Questões de Vestibular Sobre inglês

Foram encontradas 6.367 questões

Ano: 2018 Banca: VUNESP Órgão: FAMEMA Prova: VUNESP - 2018 - FAMEMA - Vestibular 2019 - Prova II |
Q1344607 Inglês

        Fake news can distort people’s beliefs even after being debunked. A study recently published in the journal Intelligence suggests that some people may have an especially difficult time rejecting misinformation. Asked to rate a fictitious person on a range of character traits, people who scored low on a test of cognitive ability continued to be influenced by damaging information about the person even after they were explicitly told the information was false. The study is significant because it identifies what may be a major risk factor for vulnerability to fake news.

       One possible explanation for this finding is based on the theory that a person’s cognitive ability reflects how well they can regulate the contents of working memory – their “mental workspace” for processing information. First proposed by the cognitive psychologists Lynn Hasher and Rose Zacks, this theory holds that some people are more prone to “mental clutter” than other people. In other words, some people are less able to discard (or “inhibit”) information from their working memory that is no longer relevant to the task at hand, or information that has been discredited. Research on cognitive aging indicates that, in adulthood, this ability declines considerably with advancing age, suggesting that older adults may also be especially vulnerable to fake news. Another reason why cognitive ability may predict vulnerability to fake news is that it correlates highly with education. Through education, people may develop meta-cognitive skills – strategies for monitoring and regulating one’s own thinking – that can be used to combat the effects of misinformation.


(www.scientificamerican.com, 06.02.2018. Adaptado.)

O tema central do texto é
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Ano: 2018 Banca: INEP Órgão: IF Sul Rio-Grandense Prova: INEP - 2018 - IF Sul Rio-Grandense - Vestibular Segundo Semestre - Língua Inglesa |
Q1344101 Inglês

INSTRUÇÃO: Para responder à questão, considere o texto abaixo. 



Considere o emprego do ´s nas seguintes afirmações.
I - “Th brain's neuroplasticity” (l. 02) é a contração de “has”.
II - “It´s often said” (l. 04) é a contração de “is”.
III - “one 's brain” (l. 28) é a contração do “genitive case”.

Quais estão corretas?
Alternativas
Ano: 2018 Banca: INEP Órgão: IF Sul Rio-Grandense Prova: INEP - 2018 - IF Sul Rio-Grandense - Vestibular Segundo Semestre - Língua Inglesa |
Q1344100 Inglês

INSTRUÇÃO: Para responder à questão, considere o texto abaixo. 



O “phrasal verb” “put off” (l. 02) é sinônimo de
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Ano: 2018 Banca: IF-RS Órgão: IF-RS Prova: IF-RS - 2018 - IF-RS - Vestibular |
Q1340912 Inglês

INSTRUÇÃO: Para responder às questão, considere o texto abaixo.


Am I too old to learn a new language?


Adapted from:<https://www.theguardian.com/education/2014/sep/13/am-i-too-old-to-learn-a-language>. Accessed on March 19, 2018.


Assinale a alternativa que apresenta o significado do provérbio “you can´t teach an old dog new tricks” (l. 04).
Alternativas
Ano: 2018 Banca: IF-RS Órgão: IF-RS Prova: IF-RS - 2018 - IF-RS - Vestibular |
Q1340911 Inglês

INSTRUÇÃO: Para responder às questão, considere o texto abaixo.


Am I too old to learn a new language?


Adapted from:<https://www.theguardian.com/education/2014/sep/13/am-i-too-old-to-learn-a-language>. Accessed on March 19, 2018.


Segundo o professor Albert Costa (l. 13 a l. 17),
Alternativas
Ano: 2018 Banca: IF-RS Órgão: IF-RS Prova: IF-RS - 2018 - IF-RS - Vestibular |
Q1340910 Inglês

INSTRUÇÃO: Para responder às questão, considere o texto abaixo.


Am I too old to learn a new language?


Adapted from:<https://www.theguardian.com/education/2014/sep/13/am-i-too-old-to-learn-a-language>. Accessed on March 19, 2018.


Considere o emprego do ´s nas seguintes afirmações.


I - “The brain's neuroplasticity” (l. 02) é a contração de “has”.

II - “It´s often said” (l. 04) é a contração de “is”.

III - “one's brain” (l. 28) é a contração do “genitive case”.



Quais estão corretas?

Alternativas
Ano: 2018 Banca: IF-RS Órgão: IF-RS Prova: IF-RS - 2018 - IF-RS - Vestibular |
Q1340909 Inglês

INSTRUÇÃO: Para responder às questão, considere o texto abaixo.


Am I too old to learn a new language?


Adapted from:<https://www.theguardian.com/education/2014/sep/13/am-i-too-old-to-learn-a-language>. Accessed on March 19, 2018.


O “phrasal verb” “put off” (l. 02) é sinônimo de
Alternativas
Ano: 2018 Banca: IF-RS Órgão: IF-RS Prova: IF-RS - 2018 - IF-RS - Vestibular |
Q1340908 Inglês

INSTRUÇÃO: Para responder às questão, considere o texto abaixo.


Am I too old to learn a new language?


Adapted from:<https://www.theguardian.com/education/2014/sep/13/am-i-too-old-to-learn-a-language>. Accessed on March 19, 2018.


Assinale a alternativa que apresenta o principal objetivo do texto.
Alternativas
Ano: 2018 Banca: INEP Órgão: IF Goiano Prova: INEP - 2018 - IF Goiano - Vestibular Primeiro Semestre |
Q1339433 Inglês
Imagem associada para resolução da questão

Disponível em:<http://culturaesquizofrenica.blogspot.com/2012/02/historias-cruzadas-help.html>. Acesso em: 17 out. 2018. 


The four women shown in the picture (Text 3) are in different positions: two standing and two sitting. These positions may be related to 
Alternativas
Ano: 2018 Banca: INEP Órgão: IF Goiano Prova: INEP - 2018 - IF Goiano - Vestibular Primeiro Semestre |
Q1339432 Inglês
The cartoon (Text 2) expresses the man’s desire to be taken as fast as possible to a street called “13 de Maio de 1888”. Based on the information conveyed by the cartoon, prejudice against black people underlies some elements, such as
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Ano: 2018 Banca: VUNESP Órgão: EINSTEIN Prova: VUNESP - 2018 - EINSTEIN - Vestibular 2019 - Prova 1 |
Q1339200 Inglês

Read the ad.

Imagem associada para resolução da questão

This piece of advertisement is asking people to make a difference by

Alternativas
Ano: 2018 Banca: VUNESP Órgão: EINSTEIN Prova: VUNESP - 2018 - EINSTEIN - Vestibular 2019 - Prova 1 |
Q1339199 Inglês
The text concludes by stating that tech innovations in South Korea
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Ano: 2018 Banca: VUNESP Órgão: EINSTEIN Prova: VUNESP - 2018 - EINSTEIN - Vestibular 2019 - Prova 1 |
Q1339198 Inglês
According to the third paragraph, PM2.5 is currently a topic of greatest concern in Seoul because
Alternativas
Ano: 2018 Banca: VUNESP Órgão: EINSTEIN Prova: VUNESP - 2018 - EINSTEIN - Vestibular 2019 - Prova 1 |
Q1339197 Inglês
The pilot program mentioned in the second paragraph uses UAVs primarily to
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Ano: 2018 Banca: VUNESP Órgão: EINSTEIN Prova: VUNESP - 2018 - EINSTEIN - Vestibular 2019 - Prova 1 |
Q1339196 Inglês
The text deals with a main public interest issue in South Korea related to
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Ano: 2018 Banca: EBMSP Órgão: EBMSP Prova: EBMSP - 2018 - EBMSP - Prosef - 2019.1 |
Q1336784 Inglês


CARA, Alessia. Scars to your beautiful. Disponível em: <https://www.google.com.br/ search?q=Scars+to+your+beautiful+lyrics&rlz>. Acesso em: nov. 2018.
As for the girl of the song, the songwriter
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Ano: 2018 Banca: EBMSP Órgão: EBMSP Prova: EBMSP - 2018 - EBMSP - Prosef - 2019.1 |
Q1336783 Inglês


CARA, Alessia. Scars to your beautiful. Disponível em: <https://www.google.com.br/ search?q=Scars+to+your+beautiful+lyrics&rlz>. Acesso em: nov. 2018.
The only statement that is not true about the girl profiled in this song is that she
Alternativas
Ano: 2018 Banca: EBMSP Órgão: EBMSP Prova: EBMSP - 2018 - EBMSP - Prosef - 2019.1 |
Q1336782 Inglês
    Rather than a stable set of features, physical beauty is an ever-morphing construct. But female beauty ideals tend nevertheless to have outlines. These have been most visible throughout history in the pictures drawn by those self-elected gods we call artists. History provides us a record, and from it one basic truth stands out: the ideals women are asked to embody, regardless of culture or continent, have been hammered out almost exclusively by men.
     Consider, for instance, the ways that figure shaping has altered over the centuries. Some 150 years ago, women in Europe began wearing bustles beneath their dresses that greatly enlarged the profile of their buttocks. More recently, the notion of sculpting has been applied directly to the body. In the 1960s, it took the form of dieting, which produced the sort of extremely skinny figure we associate with such models as Twiggy. Her thinness connoted vitality, an escape from the matronhood idealized by earlier generations, as well as an innocent, insouciant sexuality that was not dissimilar to a Roman-era depiction of the Three Graces.
     Consumerism, of which diet fads are certainly a part, has significantly expanded the range of off-the-shelf options for bodily enhancement. In the 1980s and ’90s, women frequently turned to surgery – breast or buttocks augmentation, nose jobs – and other non-surgical interventions such as Botox and tanning.
     It’s worth noting that if art holds a mirror up to culture, it has with rare exception failed to reflect a manifestation of female beauty of the last decade: the high-performance, muscled athlete. Popular magazines like ESPN The Magazine’s “Body Issue” have made gestures in this direction, by putting women like Serena Williams on the cover. But, in large part, art seems not to have taken account of the fact that the athlete has become a figure of everyday life, not just a pro.

KUNITZ, Daniel. Disponível em: <www.artsy.net/article/artsy-editorial-how-art-hasshaped-female-beauty-ideals-history>. Acesso em: nov. 2018. Adaptado.
Considering the figure of athletic women, the text says that
Alternativas
Ano: 2018 Banca: EBMSP Órgão: EBMSP Prova: EBMSP - 2018 - EBMSP - Prosef - 2019.1 |
Q1336781 Inglês
    Rather than a stable set of features, physical beauty is an ever-morphing construct. But female beauty ideals tend nevertheless to have outlines. These have been most visible throughout history in the pictures drawn by those self-elected gods we call artists. History provides us a record, and from it one basic truth stands out: the ideals women are asked to embody, regardless of culture or continent, have been hammered out almost exclusively by men.
     Consider, for instance, the ways that figure shaping has altered over the centuries. Some 150 years ago, women in Europe began wearing bustles beneath their dresses that greatly enlarged the profile of their buttocks. More recently, the notion of sculpting has been applied directly to the body. In the 1960s, it took the form of dieting, which produced the sort of extremely skinny figure we associate with such models as Twiggy. Her thinness connoted vitality, an escape from the matronhood idealized by earlier generations, as well as an innocent, insouciant sexuality that was not dissimilar to a Roman-era depiction of the Three Graces.
     Consumerism, of which diet fads are certainly a part, has significantly expanded the range of off-the-shelf options for bodily enhancement. In the 1980s and ’90s, women frequently turned to surgery – breast or buttocks augmentation, nose jobs – and other non-surgical interventions such as Botox and tanning.
     It’s worth noting that if art holds a mirror up to culture, it has with rare exception failed to reflect a manifestation of female beauty of the last decade: the high-performance, muscled athlete. Popular magazines like ESPN The Magazine’s “Body Issue” have made gestures in this direction, by putting women like Serena Williams on the cover. But, in large part, art seems not to have taken account of the fact that the athlete has become a figure of everyday life, not just a pro.

KUNITZ, Daniel. Disponível em: <www.artsy.net/article/artsy-editorial-how-art-hasshaped-female-beauty-ideals-history>. Acesso em: nov. 2018. Adaptado.
As far as figure shaping has changed over time, the text says that
Alternativas
Ano: 2018 Banca: EBMSP Órgão: EBMSP Prova: EBMSP - 2018 - EBMSP - Prosef - 2019.1 |
Q1336780 Inglês
    Rather than a stable set of features, physical beauty is an ever-morphing construct. But female beauty ideals tend nevertheless to have outlines. These have been most visible throughout history in the pictures drawn by those self-elected gods we call artists. History provides us a record, and from it one basic truth stands out: the ideals women are asked to embody, regardless of culture or continent, have been hammered out almost exclusively by men.
     Consider, for instance, the ways that figure shaping has altered over the centuries. Some 150 years ago, women in Europe began wearing bustles beneath their dresses that greatly enlarged the profile of their buttocks. More recently, the notion of sculpting has been applied directly to the body. In the 1960s, it took the form of dieting, which produced the sort of extremely skinny figure we associate with such models as Twiggy. Her thinness connoted vitality, an escape from the matronhood idealized by earlier generations, as well as an innocent, insouciant sexuality that was not dissimilar to a Roman-era depiction of the Three Graces.
     Consumerism, of which diet fads are certainly a part, has significantly expanded the range of off-the-shelf options for bodily enhancement. In the 1980s and ’90s, women frequently turned to surgery – breast or buttocks augmentation, nose jobs – and other non-surgical interventions such as Botox and tanning.
     It’s worth noting that if art holds a mirror up to culture, it has with rare exception failed to reflect a manifestation of female beauty of the last decade: the high-performance, muscled athlete. Popular magazines like ESPN The Magazine’s “Body Issue” have made gestures in this direction, by putting women like Serena Williams on the cover. But, in large part, art seems not to have taken account of the fact that the athlete has become a figure of everyday life, not just a pro.

KUNITZ, Daniel. Disponível em: <www.artsy.net/article/artsy-editorial-how-art-hasshaped-female-beauty-ideals-history>. Acesso em: nov. 2018. Adaptado.
According to the text, fill in the blanks with T (True) or F (False). It’s stated in the text
( ) Standards of feminine physical beauty have changed markedly over time.
( ) Just one type of female beauty has remained unchanged at all times and places.
( ) Some feminine physical features have been praised as universally appealing in all cultures.
( ) In general, images of women have historically followed a pattern set down by men.
The correct sequence, from top to bottom, is
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Respostas
1681: E
1682: D
1683: E
1684: C
1685: A
1686: D
1687: E
1688: B
1689: C
1690: B
1691: B
1692: C
1693: A
1694: E
1695: B
1696: A
1697: C
1698: B
1699: C
1700: B