation is a translation technique used to make up for the loss of a particular effect in the source text by recreating a similar effect elsewhere in the target text.
II.Transcreation is a concept often used in advertising and poetry where the translator has the freedom to reinvent the text while maintaining the original emotional impact.
III.Machine translation has currently reached a level of perfection that eliminates the need for human post-editing or any cultural adaptation in literary works.
Which of the statements above is/are CORRECT?
I.Compensation is a translation technique used to make up for the loss of a particular effect in the source text by recreating a similar effect elsewhere in the target text.
II.Transcreation is a concept often used in advertising and poetry where the translator has the freedom to reinvent the text while maintaining the original emotional impact.
III.Machine translation has currently reached a level of perfection that eliminates the need for human post-editing or any cultural adaptation in literary works.
Which of the statements above is/are CORRECT?
Ano: 2026
Banca:
UNIVALI
Órgão:
Prefeitura de Luiz Alves - SC
Prova:
UNIVALI - 2026 - Prefeitura de Luiz Alves - SC - Professor de Língua Inglesa |
Q4020425
Inglês
Translation theory has evolved from a prescriptive view to
a functionalist perspective. Mark the CORRECT
alternative.
Ano: 2026
Banca:
AEVSF/FACAPE
Órgão:
FACAPE
Prova:
AEVSF/FACAPE - 2026 - FACAPE - Professor Substituto do Ensino Fundamental - Anos Finais de Língua Estrangeira Moderna - Inglês |
Q3904799
Inglês
Choose the right choice to give the right
translation for this sentence below:
Quanto tempo ele levou para escrever aquele livro?
Quanto tempo ele levou para escrever aquele livro?
Ano: 2026
Banca:
FRONTE
Órgão:
Prefeitura de Barra Bonita - SP
Prova:
FRONTE - 2026 - Prefeitura de Barra Bonita - SP - Professor PEB II - Inglês |
Q3884140
Inglês
A tradução não é uma mera substituição de
etiquetas linguísticas, mas uma retextualização. Ao traduzir
um texto literário mantendo a fidelidade ao "sentido
pretendido" em vez da "forma literal", o tradutor deve:
Ano: 2026
Banca:
Grupo TALENT
Órgão:
Prefeitura de Sul Brasil - SC
Prova:
Grupo TALENT - 2026 - Prefeitura de Sul Brasil - SC - Professor de Língua Estrangeira (Inglês) |
Q3862005
Inglês
Choose the alternative that correctly expresses a
fundamental principle of translation and interpretation applicable to academic, technical, and journalistic texts.
Ano: 2025
Banca:
UNIVALI
Órgão:
Prefeitura de Luiz Alves - SC
Prova:
UNIVALI - 2025 - Prefeitura de Luiz Alves - SC - Professor de Língua Inglesa - Edital nº 15 |
Q4037204
Inglês
When translating from English into Portuguese, certain
idiomatic expressions resist literal transfer due to cultural
specificity. According to modern translation theory, which
strategy best addresses cases where semantic
equivalence is impossible, but functional equivalence can
be achieved?
Ano: 2025
Banca:
UNIVALI
Órgão:
Prefeitura de Luiz Alves - SC
Prova:
UNIVALI - 2025 - Prefeitura de Luiz Alves - SC - Professor de Língua Inglesa - Edital nº 15 |
Q4037194
Inglês
Texto associado
O texto seguinte servirá de base para responder à questão.
We can learn a lot from Troy's trash
Beneath the epic tales of heroes and gods, Troy's true
story is written in something far less glamorous − its
rubbish.
When we think of Troy, we imagine epic battles, valiant
deeds, cunning tricks and the wrath of gods. Thanks to
Homer's Iliad, the city is remembered as a stage for
romance and heroism.
But long before Paris stole Helen and Achilles raged on
the battlefield, the people of bronze age Troy lived
ordinary lives − with extraordinary consequences. They
built, cooked, stored, traded and, crucially, threw things
away. And they did it right where they lived.
Today, waste is whisked away quickly − out of sight, out
of mind. But in bronze age Troy (3000−1000BC), trash
stayed close, often accumulating in domestic dumping
grounds for generations.
Having spent more than 16 summers excavating and
analysing the bronze age layers of Troy, I've learned to read the city's history this waste.
Hundreds of thousands of animal bones from cattle,
sheep, fish − even turtles − were found alongside vast
quantities of pottery shards, ash, food scraps, and human
waste. Sometimes, these layers were reused to level
floors or build walls, showing how closely intertwined
daily life and refuse management were.
This wasn't laziness or neglect, it was pure pragmatism.
In a world without rubbish trucks or sanitation systems,
managing refuse was neither chaotic nor careless, but a
collective, spatially negotiated − and surprisingly strategic
− effort.
The excavations I have worked on as part of the
University of Tübingen's Troy Project, which has been
going on since 1988, have revealed just how deliberate
these routines were. Where people chose to dump, or not
to dump, speaks volumes about status, social roles, and
community boundaries. Waste is the diary no one meant
to write, yet it records the intimate rhythms of daily life
with unfiltered clarity.
Far from a nuisance, Troy's waste is an archaeologist's
treasure trove.
Over nearly 2,000 years, Troy ended up with 15 meters
of built-up debris. Archaeologists can see nine major
building phases in it, each made up of hundreds of thin
layers, which formed as people lived their everyday lives.
These layers act like snapshots, quietly recording how
the city changed over time. Some capture hearth
cleanings, others record the rebuilding of entire city
quarters.
By analysing the layers and their ratios of bones to
pottery, ash concentration, presence of storage jars,
grinding stones, or production debris, specific spaces of
activity become visible: kitchens, workshops, storage
areas, rubbish pits. What appears chaotic turns out to be
a carefully structured map of everyday routines −
showing where meals were prepared, tools made, and
discarded objects left behind.
The story these remains tell is one of profound
transformation. Troy began as a modest agrarian
settlement, shaped by the steady rhythms of farming,
herding, and small-scale craft. Over time, it grew into a
thriving regional centre.
The archaeological record, rich in refuse, traces this long
arc of change. Exotic imports fashioned from stones such
as carnelian and lapis lazuli begin to appear, revealing
distant trade connections. Specialised metalworking tools
emerge alongside monumental architecture. some
buildings stretched nearly 30 metres, signalling growing
ambitions and expanding capabilities.
This rise unfolded gradually, reflected not just in grander
buildings, but in shifting tools, trade, and how people
dealt with what they left behind. Waste management
became more organised, with designated areas for
different types of waste. This reflects broader shifts in
how the community structured space and managed its
economy.
Yet this ascent was interrupted. By the mid-third
millennium BC, signs that things were becoming smaller
appear. Architecture simplifies, household inventories
shrink, production debris declines suggesting economic
slowdown or political instability.
Still, Troy endured. By the mid-second millennium BC,
the city revived. Refined ceramics, luxury imports and
evidence of social complexity marked a new chapter of
recovery and reinvention. This splendid settlement later
became the stage for Homer's Trojan War where Greek
warriors faced the daunting task of climbing towering
mounds of debris built up over centuries just to reach the
palaces.
These insights allow us to see Troy not just as a city of
walls and towers, but as a living organism shaped by
daily routines, unspoken norms and social negotiation.
The waste left behind is a remarkably honest archive of
bronze age society − beneath myths, stones, and poetry.
Troy's trash heaps are the bronze age's search history.
To know what mattered 4,500 years ago, don't ask poets
− ask the garbage. From broken tools to shared meals,
from imported luxuries to scraps, this waste reveals the
pulse of everyday life and society's evolving structure.
Ironically, these mundane refuse layers preserved the
bronze age world for us. Without them, we'd know far
less about early Troy's people. Their depth and
composition trace changes in economy, technology, and
social structure. From scraps to towers of pottery shards,
waste archaeology is key to understanding early urban
complexity.
So next time you picture Achilles storming Troy's gates,
remember: the heroes might have been divine, but their
city smelled very human.
https://theconversation.com/we-can-learn-a-lot-from-troys-trash-260613
Read the excerpt below:
"Today, waste is whisked away quickly − out of sight, out of mind. But in bronze age Troy (3000−1000BC), trash stayed close, often accumulating in domestic dumping grounds for generations."
A professional translator working on a Brazilian Portuguese edition of this archaeological text must address the idiomatic expression "out of sight, out of mind" and decide between maintaining the English idiom with explanatory footnote, creating a culturally equivalent Portuguese idiom, or providing a descriptive translation. When considering translation strategies that balance semantic fidelity, cultural accessibility, and stylistic naturalness for Brazilian readers while preserving the author's rhetorical impact, the appropriate translation approach would be:
"Today, waste is whisked away quickly − out of sight, out of mind. But in bronze age Troy (3000−1000BC), trash stayed close, often accumulating in domestic dumping grounds for generations."
A professional translator working on a Brazilian Portuguese edition of this archaeological text must address the idiomatic expression "out of sight, out of mind" and decide between maintaining the English idiom with explanatory footnote, creating a culturally equivalent Portuguese idiom, or providing a descriptive translation. When considering translation strategies that balance semantic fidelity, cultural accessibility, and stylistic naturalness for Brazilian readers while preserving the author's rhetorical impact, the appropriate translation approach would be:
Ano: 2025
Banca:
UNIVALI
Órgão:
Prefeitura de Luiz Alves - SC
Prova:
UNIVALI - 2025 - Prefeitura de Luiz Alves - SC - Professor de Língua Inglesa - Edital nº 12 |
Q4034377
Inglês
Read the English sentence and its two possible
Portuguese translations:
Source: "She broke down in tears when she heard the news."
(1) "Ela quebrou-se em lágrimas ao ouvir a notícia." (2) "Ela desabou em lágrimas ao ouvir a notícia."
From the perspective of translation theory, the second version is preferable because it illustrates:
Source: "She broke down in tears when she heard the news."
(1) "Ela quebrou-se em lágrimas ao ouvir a notícia." (2) "Ela desabou em lágrimas ao ouvir a notícia."
From the perspective of translation theory, the second version is preferable because it illustrates:
Ano: 2025
Banca:
UNIVALI
Órgão:
Prefeitura de Luiz Alves - SC
Prova:
UNIVALI - 2025 - Prefeitura de Luiz Alves - SC - Professor de Língua Inglesa - Edital nº 12 |
Q4034372
Inglês
Texto associado
Digital archeology
The City Gallery presents Filip Popov with his exhibition
"Digital Archeology"
With a large exhibition, including works from his most
famous cycles, the visual artist Filip Popov will exhibit in
the Hall "2019" at 32 Gladstone Street from March 2 to
31.
For the first time the artist makes such a large-scale
performance in the city where he was born.
The opening will be on March 2 from 17:00 to 19:30.
The topics that excite the author of the exhibition "Digital
Archeology" can be deciphered in the titles of the series
of works created over the past 8 years: TransOrganic,
Para Bellum, Order, Posthuman, Paleomatic Monologues
and Prayers to the latest series - Bunker City and Zero City. As Velizara Ivanova emphasizes in her analysis:
Combining works dating back to 2014, Digital Archeology
reflects Philip Popov's continuing focus on the
posthumanism and transhumanism, confronting
technology and our uncertain future and insight into the
way machines are woven into our tomorrow's world. "
Born in 1964 in Plovdiv, Filip Popov spent several years
of his childhood in Germany, where he formed his ideas
for unity between art, architecture, design and
technology. He studied art at the National Academy of
Arts in Sofia, moved to Basel to study at the
Kunstgewerbeschule, and later lived in Zurich.
He has had solo exhibitions at EASA, West Berlin (1988),
EKG, Wetzikon, CH (1993), Binz Foundation 39, Zurich
(1994), Kunsthalle Liesthal, CH (1996), ArtFront Gallery,
Tokyo (2005). It is presented in the most famous galleries
in Sofia and the country. In 2014 he participated in the
National Autumn Exhibitions in Plovdiv. Filip Popov
exhibits his works in numerous group exhibitions in
Bulgaria, Switzerland, Austria, France.
https://www.visitplovdiv.com/en/node/10577
Read the excerpt below:
"For the first time the artist makes such a large-scale performance in the city where he was born."
An English teacher analyzing this sentence with advanced students identifies a potential ambiguity in the noun "performance" within this artistic context. When discussing polysemy, context-dependent meaning, and the semantic challenges this presents for translation into Portuguese, particularly distinguishing between "performance" as artistic presentation versus "performance" as theatrical/live art form, the most linguistically precise interpretation considering the broader textual context of an art exhibition would be_________.
Fill in the blank above and select the correct alternative.
"For the first time the artist makes such a large-scale performance in the city where he was born."
An English teacher analyzing this sentence with advanced students identifies a potential ambiguity in the noun "performance" within this artistic context. When discussing polysemy, context-dependent meaning, and the semantic challenges this presents for translation into Portuguese, particularly distinguishing between "performance" as artistic presentation versus "performance" as theatrical/live art form, the most linguistically precise interpretation considering the broader textual context of an art exhibition would be_________.
Fill in the blank above and select the correct alternative.
Ano: 2025
Banca:
UNIVALI
Órgão:
Prefeitura de Luiz Alves - SC
Prova:
UNIVALI - 2025 - Prefeitura de Luiz Alves - SC - Professor de Língua Inglesa - Edital nº 12 |
Q4034370
Inglês
Texto associado
Digital archeology
The City Gallery presents Filip Popov with his exhibition
"Digital Archeology"
With a large exhibition, including works from his most
famous cycles, the visual artist Filip Popov will exhibit in
the Hall "2019" at 32 Gladstone Street from March 2 to
31.
For the first time the artist makes such a large-scale
performance in the city where he was born.
The opening will be on March 2 from 17:00 to 19:30.
The topics that excite the author of the exhibition "Digital
Archeology" can be deciphered in the titles of the series
of works created over the past 8 years: TransOrganic,
Para Bellum, Order, Posthuman, Paleomatic Monologues
and Prayers to the latest series - Bunker City and Zero City. As Velizara Ivanova emphasizes in her analysis:
Combining works dating back to 2014, Digital Archeology
reflects Philip Popov's continuing focus on the
posthumanism and transhumanism, confronting
technology and our uncertain future and insight into the
way machines are woven into our tomorrow's world. "
Born in 1964 in Plovdiv, Filip Popov spent several years
of his childhood in Germany, where he formed his ideas
for unity between art, architecture, design and
technology. He studied art at the National Academy of
Arts in Sofia, moved to Basel to study at the
Kunstgewerbeschule, and later lived in Zurich.
He has had solo exhibitions at EASA, West Berlin (1988),
EKG, Wetzikon, CH (1993), Binz Foundation 39, Zurich
(1994), Kunsthalle Liesthal, CH (1996), ArtFront Gallery,
Tokyo (2005). It is presented in the most famous galleries
in Sofia and the country. In 2014 he participated in the
National Autumn Exhibitions in Plovdiv. Filip Popov
exhibits his works in numerous group exhibitions in
Bulgaria, Switzerland, Austria, France.
https://www.visitplovdiv.com/en/node/10577
Judge the sentences below as TRUE (T) or FALSE (F)
regarding translation theory and practice applied to the
text "Digital Archeology."
(__)The phrase "large-scale performance" presents a translation challenge requiring the translator to consider register, domain-specific vocabulary, and context; a functionally equivalent Brazilian Portuguese translation would be "mostra de grande escala" or "exposição abrangente," prioritizing dynamic equivalence over formal equivalence to ensure target audience comprehension of the exhibition's scope and importance.
(__)The series titles "TransOrganic," "Para Bellum," "Posthuman," and "Bunker City" should all be systematically translated into Portuguese as "TransOrgânico," "Para a Guerra," "Pós-humano," and "Cidade Bunker" to ensure Brazilian readers fully comprehend the thematic content, as maintaining English titles would create unnecessary barriers to understanding and contradict accessibility principles in translation for non-specialist audiences.
(__)The sentence "The topics that excite the author of the exhibition" contains the verb "excite" which shares identical semantic range with Portuguese "excitar," making direct cognate translation appropriate and recommended, as both verbs carry the same connotations of intellectual stimulation and enthusiasm across academic and professional contexts in both languages without semantic divergence.
The CORRECT sequence is:
(__)The phrase "large-scale performance" presents a translation challenge requiring the translator to consider register, domain-specific vocabulary, and context; a functionally equivalent Brazilian Portuguese translation would be "mostra de grande escala" or "exposição abrangente," prioritizing dynamic equivalence over formal equivalence to ensure target audience comprehension of the exhibition's scope and importance.
(__)The series titles "TransOrganic," "Para Bellum," "Posthuman," and "Bunker City" should all be systematically translated into Portuguese as "TransOrgânico," "Para a Guerra," "Pós-humano," and "Cidade Bunker" to ensure Brazilian readers fully comprehend the thematic content, as maintaining English titles would create unnecessary barriers to understanding and contradict accessibility principles in translation for non-specialist audiences.
(__)The sentence "The topics that excite the author of the exhibition" contains the verb "excite" which shares identical semantic range with Portuguese "excitar," making direct cognate translation appropriate and recommended, as both verbs carry the same connotations of intellectual stimulation and enthusiasm across academic and professional contexts in both languages without semantic divergence.
The CORRECT sequence is:
Ano: 2025
Banca:
UNIVALI
Órgão:
Prefeitura de Luiz Alves - SC
Prova:
UNIVALI - 2025 - Prefeitura de Luiz Alves - SC - Professor de Língua Inglesa - Edital nº 12 |
Q4034367
Inglês
Texto associado
Cold Kimchi Tomato Bibim Noodles
Ingredients
For the sauce
3 tablespoons tomato paste
2 tablespoons gochujang
1 teaspoon kosher salt
1 1/2 tablespoons sesame oil
3 tablespoons apple cider vinegar
3 tablespoons kimchi juice
1 tablespoon honey
1 cup chopped kimchi
For the noodles
150 grams somen noodles
For the toppings
2 Persian cucumbers, sliced into matchsticks
1 shallot, minced
2 cups cherry tomatoes, halved
2 soft-boiled eggs (7 minutes, jammy yolks)
4 radishes, thinly sliced
To finish
Extra sesame oil, for drizzling
2 tablespoons furikake
Handful of cilantro
Directions
•Step 1
Make the sauce: In a medium bowl, whisk together the
tomato paste, gochujang, salt, sesame oil, vinegar,
kimchi juice, and honey until smooth. Stir in the chopped
kimchi until evenly coated.
•Step 2
Cook the noodles: Bring a pot of water to a rolling boil.
Add the somen noodles and cook for 3 to 4 minutes, until
just tender. Drain and rinse under cold water until
completely cooled, then shake off excess water.
•Step 3
Toss together: Add the chilled noodles to the sauce bowl.
Using tongs, gently mix until each strand is coated in the
kimchi-gochujang sauce.
•Step 4
Assemble: Divide the noodles between bowls. Top with
cucumbers, shallot, tomatoes, soft-boiled eggs, and
radishes.
•Step 5
Finish & serve: Drizzle with a little extra sesame oil,
sprinkle with furikake, and top with cilantro. Mix
everything together at the table before eating.
https://food52.com/recipes/cold-kimchi-tomato-bibim-noodles
Read the excerpt below:
"In a medium bowl, whisk together the tomato paste, gochujang, salt, sesame oil, vinegar, kimchi juice, and honey until smooth. Stir in the chopped kimchi until evenly coated."
A translation professor analyzing this instructional text for a Brazilian audience must address the challenge of translating the adverb "evenly" in the phrase "until evenly coated," which modifies the past participle and specifies the manner and distribution quality of the coating action. When considering semantic precision, register appropriateness, and naturalness in Brazilian Portuguese while maintaining the instructional clarity essential for successful recipe execution, the most adequate translation strategy for "until evenly coated" would be______.
Fill in the blank above and select the correct alternative.
"In a medium bowl, whisk together the tomato paste, gochujang, salt, sesame oil, vinegar, kimchi juice, and honey until smooth. Stir in the chopped kimchi until evenly coated."
A translation professor analyzing this instructional text for a Brazilian audience must address the challenge of translating the adverb "evenly" in the phrase "until evenly coated," which modifies the past participle and specifies the manner and distribution quality of the coating action. When considering semantic precision, register appropriateness, and naturalness in Brazilian Portuguese while maintaining the instructional clarity essential for successful recipe execution, the most adequate translation strategy for "until evenly coated" would be______.
Fill in the blank above and select the correct alternative.
Ano: 2025
Banca:
UNIVALI
Órgão:
Prefeitura de Luiz Alves - SC
Prova:
UNIVALI - 2025 - Prefeitura de Luiz Alves - SC - Professor de Língua Inglesa - Edital nº 12 |
Q4034366
Inglês
Texto associado
Cold Kimchi Tomato Bibim Noodles
Ingredients
For the sauce
3 tablespoons tomato paste
2 tablespoons gochujang
1 teaspoon kosher salt
1 1/2 tablespoons sesame oil
3 tablespoons apple cider vinegar
3 tablespoons kimchi juice
1 tablespoon honey
1 cup chopped kimchi
For the noodles
150 grams somen noodles
For the toppings
2 Persian cucumbers, sliced into matchsticks
1 shallot, minced
2 cups cherry tomatoes, halved
2 soft-boiled eggs (7 minutes, jammy yolks)
4 radishes, thinly sliced
To finish
Extra sesame oil, for drizzling
2 tablespoons furikake
Handful of cilantro
Directions
•Step 1
Make the sauce: In a medium bowl, whisk together the
tomato paste, gochujang, salt, sesame oil, vinegar,
kimchi juice, and honey until smooth. Stir in the chopped
kimchi until evenly coated.
•Step 2
Cook the noodles: Bring a pot of water to a rolling boil.
Add the somen noodles and cook for 3 to 4 minutes, until
just tender. Drain and rinse under cold water until
completely cooled, then shake off excess water.
•Step 3
Toss together: Add the chilled noodles to the sauce bowl.
Using tongs, gently mix until each strand is coated in the
kimchi-gochujang sauce.
•Step 4
Assemble: Divide the noodles between bowls. Top with
cucumbers, shallot, tomatoes, soft-boiled eggs, and
radishes.
•Step 5
Finish & serve: Drizzle with a little extra sesame oil,
sprinkle with furikake, and top with cilantro. Mix
everything together at the table before eating.
https://food52.com/recipes/cold-kimchi-tomato-bibim-noodles
Consider the following translation challenge:
A professional translator working on a Brazilian Portuguese edition of an international cookbook encounters the recipe title "Cold Kimchi Tomato Bibim Noodles" and several culture-specific ingredients including "gochujang," "furikake," "Persian cucumbers," and "somen noodles." The translator must decide between foreignization (maintaining source-language terms to preserve cultural authenticity) and domestication (adapting to target-culture equivalents for familiarity). Regarding translation theory, particularly Lawrence Venuti's concepts of foreignization versus domestication and Eugene Nida's formal versus dynamic equivalence, which approach demonstrates the most theoretically informed and contextually appropriate translation strategy?
A professional translator working on a Brazilian Portuguese edition of an international cookbook encounters the recipe title "Cold Kimchi Tomato Bibim Noodles" and several culture-specific ingredients including "gochujang," "furikake," "Persian cucumbers," and "somen noodles." The translator must decide between foreignization (maintaining source-language terms to preserve cultural authenticity) and domestication (adapting to target-culture equivalents for familiarity). Regarding translation theory, particularly Lawrence Venuti's concepts of foreignization versus domestication and Eugene Nida's formal versus dynamic equivalence, which approach demonstrates the most theoretically informed and contextually appropriate translation strategy?
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
UNIFAL-MG
Prova:
CESPE / CEBRASPE - 2025 - UNIFAL-MG - Vestibular |
Q3928901
Inglês
Texto associado
Text 1A15
Last year, I had a strange dream. My father and I were
walking through a canal with difficulty as thousands of fish were
released around us. In the dream, I knew that the fish thought
they were drowning, as if they had to face death before becoming
adults. The next day, my father told me that when I was three, he
had taken me to see fish being put into a pond. I could not
remember it, but the vision had stayed in my mind. Memories,
like images, can return years later in unexpected ways.
Today, it is common to see old images suddenly appear
online. We spend hours looking at photos that record our daily
lives in ways never seen before. For young people under
twenty-five, who have grown up with social media, childhood is
no longer private or mysterious. According to Kate Eichhorn, a
media historian at the New School, this constant exposure is sure
to affect how identity develops, although we are not yet sure
exactly how.
Eichhorn explains that there are two sides. On the positive
side, children and teenagers have more control than before. In the
past, adults were the ones who decided how childhood should be
remembered, using books, photo albums, or home videos. Today,
young people can create and share their own images without
depending on adults. This gives them the power to tell their own
stories and decide what to remember about their lives.
On the negative side, social media can make it difficult to
leave the past behind. We are not the only ones posting—our
friends and families also share moments of our lives, often
without asking us. This makes it hard to forget mistakes or
change identities. Eichhorn warns that the danger now is not that
childhood disappears, but that it might never end, because the
past is always visible online.
It would, indeed, be surprising if we could see painful
memories as finished and gone. But most difficult experiences
are not captured on screens. Social media shows only part of life,
often the happy or triumphant side, and leaves out the tears and
struggles. What remains online is rarely the full truth, but
fragments that stay with us, shaping how we remember ourselves.
Nausicaa Renner. How Social Media Shapes Our Identity.
Internet:<www.newyorker.com> (adapted).
Choose the option in which the fragment “this constant exposure
is sure to affect how identity develops” (last sentence of the
second paragraph of text 1A15) is adequately translated into
Portuguese.
Ano: 2025
Banca:
IGEDUC
Órgão:
Prefeitura de Craíbas - AL
Prova:
IGEDUC - 2025 - Prefeitura de Craíbas - AL - Intérprete de Libras |
Q3788262
Inglês
Em uma interpretação em contexto médico ou jurídico, o
intérprete de Libras pode se deparar com termos
técnicos para os quais não existe um sinal
convencionado ou padronizado na comunidade surda
local. Diante dessa lacuna lexical, assinale a alternativa
CORRETA.
Ano: 2025
Banca:
Fênix
Órgão:
Prefeitura de Faxinal dos Guedes - SC
Prova:
Portal Fênix - 2025 - Prefeitura de Faxinal dos Guedes - SC - Professor de Língua Inglesa - Não Habilitado |
Q3783744
Inglês
Na frase "She understood the instructions clearly", o vocábulo
destacado apresenta a classe e tradução seguintes:
Ano: 2025
Banca:
Fênix
Órgão:
Prefeitura de Faxinal dos Guedes - SC
Prova:
Portal Fênix - 2025 - Prefeitura de Faxinal dos Guedes - SC - Professor de Língua Inglesa - Não Habilitado |
Q3783741
Inglês
No segmento "They bought a new car yesterday", o termo
destacado apresenta a seguinte classificação e tradução:
Ano: 2025
Banca:
Fênix
Órgão:
Prefeitura de Faxinal dos Guedes - SC
Prova:
Portal Fênix - 2025 - Prefeitura de Faxinal dos Guedes - SC - Professor de Língua Inglesa - Habilitado |
Q3783684
Inglês
Na frase "She understood the instructions clearly", o vocábulo
destacado apresenta a classe e tradução seguintes:
Ano: 2025
Banca:
Fênix
Órgão:
Prefeitura de Faxinal dos Guedes - SC
Prova:
Portal Fênix - 2025 - Prefeitura de Faxinal dos Guedes - SC - Professor de Língua Inglesa - Habilitado |
Q3783682
Inglês
No trecho "I will call you later", observa-se o seguinte uso e
tradução para o português:
Ano: 2025
Banca:
Fênix
Órgão:
Prefeitura de Faxinal dos Guedes - SC
Prova:
Portal Fênix - 2025 - Prefeitura de Faxinal dos Guedes - SC - Professor de Língua Inglesa - Habilitado |
Q3783681
Inglês
No segmento "They bought a new car yesterday", o termo
destacado apresenta a seguinte classificação e tradução:
Conheça nossos planos