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Q3367743 Inglês
Choose the sentence that correctly uses indefinite pronouns.
Alternativas
Q3367742 Inglês
Haussmann Architecture


Haussmann eliminated many of the city's mazelike streets and removed more than 12,000 medieval structures during this dark time when Paris was filthy, overcrowded and infested with disease. He redesigned the city with a network of wide, stately boulevards, built 40,000 new buildings and cleared space for Les Halles marketplace and the Palais Garnier (home of the Paris Opera Ballet). The namesake Boulevard Haussmann runs east to west through the 9th arrondissement, near Palais Garnier. He created other structures and public plazas while modernizing the town's sewers, fountains and viaducts as well.

But it was Paris' cavalcade of enchanting apartments and their uniform facades that ultimately transformed the streetscape, making way for a more cohesive, unified city and fulfilling Napoleon III's vision. Lining the city's graceful avenues, these refined Haussmann-style buildings shaped the magnificent town we know today while accounting for about 60% of Parisian architecture.

What are some characteristics of Haussmann architecture?

Although Haussmann-style structures can vary, they were designed to fit certain standards.

Buildings in this style were required to be between 12 and 20 meters (about 39 to 65 feet) high and consist of no more than six stories. Initially, stairs were the only means of reaching different floors. Elevators were added later.

Carriage entrances that connect to a courtyard were likely. These entrances allowed the nobility to enter with their horse-drawn carriages.

"Pièrre de taille"−−also known as ashlar or freestone−− was the material of choice. This stone has a light gray color and is cut or "dressed."

The ground floor of a Haussmann-style building usually accommodated shops, as did the first level, also referred to as the mezzanine. This level has lower ceilings than the upper floors.

The second floor was intended for the upper class and nobility; it's where wealthy Parisians lived. This level boasts the highest ceilings of all the floors−−usually at least 10.5 feet−−as well as a wrought iron wraparound balcony. This level also has the most ornate interior.

Ceiling heights are lower on the third and fourth levels, and the interior detailing is simpler.

The fifth floor was not meant for nobility but offered running balconies to visually balance the building's exterior.

The sixth floor or attic space was reserved for servants. Nowadays, since the highest floor of a Haussmann-style apartment building promises sweeping views of the city's rooftops, these apartments are often in high demand.

Haussmannian architecture is marked by dormer windows and mansard roofs, which had to be angled at 45 degrees to allow the maximum amount of sunlight on the streets below.

Interiors of Haussmann buildings were as elegant as the exteriors. They typically featured herringbone and chevron parquet floors, elaborate plaster or wood moldings, large rooms with tall windows, built-in wardrobes and shelves, marble fireplaces, French doors and tomette terra-cotta tiles, on occasion.

Square footage varies in Haussmann-style apartments. Some flats offer one bedroom and bath, while others are sprawling family apartments with three or four bedrooms and several bathrooms.

The architectural heart and soul of Paris, Haussmann buildings can be found throughout much of the city. However, the greatest concentration is in the 8th, 9th, 10th, 14th, 15th, 16th, 17th, 18th, and 20th arrondissements.



https://www.mansionglobal.com/library/haussmann-architecture
Based on the text, what can be inferred about the social stratification in Paris during the period when Haussmann-style buildings were constructed?
Alternativas
Q3367741 Inglês
Haussmann Architecture


Haussmann eliminated many of the city's mazelike streets and removed more than 12,000 medieval structures during this dark time when Paris was filthy, overcrowded and infested with disease. He redesigned the city with a network of wide, stately boulevards, built 40,000 new buildings and cleared space for Les Halles marketplace and the Palais Garnier (home of the Paris Opera Ballet). The namesake Boulevard Haussmann runs east to west through the 9th arrondissement, near Palais Garnier. He created other structures and public plazas while modernizing the town's sewers, fountains and viaducts as well.

But it was Paris' cavalcade of enchanting apartments and their uniform facades that ultimately transformed the streetscape, making way for a more cohesive, unified city and fulfilling Napoleon III's vision. Lining the city's graceful avenues, these refined Haussmann-style buildings shaped the magnificent town we know today while accounting for about 60% of Parisian architecture.

What are some characteristics of Haussmann architecture?

Although Haussmann-style structures can vary, they were designed to fit certain standards.

Buildings in this style were required to be between 12 and 20 meters (about 39 to 65 feet) high and consist of no more than six stories. Initially, stairs were the only means of reaching different floors. Elevators were added later.

Carriage entrances that connect to a courtyard were likely. These entrances allowed the nobility to enter with their horse-drawn carriages.

"Pièrre de taille"−−also known as ashlar or freestone−− was the material of choice. This stone has a light gray color and is cut or "dressed."

The ground floor of a Haussmann-style building usually accommodated shops, as did the first level, also referred to as the mezzanine. This level has lower ceilings than the upper floors.

The second floor was intended for the upper class and nobility; it's where wealthy Parisians lived. This level boasts the highest ceilings of all the floors−−usually at least 10.5 feet−−as well as a wrought iron wraparound balcony. This level also has the most ornate interior.

Ceiling heights are lower on the third and fourth levels, and the interior detailing is simpler.

The fifth floor was not meant for nobility but offered running balconies to visually balance the building's exterior.

The sixth floor or attic space was reserved for servants. Nowadays, since the highest floor of a Haussmann-style apartment building promises sweeping views of the city's rooftops, these apartments are often in high demand.

Haussmannian architecture is marked by dormer windows and mansard roofs, which had to be angled at 45 degrees to allow the maximum amount of sunlight on the streets below.

Interiors of Haussmann buildings were as elegant as the exteriors. They typically featured herringbone and chevron parquet floors, elaborate plaster or wood moldings, large rooms with tall windows, built-in wardrobes and shelves, marble fireplaces, French doors and tomette terra-cotta tiles, on occasion.

Square footage varies in Haussmann-style apartments. Some flats offer one bedroom and bath, while others are sprawling family apartments with three or four bedrooms and several bathrooms.

The architectural heart and soul of Paris, Haussmann buildings can be found throughout much of the city. However, the greatest concentration is in the 8th, 9th, 10th, 14th, 15th, 16th, 17th, 18th, and 20th arrondissements.



https://www.mansionglobal.com/library/haussmann-architecture
According to the text, which architectural feature was essential for ensuring that sunlight could reach the streets below?
Alternativas
Q3367740 Inglês
Haussmann Architecture


Haussmann eliminated many of the city's mazelike streets and removed more than 12,000 medieval structures during this dark time when Paris was filthy, overcrowded and infested with disease. He redesigned the city with a network of wide, stately boulevards, built 40,000 new buildings and cleared space for Les Halles marketplace and the Palais Garnier (home of the Paris Opera Ballet). The namesake Boulevard Haussmann runs east to west through the 9th arrondissement, near Palais Garnier. He created other structures and public plazas while modernizing the town's sewers, fountains and viaducts as well.

But it was Paris' cavalcade of enchanting apartments and their uniform facades that ultimately transformed the streetscape, making way for a more cohesive, unified city and fulfilling Napoleon III's vision. Lining the city's graceful avenues, these refined Haussmann-style buildings shaped the magnificent town we know today while accounting for about 60% of Parisian architecture.

What are some characteristics of Haussmann architecture?

Although Haussmann-style structures can vary, they were designed to fit certain standards.

Buildings in this style were required to be between 12 and 20 meters (about 39 to 65 feet) high and consist of no more than six stories. Initially, stairs were the only means of reaching different floors. Elevators were added later.

Carriage entrances that connect to a courtyard were likely. These entrances allowed the nobility to enter with their horse-drawn carriages.

"Pièrre de taille"−−also known as ashlar or freestone−− was the material of choice. This stone has a light gray color and is cut or "dressed."

The ground floor of a Haussmann-style building usually accommodated shops, as did the first level, also referred to as the mezzanine. This level has lower ceilings than the upper floors.

The second floor was intended for the upper class and nobility; it's where wealthy Parisians lived. This level boasts the highest ceilings of all the floors−−usually at least 10.5 feet−−as well as a wrought iron wraparound balcony. This level also has the most ornate interior.

Ceiling heights are lower on the third and fourth levels, and the interior detailing is simpler.

The fifth floor was not meant for nobility but offered running balconies to visually balance the building's exterior.

The sixth floor or attic space was reserved for servants. Nowadays, since the highest floor of a Haussmann-style apartment building promises sweeping views of the city's rooftops, these apartments are often in high demand.

Haussmannian architecture is marked by dormer windows and mansard roofs, which had to be angled at 45 degrees to allow the maximum amount of sunlight on the streets below.

Interiors of Haussmann buildings were as elegant as the exteriors. They typically featured herringbone and chevron parquet floors, elaborate plaster or wood moldings, large rooms with tall windows, built-in wardrobes and shelves, marble fireplaces, French doors and tomette terra-cotta tiles, on occasion.

Square footage varies in Haussmann-style apartments. Some flats offer one bedroom and bath, while others are sprawling family apartments with three or four bedrooms and several bathrooms.

The architectural heart and soul of Paris, Haussmann buildings can be found throughout much of the city. However, the greatest concentration is in the 8th, 9th, 10th, 14th, 15th, 16th, 17th, 18th, and 20th arrondissements.



https://www.mansionglobal.com/library/haussmann-architecture
Infer why Haussmann-style buildings incorporated carriage entrances that led to a courtyard, as mentioned in the text
Alternativas
Q3367739 Inglês
Haussmann Architecture


Haussmann eliminated many of the city's mazelike streets and removed more than 12,000 medieval structures during this dark time when Paris was filthy, overcrowded and infested with disease. He redesigned the city with a network of wide, stately boulevards, built 40,000 new buildings and cleared space for Les Halles marketplace and the Palais Garnier (home of the Paris Opera Ballet). The namesake Boulevard Haussmann runs east to west through the 9th arrondissement, near Palais Garnier. He created other structures and public plazas while modernizing the town's sewers, fountains and viaducts as well.

But it was Paris' cavalcade of enchanting apartments and their uniform facades that ultimately transformed the streetscape, making way for a more cohesive, unified city and fulfilling Napoleon III's vision. Lining the city's graceful avenues, these refined Haussmann-style buildings shaped the magnificent town we know today while accounting for about 60% of Parisian architecture.

What are some characteristics of Haussmann architecture?

Although Haussmann-style structures can vary, they were designed to fit certain standards.

Buildings in this style were required to be between 12 and 20 meters (about 39 to 65 feet) high and consist of no more than six stories. Initially, stairs were the only means of reaching different floors. Elevators were added later.

Carriage entrances that connect to a courtyard were likely. These entrances allowed the nobility to enter with their horse-drawn carriages.

"Pièrre de taille"−−also known as ashlar or freestone−− was the material of choice. This stone has a light gray color and is cut or "dressed."

The ground floor of a Haussmann-style building usually accommodated shops, as did the first level, also referred to as the mezzanine. This level has lower ceilings than the upper floors.

The second floor was intended for the upper class and nobility; it's where wealthy Parisians lived. This level boasts the highest ceilings of all the floors−−usually at least 10.5 feet−−as well as a wrought iron wraparound balcony. This level also has the most ornate interior.

Ceiling heights are lower on the third and fourth levels, and the interior detailing is simpler.

The fifth floor was not meant for nobility but offered running balconies to visually balance the building's exterior.

The sixth floor or attic space was reserved for servants. Nowadays, since the highest floor of a Haussmann-style apartment building promises sweeping views of the city's rooftops, these apartments are often in high demand.

Haussmannian architecture is marked by dormer windows and mansard roofs, which had to be angled at 45 degrees to allow the maximum amount of sunlight on the streets below.

Interiors of Haussmann buildings were as elegant as the exteriors. They typically featured herringbone and chevron parquet floors, elaborate plaster or wood moldings, large rooms with tall windows, built-in wardrobes and shelves, marble fireplaces, French doors and tomette terra-cotta tiles, on occasion.

Square footage varies in Haussmann-style apartments. Some flats offer one bedroom and bath, while others are sprawling family apartments with three or four bedrooms and several bathrooms.

The architectural heart and soul of Paris, Haussmann buildings can be found throughout much of the city. However, the greatest concentration is in the 8th, 9th, 10th, 14th, 15th, 16th, 17th, 18th, and 20th arrondissements.



https://www.mansionglobal.com/library/haussmann-architecture
What was the primary purpose of the renovations conducted by Haussmann in Paris according to the text? 
Alternativas
Q3367738 Inglês
Haussmann Architecture


Haussmann eliminated many of the city's mazelike streets and removed more than 12,000 medieval structures during this dark time when Paris was filthy, overcrowded and infested with disease. He redesigned the city with a network of wide, stately boulevards, built 40,000 new buildings and cleared space for Les Halles marketplace and the Palais Garnier (home of the Paris Opera Ballet). The namesake Boulevard Haussmann runs east to west through the 9th arrondissement, near Palais Garnier. He created other structures and public plazas while modernizing the town's sewers, fountains and viaducts as well.

But it was Paris' cavalcade of enchanting apartments and their uniform facades that ultimately transformed the streetscape, making way for a more cohesive, unified city and fulfilling Napoleon III's vision. Lining the city's graceful avenues, these refined Haussmann-style buildings shaped the magnificent town we know today while accounting for about 60% of Parisian architecture.

What are some characteristics of Haussmann architecture?

Although Haussmann-style structures can vary, they were designed to fit certain standards.

Buildings in this style were required to be between 12 and 20 meters (about 39 to 65 feet) high and consist of no more than six stories. Initially, stairs were the only means of reaching different floors. Elevators were added later.

Carriage entrances that connect to a courtyard were likely. These entrances allowed the nobility to enter with their horse-drawn carriages.

"Pièrre de taille"−−also known as ashlar or freestone−− was the material of choice. This stone has a light gray color and is cut or "dressed."

The ground floor of a Haussmann-style building usually accommodated shops, as did the first level, also referred to as the mezzanine. This level has lower ceilings than the upper floors.

The second floor was intended for the upper class and nobility; it's where wealthy Parisians lived. This level boasts the highest ceilings of all the floors−−usually at least 10.5 feet−−as well as a wrought iron wraparound balcony. This level also has the most ornate interior.

Ceiling heights are lower on the third and fourth levels, and the interior detailing is simpler.

The fifth floor was not meant for nobility but offered running balconies to visually balance the building's exterior.

The sixth floor or attic space was reserved for servants. Nowadays, since the highest floor of a Haussmann-style apartment building promises sweeping views of the city's rooftops, these apartments are often in high demand.

Haussmannian architecture is marked by dormer windows and mansard roofs, which had to be angled at 45 degrees to allow the maximum amount of sunlight on the streets below.

Interiors of Haussmann buildings were as elegant as the exteriors. They typically featured herringbone and chevron parquet floors, elaborate plaster or wood moldings, large rooms with tall windows, built-in wardrobes and shelves, marble fireplaces, French doors and tomette terra-cotta tiles, on occasion.

Square footage varies in Haussmann-style apartments. Some flats offer one bedroom and bath, while others are sprawling family apartments with three or four bedrooms and several bathrooms.

The architectural heart and soul of Paris, Haussmann buildings can be found throughout much of the city. However, the greatest concentration is in the 8th, 9th, 10th, 14th, 15th, 16th, 17th, 18th, and 20th arrondissements.



https://www.mansionglobal.com/library/haussmann-architecture
Based on the text, which floor of a Haussmann-style building was specifically designed for the upper class and nobility?
Alternativas
Q3367737 Inglês
Haussmann Architecture


Haussmann eliminated many of the city's mazelike streets and removed more than 12,000 medieval structures during this dark time when Paris was filthy, overcrowded and infested with disease. He redesigned the city with a network of wide, stately boulevards, built 40,000 new buildings and cleared space for Les Halles marketplace and the Palais Garnier (home of the Paris Opera Ballet). The namesake Boulevard Haussmann runs east to west through the 9th arrondissement, near Palais Garnier. He created other structures and public plazas while modernizing the town's sewers, fountains and viaducts as well.

But it was Paris' cavalcade of enchanting apartments and their uniform facades that ultimately transformed the streetscape, making way for a more cohesive, unified city and fulfilling Napoleon III's vision. Lining the city's graceful avenues, these refined Haussmann-style buildings shaped the magnificent town we know today while accounting for about 60% of Parisian architecture.

What are some characteristics of Haussmann architecture?

Although Haussmann-style structures can vary, they were designed to fit certain standards.

Buildings in this style were required to be between 12 and 20 meters (about 39 to 65 feet) high and consist of no more than six stories. Initially, stairs were the only means of reaching different floors. Elevators were added later.

Carriage entrances that connect to a courtyard were likely. These entrances allowed the nobility to enter with their horse-drawn carriages.

"Pièrre de taille"−−also known as ashlar or freestone−− was the material of choice. This stone has a light gray color and is cut or "dressed."

The ground floor of a Haussmann-style building usually accommodated shops, as did the first level, also referred to as the mezzanine. This level has lower ceilings than the upper floors.

The second floor was intended for the upper class and nobility; it's where wealthy Parisians lived. This level boasts the highest ceilings of all the floors−−usually at least 10.5 feet−−as well as a wrought iron wraparound balcony. This level also has the most ornate interior.

Ceiling heights are lower on the third and fourth levels, and the interior detailing is simpler.

The fifth floor was not meant for nobility but offered running balconies to visually balance the building's exterior.

The sixth floor or attic space was reserved for servants. Nowadays, since the highest floor of a Haussmann-style apartment building promises sweeping views of the city's rooftops, these apartments are often in high demand.

Haussmannian architecture is marked by dormer windows and mansard roofs, which had to be angled at 45 degrees to allow the maximum amount of sunlight on the streets below.

Interiors of Haussmann buildings were as elegant as the exteriors. They typically featured herringbone and chevron parquet floors, elaborate plaster or wood moldings, large rooms with tall windows, built-in wardrobes and shelves, marble fireplaces, French doors and tomette terra-cotta tiles, on occasion.

Square footage varies in Haussmann-style apartments. Some flats offer one bedroom and bath, while others are sprawling family apartments with three or four bedrooms and several bathrooms.

The architectural heart and soul of Paris, Haussmann buildings can be found throughout much of the city. However, the greatest concentration is in the 8th, 9th, 10th, 14th, 15th, 16th, 17th, 18th, and 20th arrondissements.



https://www.mansionglobal.com/library/haussmann-architecture
How does the text describe the distribution of Haussmann buildings across Parisian arrondissements?
Alternativas
Q3365250 Português
O Novo Acordo Ortográfico da Língua Portuguesa, que entrou em vigor em 2009 e foi oficialmente adotado em 2016, trouxe várias mudanças significativas nas regras de acentuação. Essas alterações visam unificar a ortografia entre os países lusófonos e simplificar a escrita.
Assinale a alternativa que apresenta corretamente uma mudança nas regras de acentuação prevista nesse referido acordo:
Alternativas
Q3365249 Português
Os Pronomes demonstrativos são os que indicam a posição dos seres em relação às três pessoas do discurso. Esta localização pode ser no tempo, no espaço ou no discurso.
Acerca dessa temática, é CORRETO afirmar que:
Alternativas
Q3365248 Português
O pronome relativo exerce uma função sintática na oração a que pertence, conectando duas orações e substituindo um termo anteriormente mencionado. Ele pode desempenhar papéis variados, como sujeito, objeto direto, objeto indireto, complemento nominal, adjunto adverbial ou predicativo do sujeito. Além de introduzir orações subordinadas adjetivas, os pronomes relativos fornecem coesão e clareza ao texto.
Nesse contexto, assinale a alternativa em que o pronome relativo exerce a função de sujeito:
Alternativas
Q3365247 Pedagogia
A Lei nº 13.005, de 25 de junho de 2014, aprova o Plano Nacional de Educação (PNE) para um período de dez anos, com o objetivo de melhorar a qualidade da educação, garantir igualdade de acesso e valorizar os profissionais da área. As metas do PNE devem ser cumpridas com base na PNAD e nos censos educacionais e demográficos, e o poder público ampliará pesquisas sobre crianças e adolescentes com deficiência. O PNE será monitorado pelo MEC e outras instâncias.
A cada 2 (dois) anos, ao longo do período de vigência deste PNE, ________ publicará estudos para aferir a evolução no cumprimento das metas estabelecidas do plano, com informações organizadas por ente federado e consolidadas em âmbito nacional, tendo como referência os estudos e as pesquisas apresentados nesta Lei , sem prejuízo de outras fontes e informações relevantes.
Assinale a alternativa que corretamente completa a lacuna no excerto: 
Alternativas
Q3365246 Português
Não raro o objeto aparece iniciado por preposição: Amar a Deus sobre todas as coisas . A preposição quase sempre aparece para evidenciar o contraste entre o sujeito e o complemento, não se confundindo com o caso do posvérbio, porque este repercute na significação do verbo. Ocorre o objeto direto preposicionado nos seguintes casos, EXCETO:
Alternativas
Q3365245 Direito da Criança e do Adolescente - Estatuto da Criança e do Adolescente (ECA) - Lei nº 8.069 de 1990
A Lei nº 8.069, de 13 de julho de 1990, institui o Estatuto da Criança e do Adolescente (ECA), estabelecendo a proteção integral a crianças e adolescentes. Define criança como pessoa até doze anos e adolescente como aquela entre doze e dezoito anos, com possíveis exceções até os vinte e um anos. Garante todos os direitos fundamentais, sem discriminação, e destaca a responsabilidade da família, comunidade, sociedade e poder público em assegurar esses direitos prioritariamente. Proíbe qualquer forma de negligência, discriminação, exploração, violência, crueldade e opressão contra crianças e adolescentes, assegurando punições legais para tais atos.
Na interpretação desta Lei, segundo o seu Artigo 6º, levar-se-ão em conta:
Alternativas
Q3365244 Português
Chamam-se fonemas os sons elementares e distintivos que o homem produz quando, pela voz, exprime seus pensamentos e emoções. Desde logo uma distinção se impõe: não se há de confundir fonema com letra. Fonema é uma realidade acústica, realidade que nosso ouvido registra; enquanto letra é:
Alternativas
Q3365243 Pedagogia
Jean Piaget, biólogo e epistemólogo suíço, focou na investigação de como os seres humanos constroem o conhecimento, desenvolvendo a teoria da epistemologia genética, que estuda a gênese do conhecimento. Ele analisou como as estruturas de pensamento evoluem desde níveis simples, típicos de bebês, até formas complexas, como o pensamento abstrato. Piaget observou que o desenvolvimento humano é um processo de equilibração progressiva, que se dá em diferentes aspectos da vida, como inteligência e relações sociais. Usando o método clínico, estudou a evolução do pensamento e da moralidade, constatando que, apesar das diferenças de capacidade entre crianças e adultos, ambos utilizam mecanismos cognitivos semelhantes.
Nesse processo de permanente reajustamento, o sujeito aciona os mecanismos de:
Alternativas
Q3365242 Português
O português, como outras línguas, apresenta normas textuais para nos referirmos no enunciado às palavras ou aos pensamentos de responsabilidade do nosso interlocutor, mediante os chamados discurso direto, discurso indireto e discurso indireto livre.

Em relação a essa temática, analise as afirmações que seguem:
I.No discurso direto reproduzimos ou supomos reproduzir fiel e textualmente as nossas palavras e as do nosso interlocutor, em diálogo, com a ajuda explícita ou não de verbos como disse, respondeu, perguntou, retrucou ou sinônimos.
II.No discurso indireto os verbos se inserem na oração principal de uma oração complexa tendo por subordinada as porções do enunciado que reproduzem as palavras próprias ou do nosso interlocutor. Introduzem-se pelo transpositor que, pela dubitativa se e pelos pronomes e advérbios de natureza pronominal quem, qual, onde, como, por que, quando, etc.
III.O discurso indireto livre consiste em, conservando os enunciados próprios do nosso interlocutor, não fazer-lhe referência direta. Uma particularidade do estilo indireto livre é a permanência das interrogações e exclamações da forma oracional originária, ao contrário do caráter declarativo do estilo indireto.
Moderna gramática portuguesa / Evanildo Bechara. − 37. ed. rev., ampl. e atual. conforme o novo Acordo Ortográfico. − Rio de Janeiro : Nova Fronteira, 2009.
Está CORRETO o que se afirma em:
Alternativas
Q3365241 Pedagogia
A BNCC em Língua Portuguesa dialoga com documentos curriculares anteriores, atualizando-os conforme pesquisas recentes e transformações nas práticas de linguagem devido ao avanço das tecnologias digitais. A proposta centraliza o texto e a perspectiva enunciativo-discursiva, relacionando textos a seus contextos de produção e desenvolvendo habilidades significativas em leitura, escuta e produção textual em várias mídias. Também considera práticas contemporâneas de linguagem para assegurar uma participação mais crítica nas esferas sociais. Essa abordagem promove a inclusão de novos e multiletramentos, integrando diversidade cultural e linguística no currículo escolar.
Considerando esse conjunto de princípios e pressupostos, os eixos de integração considerados na BNCC de Língua Portuguesa são aqueles já consagrados nos documentos curriculares da Área, correspondentes às práticas de linguagem:
Alternativas
Q3365240 Pedagogia
A exibição de filmes de produção nacional nas escolas é uma prática que contribui significativamente para a formação educacional e cultural dos estudantes. Esta prática não só enriquece o currículo escolar, mas também está amparada pela legislação brasileira, em especial pela Lei de Diretrizes e Bases da Educação Nacional (Lei nº 9394/96), que reforça a importância do acesso à cultura e à arte na educação.
Segundo a referida Lei, a exibição de filmes de produção nacional constituirá componente curricular complementar integrado à proposta pedagógica da escola, sendo a sua exibição obrigatória por, no mínimo:
Alternativas
Q3365239 Linguística
É o fato de haver uma só forma (significante) com mais de um significado unitário pertencentes a campos semânticos diferentes. Ou, em outras palavras, é um conjunto de significados, cada um unitário, relacionados com uma mesma forma. Portanto, não se pode ver como "significados imprecisos e indeterminados", porque cada um desses significados é preciso e determinado: pregar (um sermão) − pregar (= preguear uma bainha da roupa) − pregar (um prego).
O presente conceito está se referindo à:
Alternativas
Q3365238 Português
A concordância pode ser nominal ou verbal − Diz-se concordância nominal a que se verifica em gênero e número entre o adjetivo e o pronome (adjetivo), o artigo, o numeral ou o particípio (palavras determinantes) e o substantivo ou pronome (palavras determinadas) a que se referem.

Considerando essa temática, analise as afirmativas apresentadas a seguir. Registre V, para verdadeiras, e F, para falsas:
(__) Um e outro, nem um nem outro − Com um e outro, põe-se no singular o determinado (substantivo), e no singular ou no plural o verbo da oração, quando estas expressões aparecem como sujeito.
(__) Mesmo, próprio, só − Concordam com a palavra determinada em gênero e número.
(__) Possível − Com o mais possível, o menos possível, o melhor possível, o pior possível, quanto possível, o adjetivo possível fica invariável, ainda que se afaste da palavra mais. Com o plural os mais, os menos, os piores, os melhores, o adjetivo possível vai ao plural. Assinale a alternativa com a sequência CORRETA:
Alternativas
Respostas
11461: D
11462: A
11463: C
11464: B
11465: B
11466: C
11467: A
11468: A
11469: D
11470: A
11471: B
11472: D
11473: D
11474: B
11475: D
11476: C
11477: A
11478: B
11479: C
11480: B