Questões de Concurso Público SEDUC-RS 2025 para Professor - Letras/Inglês
Foram encontradas 60 questões
I. o empenho para incluir as TDIC nas ações pedagógicas visa à promoção de uma aprendizagem crítica, interdisciplinar e colaborativa
PORQUE
II. as tendências pedagógicas contemporâneas respondem às demandas sociais e integram espaços formais e informais de aprendizagem.
Com base nas proposições apresentadas, assinale a alternativa correta.
1. Educação Ambiental como prática político-pedagógica.
2. Superação da visão despolitizada, ingênua e naturalista.
3. Associação entre ciência e tecnologia, visando à sustentabilidade.
4. Formação dos educandos por meio de uma abordagem crítica e transformadora.
( ) Fundada em valores de liberdade, igualdade, solidariedade, democracia, justiça social e sustentabilidade.
( ) Integração dos estudantes com os objetivos da EA em cada fase, etapa, modalidade e nível de ensino.
( ) Reconhecimento de que as mudanças climáticas estão ligadas aos modos de vida e produção.
( ) Promoção da interface entre natureza, sociocultural, produção, trabalho e consumo.
Durante o período de matrículas escolares, uma mãe procurou a secretaria de uma escola pública para tentar matricular seu filho de 13 anos com Transtorno do Espectro Autista (TEA). No entanto, a secretaria da escola informou que as vagas estavam esgotadas e indicou que a mãe procurasse uma escola especializada para atender às necessidades do adolescente.
Com base na Lei nº 12.764/2012, que institui a Política Nacional de Proteção dos Direitos da Pessoa com Transtorno do Espectro Autista, assinale a alternativa correta em relação à situação descrita.
Considere que a Secretaria de Educação (Seduc) demandou que as escolas, ao longo do ano letivo, desenvolvam ações de valorização da história e cultura afro-brasileira no cotidiano escolar. O propósito é combater o racismo estrutural e valorizar a trajetória histórica e cultural de personagens negros gaúchos.
Diante desse contexto, à luz da Resolução CNE/CP nº 1/2004, é correto afirmar que
Teacher: There is a backpack on the table… repeat! Students: There is a backpack on the table. Teacher: Spoon. Students: There is a spoon on the table. Teacher: On the chair. Students: There is a spoon on the chair. Teacher: Bucket. Students: There is a bucket on the chair.
This dialogue can be understood as a representation of
Ain't got no home, ain't got no shoes Ain't got no money, ain't got no class Ain't got no skirts, ain't got no sweaters Ain't got no perfume, ain't got no love Ain't got no faith
Ain't got no culture, ain't got no mother Ain't got no father, ain't got no brother Ain't got no children, ain't got no aunts Ain't got no uncles, ain't got no love Ain't got no mind
Ain't got no country ain't got no schooling Ain't got no friends, ain't got no nothing Ain't got no water, ain't got no air Ain't got no smokes, ain't got no ticket
Ain't got no water, ain't got no love Ain't got no hair, ain't got no God Ain't got no wine, ain't got no money Ain't got no bed, ain't got no God Ain't got no love
What have I got? Why am I alive anyway? Yeah, what have I got? Nobody can take away
Source: https://www.letras.mus.br/nina-simone/aint-got-noigot-life/
As an English teacher, how would you explain the linguistic choices of the song based on the recommendations brought by the Brazilian National Common Core Curriculum (Base Nacional Comum Curricular)?
It’s 12.33 am and I start to write in this dark and silent room. Outside through the open window I hear voices in the night and police sirens in the distance.
I’m 26 years and a few months old; most people would say that my life is ahead of me, that nothing has started yet, but for a long time now I’ve been living with the feeling that I’ve lived too much; I imagine that’s why the need to write is so deep, to fix the past in writing and, I suppose, to get rid of it, or maybe, conversely, the past is so anchored in me now that I’m forced to talk about it, at every moment, on every occasion, maybe it has won out, and by believing I’m getting rid of it I’m only bolstering its existence and its ascendency over my life, maybe I’m trapped – I don’t know.
When I was 21 it was already too late, I’d already lived too much – I’d known misery, poverty in my childhood, my mother asking me time and again to go and knock on the neighbours’ or my aunt’s door with an imploring voice so they’d give us a packet of pasta and a jar of tomato sauce because she had no more money and she knew that a child would be more easily pitied than an adult.
I’d known violence, my cousin who died in prison at 30, my older brother who was sick with alcoholism even as a teenager, who woke up drunk most mornings because his body was so steeped in alcohol, my mother who denied it with all her might to protect her son who swore to us every time he drank that it was the last time, that after that he’d never drink again. The fights in the village cafe, the obsessive racism of rural, isolated communities, underlying every sentence, or even every word.
Source: https://www.theguardian.com/books/2024/jan/28/edouard-louischange-book-extract
The narrator in this passage