Questões de Concurso Sobre vocabulário | vocabulary em inglês

Foram encontradas 3.120 questões

Q4046840 Inglês
O texto seguinte servirá de base para responder à questão.


Mark Zuckerberg admits he got it 'wrong' as Meta fires 11,000 Facebook and Instagram staff


(1º§)The company - which includes Facebook, Instagram and WhatsApp - will see 13 per cent of its 87,000-person global workforce gone. Zuck, 38, described the painful move as "the most difficult changes we've made in Meta's history". "I know this is tough for everyone, and I'm especially sorry to those impacted," he told staff on Wednesday.

(2º§)Meta has been hit by soaring costs and a weaker advertising market, which it heavily relies on to ake money. The social network has also taken a massive gamble with Zuckerberg's metaverse dream, ploughing billions into the project.

(3º§)It's the first set of broad job cuts in Meta's 18-year history. Other tech giants are going through a similar squeeze, including Twitter which recently let go of around half its 7,500 workforce - as part of Elon Musk's $44billion takeover. Unlike most companies, Facebook was one of the few winners during Covid as the world depended on online platforms.

(4º§)But Zuckerberg admits he was wrong to significantly increase investments, believing Meta's surge during the pandemic would continue. "I got this wrong, and I take responsibility for that," he said. "We've cut costs across our business, including scaling back budgets, reducing perks, and shrinking our real estate footprint.

(5º§)"We're restructuring teams to increase our efficiency. "But these measures alone won't bring our expenses in line with our revenue growth, so I've also made the hard decision to let people go." Most affected staff will be frozen out from Meta's top secret systems today, with the exception of their emails.


saaf/ ://www.thesun.co.uk/tech/20370977/facebook-meta-lay-off-11000-staff/
Consider the following assertives:

I.The word "perks" (4º§) could be translated as "benefícios".
II.The word "plowing" (2º§) can be an adverb.
III.The word "shrinking" (4º§) could be replaced by "lengthen".

Which one(s) is(are) correct?
Alternativas
Q4046677 Inglês
Pulp Literature Magazine is open to submissions


   They're open for fiction submissions from Canadian writers only in February and will open general submissions (for all writers) in March. They want any genre or betweengenre work of literature up to 50 pages in length. They accept short stories, novellas, poetry, and comics. They take all genres of fiction, not just pulp - including fantasy, romance, mystery, literary. They do not publish nonfiction, memoir, or children's stories. They take more short fiction than novellas. They also publish reprints. Please note, fiction submission is via a form on their website, which may close temporarily even during open reading periods, if submissions get overwhelming. They accept queries for art. Submission is via a form.
   Deadline: 28 February 2026 (Canadian writers only).
   Length: Up to 10,000 words (prefer up to 4,000 words).
   Pay: $0.05 - $0.08 per word for short stories (to 5000 words), $0.03 - $0.06 per word between 5,000 and 10,000 words, and $0.02 - $0.04 per word for works over 10,000 words; $25-50 for poetry and art; $25-75/page for sequential art.


Fonte: https://www.freedomwithwriting.com/freedom/uncategorized/10- magazines-and-anthologies-paying-up-to-600-for-short-stories/
Consider the expressions extracted from the text below. Mark T (True) if they function as collocations, or F (False) if they do not:

() "short stories". () "general submissions". () "per word". () "please note".

Which option CORRECTLY fills in the parentheses above, from top to bottom?
Alternativas
Q4045323 Inglês

O texto seguinte servirá de base para responder à questão.



(1º§)Clothing of Ancient Romans were generally simple but that doesn't mean it didn't change through time, although slowly. Roman clothing consisted of toga, tunic and stola.


(2º§)The most commonly used material for their clothing was wool but they also used and produced linen and hemp. The production of these fibers was very similar. After the harvest the fibers were immersed in water and then aired. After that, fibers were pressed mechanically with a mallet and smoothed with large combs. Fibers were then spun and woven on looms.


(3º§)While wool, hemp and hemp were produced on the Roman territory, silk and cotton were imported from China and India. Because they were very expensive, they were reserved for higher classes. From exotic materials, Romans also used wild silk that is collected from the wild after the insect had eaten its way out; and sea silk that comes from the endemic "noble pen shell" that lives only in Mediterranean. Although we think that all roman clothes were white (because of the statues), Romans dyed theirs clothes in purple, indigo, red, yellow and other colors. Leather was used for protection against poor weather (from leather were made heavy coats for Roman soldiers), but its primary use was in footwear and belts. Animal skins were also worn by soldiers. Legionaries wore bearskins while Praetorians preferred feline skins.


(4º§)Toga was probably the most significant item in the ancient Roman wardrobe. It was made of wool and was designed under the influence of the Etruscans and their clothes. Basically the toga was a large blanket, draped over the body, leaving one arm free. Reason why the free citizens were required to wear togas was to differ from slaves who wore tunics. Togas were forbidden for foreigners and fro exiled Romans.


(5º§)Tunic is adopted from the Greeks and was worn by everybody citizens, slaves and non-Romans and by both genres. Wearer's status in Roman society was shown with color and decorations of the tunic. It was worn as a shirt or a gown or as undergarments.


(6º§)Stola was traditional clothing of Roman women made of linen, cotton or wool. It was reserved for women since 2nd century BC when the toga started to be clothing reserved for men. It was a long, pleated dress, worn over a tunic. It generally had no sleeves but there were versions with shorter and longer sleeves. Sleeveless version was fastened by clasps at the shoulders. It also had belts or two that held stola.


(7º§)From the late Republic to the end of the Western empire, clothing of Ancient Rome slowly changed. After the Diocletian's reforms, clothing worn by soldiers and non-military members of government became very decorated. Their tunics and cloaks were decorated with woven or embellished strips and circular roundels. Silk was used more than ever. Bureaucrats started using pieces of clothing that were before reserved only for military. People started wearing even the trousers which was before that considered as a sign of cultural decay because only barbarians wore trousers at that time.



http://www.historyofclothing.com/


http://www.historyofclothing.com/

"From exotic materials, Romans also used wild silk that is collected from the wild after the insect had eaten its way out ." (3º§)



The word in bold can be translated as: 

Alternativas
Q4045321 Inglês

O texto seguinte servirá de base para responder à questão.



(1º§)Clothing of Ancient Romans were generally simple but that doesn't mean it didn't change through time, although slowly. Roman clothing consisted of toga, tunic and stola.


(2º§)The most commonly used material for their clothing was wool but they also used and produced linen and hemp. The production of these fibers was very similar. After the harvest the fibers were immersed in water and then aired. After that, fibers were pressed mechanically with a mallet and smoothed with large combs. Fibers were then spun and woven on looms.


(3º§)While wool, hemp and hemp were produced on the Roman territory, silk and cotton were imported from China and India. Because they were very expensive, they were reserved for higher classes. From exotic materials, Romans also used wild silk that is collected from the wild after the insect had eaten its way out; and sea silk that comes from the endemic "noble pen shell" that lives only in Mediterranean. Although we think that all roman clothes were white (because of the statues), Romans dyed theirs clothes in purple, indigo, red, yellow and other colors. Leather was used for protection against poor weather (from leather were made heavy coats for Roman soldiers), but its primary use was in footwear and belts. Animal skins were also worn by soldiers. Legionaries wore bearskins while Praetorians preferred feline skins.


(4º§)Toga was probably the most significant item in the ancient Roman wardrobe. It was made of wool and was designed under the influence of the Etruscans and their clothes. Basically the toga was a large blanket, draped over the body, leaving one arm free. Reason why the free citizens were required to wear togas was to differ from slaves who wore tunics. Togas were forbidden for foreigners and fro exiled Romans.


(5º§)Tunic is adopted from the Greeks and was worn by everybody citizens, slaves and non-Romans and by both genres. Wearer's status in Roman society was shown with color and decorations of the tunic. It was worn as a shirt or a gown or as undergarments.


(6º§)Stola was traditional clothing of Roman women made of linen, cotton or wool. It was reserved for women since 2nd century BC when the toga started to be clothing reserved for men. It was a long, pleated dress, worn over a tunic. It generally had no sleeves but there were versions with shorter and longer sleeves. Sleeveless version was fastened by clasps at the shoulders. It also had belts or two that held stola.


(7º§)From the late Republic to the end of the Western empire, clothing of Ancient Rome slowly changed. After the Diocletian's reforms, clothing worn by soldiers and non-military members of government became very decorated. Their tunics and cloaks were decorated with woven or embellished strips and circular roundels. Silk was used more than ever. Bureaucrats started using pieces of clothing that were before reserved only for military. People started wearing even the trousers which was before that considered as a sign of cultural decay because only barbarians wore trousers at that time.



http://www.historyofclothing.com/


http://www.historyofclothing.com/

Consider the text and the following assertives:



I.The word "looms" (2º§) could be translated as "teares".


II.The word "also" (3º§) can be a noun.


III.The word "clasps" (6º§) could be replaced by "regards".



Which one(s) is(are) correct?

Alternativas
Q4043668 Inglês

Text 1


Where did English come from?






Blanco, C. (2025, April 17). Dear Duolingo: Where did English come from? Duolingo Blog. https://blog.duolingo.com/history-of-english-language/

In the excerpt “English became the predominant language of Engla lond”, the lexical item predominant, when interpreted according to the semantic progression established in the text, conveys the notion of a language that:
Alternativas
Q4042727 Inglês

To answer question, read the text below.


The Language of Performance

    Well, the word “performative” is generally meant as an insult. It’s meant to trivialize and indicate that someone is play-acting or “faking it.” It suggests that someone is only doing something to be seen doing it, and not because it represents a sincere interest or enjoyment.


    This is one of those situations in which metaphors are overextended, and language distorts rather than describes natural human behavior. It is normal for our species for men and women to “perform” acts to impress both our own sex and the opposite sex. Males and females have different sex “roles,” and we “perform” acts to satisfy those roles.


    The language seems to “portray” us as “actors performing roles” and implies that we are all essentially “lying” or “faking.” This is the kind of wordcel wordtrap that lends itself to Marxist gender theory ideology and postmodernist thinking.


    “Nothing is real, everything is fake. Everything is a performance.”


    That’s a frame, but it isn’t the whole picture.


    Men are primates. We imitate each other. Monkey see, monkey do. And yes, we do things to try to impress each other. You can frame that in a way that seems trivial or superficial, but it is also foundational to human nature and social hierarchy.


    Fonte: https//mrjackdonovan.substack.com/p/on-performative-males

Collocations are pairs or groups of words that are habitually juxtaposed in English. Based on this concept, identify which of the following terms from the text are examples of collocations:



I. Whole picture (Fifth paragraph)


II. Human nature (Sixth paragraph)


III. Social hierarchy (Sixth paragraph)


IV. Sex roles (Second paragraph)


V. Human behavior (Second paragraph)



Which of the statements are CORRECT?

Alternativas
Q4042726 Inglês

To answer question, read the text below.


The Language of Performance

    Well, the word “performative” is generally meant as an insult. It’s meant to trivialize and indicate that someone is play-acting or “faking it.” It suggests that someone is only doing something to be seen doing it, and not because it represents a sincere interest or enjoyment.


    This is one of those situations in which metaphors are overextended, and language distorts rather than describes natural human behavior. It is normal for our species for men and women to “perform” acts to impress both our own sex and the opposite sex. Males and females have different sex “roles,” and we “perform” acts to satisfy those roles.


    The language seems to “portray” us as “actors performing roles” and implies that we are all essentially “lying” or “faking.” This is the kind of wordcel wordtrap that lends itself to Marxist gender theory ideology and postmodernist thinking.


    “Nothing is real, everything is fake. Everything is a performance.”


    That’s a frame, but it isn’t the whole picture.


    Men are primates. We imitate each other. Monkey see, monkey do. And yes, we do things to try to impress each other. You can frame that in a way that seems trivial or superficial, but it is also foundational to human nature and social hierarchy.


    Fonte: https//mrjackdonovan.substack.com/p/on-performative-males

Read the following statements about the phrase faking it (first paragraph) and mark True (T) or False (F):



( ) It is a phrasal verb (intransitive, with "it" as a pronoun object).


( ) It appears in the context of the word performative.


( ) It is implying sincerity, synonymous with pretending or acting truly.


( ) It is a compound noun.



Which option CORRECTLY fills in the parenthesis above, from top to bottom?

Alternativas
Q4042724 Inglês

To answer question, read the text below.


The Language of Performance

    Well, the word “performative” is generally meant as an insult. It’s meant to trivialize and indicate that someone is play-acting or “faking it.” It suggests that someone is only doing something to be seen doing it, and not because it represents a sincere interest or enjoyment.


    This is one of those situations in which metaphors are overextended, and language distorts rather than describes natural human behavior. It is normal for our species for men and women to “perform” acts to impress both our own sex and the opposite sex. Males and females have different sex “roles,” and we “perform” acts to satisfy those roles.


    The language seems to “portray” us as “actors performing roles” and implies that we are all essentially “lying” or “faking.” This is the kind of wordcel wordtrap that lends itself to Marxist gender theory ideology and postmodernist thinking.


    “Nothing is real, everything is fake. Everything is a performance.”


    That’s a frame, but it isn’t the whole picture.


    Men are primates. We imitate each other. Monkey see, monkey do. And yes, we do things to try to impress each other. You can frame that in a way that seems trivial or superficial, but it is also foundational to human nature and social hierarchy.


    Fonte: https//mrjackdonovan.substack.com/p/on-performative-males

In the text, what does trivialize (first paragraph) most likely mean?
Alternativas
Q4042629 Inglês
Analise a frase a seguir:

“Students improve their language skills through practice.”

Assinale a alternativa em que a palavra em destaque pode ser substituída por um sinônimo adequado sem alteração significativa de sentido.
Alternativas
Q4042628 Inglês
“Technology is playing an increasingly important role in education. Many teachers use digital platforms to share materials, assign activities and communicate with students. However, researchers emphasize that technology itself does not improve learning; it is the way teachers integrate it into pedagogy that makes the difference.” 

Excerto adaptado de BBC News (seção Education)


Assinale a alternativa que apresenta interpretação adequada do sentido da expressão “increasingly important” (1ª linha do texto) no contexto apresentado.
Alternativas
Q4038020 Inglês
Text 1


Popular career choices


Researching popular career choices gives you an idea of the job opportunities other job seekers are interested in. Here are some popular career choices to consider:




Sources: https://www.indeed.com. [Adapted].
All the translations for the words below are correct, according to their use in text 1, except: 
Alternativas
Q4037555 Inglês
Advanced Dynamics of International Business Strategy


In the era of hyper-globalization, international busi ness strategy has evolved into a highly sophisticated discipline characterized by the orchestration of cross border value creation under conditions of uncertainty and institutional divergence. Multinational enterprises (MNEs) must navigate complex configurations of global value chains (GVCs), optimizing location-spe cific advantages while mitigating transaction costs, as articulated in Transaction Cost Economics.


A central theoretical lens in this domain is the Eclectic Paradigm, which posits that firms engage in foreign direct investment (FDI) when three conditions are satisfied: ownership-specific advantages (O), location specific advantages (L), and internalization incentives (I). These determinants collectively inform entry mode decisions, ranging from wholly owned subsidiaries to joint ventures and strategic alliances.


Institutional theory further underscores the impor tance of isomorphic pressures—coercive, mimetic, and normative—that shape organizational behavior across different jurisdictions. Firms operating in emerging economies often encounter institutional voids, charac terized by the absence or underdevelopment of inter mediaries such as capital markets, legal enforcement mechanisms, and regulatory agencies. In such contexts, firms may adopt non-market strategies, including polit ical lobbying and network-based relational contracting, to compensate for institutional deficiencies.


From an operational perspective, supply chain resil ience has become a critical strategic priority.


Concepts such as just-in-time (JIT) inventory manage ment are increasingly being reevaluated in favor of just-in-case (JIC) models, particularly in light of disrup tions stemming from events like the COVID-19 pan demic. Firms now emphasize redundancy, nearshoring, and diversification of suppliers to enhance robustness against exogenous shocks.


Financially, exchange rate volatility and cross-border capital flows introduce significant risks. Firms employ sophisticated hedging instruments, such as forward contracts, options, and swaps, to manage foreign exchange exposure. Additionally, transfer-pricing mechanisms are utilized not only for internal cost allocation but also as tools for tax optimization, often scrutinized by regulatory authorities for compliance with the arm’s length principle.


Digitalization and Industry 4.0 technologies—including artificial intelligence, blockchain, and the Internet of Things (IoT)—are transforming international operations. These technologies facilitate real-time data analytics, enhance transparency in supply chains, and enable predictive decision-making. However, they also neces sitate compliance with divergent data localization laws and cybersecurity regulations across jurisdictions.


Sustainability and ESG integration are increasingly embedded in corporate strategy through frameworks such as carbon accounting, circular economy models, and impact investing. Firms are now expected to align with global standards like the United Nations Global Compact, ensuring adherence to principles related to human rights, labor, environment, and anti-corruption.


Ultimately, competitive advantage .........................  international business is contingent ........................... a firm’s ability to integrate strategic, operational, financial, and technological capabilities while remaining adaptive ................... an evolving global ecosystem marked ....................... volatility, uncertainty, complexity, and ambiguity (VUCA).

Match the terms in Column 1 with their correct definitions in Column 2.


Column 1 Terms


1. Transaction Cost Economics


2. Eclectic Paradigm


3. Institutional Voids


4. Global Value Chains


5. Foreign Direct Investment (FDI)


Column 2 Definitions


(_) The absence or underdevelopment of market-supporting institutions


(_) The system of cross-border production and distribution activities.


(_) A framework explaining why firms expand internationally based on OLI advantages.


(_) The costs associated with conducting and managing economic exchanges.


(_) The ownership of business operations in a foreign country.


Select the alternative that presents the correct sequence, from top to bottom.


Alternativas
Q4037552 Inglês
Advanced Dynamics of International Business Strategy


In the era of hyper-globalization, international busi ness strategy has evolved into a highly sophisticated discipline characterized by the orchestration of cross border value creation under conditions of uncertainty and institutional divergence. Multinational enterprises (MNEs) must navigate complex configurations of global value chains (GVCs), optimizing location-spe cific advantages while mitigating transaction costs, as articulated in Transaction Cost Economics.


A central theoretical lens in this domain is the Eclectic Paradigm, which posits that firms engage in foreign direct investment (FDI) when three conditions are satisfied: ownership-specific advantages (O), location specific advantages (L), and internalization incentives (I). These determinants collectively inform entry mode decisions, ranging from wholly owned subsidiaries to joint ventures and strategic alliances.


Institutional theory further underscores the impor tance of isomorphic pressures—coercive, mimetic, and normative—that shape organizational behavior across different jurisdictions. Firms operating in emerging economies often encounter institutional voids, charac terized by the absence or underdevelopment of inter mediaries such as capital markets, legal enforcement mechanisms, and regulatory agencies. In such contexts, firms may adopt non-market strategies, including polit ical lobbying and network-based relational contracting, to compensate for institutional deficiencies.


From an operational perspective, supply chain resil ience has become a critical strategic priority.


Concepts such as just-in-time (JIT) inventory manage ment are increasingly being reevaluated in favor of just-in-case (JIC) models, particularly in light of disrup tions stemming from events like the COVID-19 pan demic. Firms now emphasize redundancy, nearshoring, and diversification of suppliers to enhance robustness against exogenous shocks.


Financially, exchange rate volatility and cross-border capital flows introduce significant risks. Firms employ sophisticated hedging instruments, such as forward contracts, options, and swaps, to manage foreign exchange exposure. Additionally, transfer-pricing mechanisms are utilized not only for internal cost allocation but also as tools for tax optimization, often scrutinized by regulatory authorities for compliance with the arm’s length principle.


Digitalization and Industry 4.0 technologies—including artificial intelligence, blockchain, and the Internet of Things (IoT)—are transforming international operations. These technologies facilitate real-time data analytics, enhance transparency in supply chains, and enable predictive decision-making. However, they also neces sitate compliance with divergent data localization laws and cybersecurity regulations across jurisdictions.


Sustainability and ESG integration are increasingly embedded in corporate strategy through frameworks such as carbon accounting, circular economy models, and impact investing. Firms are now expected to align with global standards like the United Nations Global Compact, ensuring adherence to principles related to human rights, labor, environment, and anti-corruption.


Ultimately, competitive advantage .........................  international business is contingent ........................... a firm’s ability to integrate strategic, operational, financial, and technological capabilities while remaining adaptive ................... an evolving global ecosystem marked ....................... volatility, uncertainty, complexity, and ambiguity (VUCA).

Study the sentences below and decide if they are true ( T ) or false ( F ), based on their grammatical accu racy, vocabulary use, and structural correctness.

(_) There are four prepositions missing in the final paragraph. The most appropriate sequence is: in; on; to; by.

(_) The sentence Hedging instruments are employed by firms to manage risks is correctly written in the Passive Voice.

(_) The word nearshoring, in the fifth paragraph, refers to moving production overseas.

(_) Mitigating transaction costs most nearly means reducing transaction costs.

(_) In the sixth paragraph, the expressions not only and but also, form a correlative conjunc tion pair used to connect two related ideas.

Select the alternative that presents the correct sequence, from top to bottom.
Alternativas
Q4037203 Inglês
O texto seguinte servirá de base para responder à questão.

We can learn a lot from Troy's trash

Beneath the epic tales of heroes and gods, Troy's true story is written in something far less glamorous − its rubbish.

When we think of Troy, we imagine epic battles, valiant deeds, cunning tricks and the wrath of gods. Thanks to Homer's Iliad, the city is remembered as a stage for romance and heroism.

But long before Paris stole Helen and Achilles raged on the battlefield, the people of bronze age Troy lived ordinary lives − with extraordinary consequences. They built, cooked, stored, traded and, crucially, threw things away. And they did it right where they lived.

Today, waste is whisked away quickly − out of sight, out of mind. But in bronze age Troy (3000−1000BC), trash stayed close, often accumulating in domestic dumping grounds for generations.

Having spent more than 16 summers excavating and analysing the bronze age layers of Troy, I've learned to read the city's history this waste.

Hundreds of thousands of animal bones from cattle, sheep, fish − even turtles − were found alongside vast quantities of pottery shards, ash, food scraps, and human waste. Sometimes, these layers were reused to level floors or build walls, showing how closely intertwined daily life and refuse management were.

This wasn't laziness or neglect, it was pure pragmatism. In a world without rubbish trucks or sanitation systems, managing refuse was neither chaotic nor careless, but a collective, spatially negotiated − and surprisingly strategic − effort.

The excavations I have worked on as part of the University of Tübingen's Troy Project, which has been going on since 1988, have revealed just how deliberate these routines were. Where people chose to dump, or not to dump, speaks volumes about status, social roles, and community boundaries. Waste is the diary no one meant to write, yet it records the intimate rhythms of daily life with unfiltered clarity.

Far from a nuisance, Troy's waste is an archaeologist's treasure trove.

Over nearly 2,000 years, Troy ended up with 15 meters of built-up debris. Archaeologists can see nine major building phases in it, each made up of hundreds of thin layers, which formed as people lived their everyday lives. These layers act like snapshots, quietly recording how the city changed over time. Some capture hearth cleanings, others record the rebuilding of entire city quarters.

By analysing the layers and their ratios of bones to pottery, ash concentration, presence of storage jars, grinding stones, or production debris, specific spaces of activity become visible: kitchens, workshops, storage areas, rubbish pits. What appears chaotic turns out to be a carefully structured map of everyday routines − showing where meals were prepared, tools made, and discarded objects left behind.

The story these remains tell is one of profound transformation. Troy began as a modest agrarian settlement, shaped by the steady rhythms of farming, herding, and small-scale craft. Over time, it grew into a thriving regional centre.

The archaeological record, rich in refuse, traces this long arc of change. Exotic imports fashioned from stones such as carnelian and lapis lazuli begin to appear, revealing distant trade connections. Specialised metalworking tools emerge alongside monumental architecture. some buildings stretched nearly 30 metres, signalling growing ambitions and expanding capabilities.

This rise unfolded gradually, reflected not just in grander buildings, but in shifting tools, trade, and how people dealt with what they left behind. Waste management became more organised, with designated areas for different types of waste. This reflects broader shifts in how the community structured space and managed its economy. 

Yet this ascent was interrupted. By the mid-third millennium BC, signs that things were becoming smaller appear. Architecture simplifies, household inventories shrink, production debris declines suggesting economic slowdown or political instability.

Still, Troy endured. By the mid-second millennium BC, the city revived. Refined ceramics, luxury imports and evidence of social complexity marked a new chapter of recovery and reinvention. This splendid settlement later became the stage for Homer's Trojan War where Greek warriors faced the daunting task of climbing towering mounds of debris built up over centuries just to reach the palaces.

These insights allow us to see Troy not just as a city of walls and towers, but as a living organism shaped by daily routines, unspoken norms and social negotiation. The waste left behind is a remarkably honest archive of bronze age society − beneath myths, stones, and poetry.

Troy's trash heaps are the bronze age's search history. To know what mattered 4,500 years ago, don't ask poets − ask the garbage. From broken tools to shared meals, from imported luxuries to scraps, this waste reveals the pulse of everyday life and society's evolving structure.

Ironically, these mundane refuse layers preserved the bronze age world for us. Without them, we'd know far less about early Troy's people. Their depth and composition trace changes in economy, technology, and social structure. From scraps to towers of pottery shards, waste archaeology is key to understanding early urban complexity.

So next time you picture Achilles storming Troy's gates, remember: the heroes might have been divine, but their city smelled very human.


https://theconversation.com/we-can-learn-a-lot-from-troys-trash-260613 
Read the following passage:

"Far from a nuisance, Troy's waste is an archaeologist's treasure trove."

The expression "treasure trove" in this sentence most likely refers to:
Alternativas
Q4037200 Inglês
O texto seguinte servirá de base para responder à questão.

We can learn a lot from Troy's trash

Beneath the epic tales of heroes and gods, Troy's true story is written in something far less glamorous − its rubbish.

When we think of Troy, we imagine epic battles, valiant deeds, cunning tricks and the wrath of gods. Thanks to Homer's Iliad, the city is remembered as a stage for romance and heroism.

But long before Paris stole Helen and Achilles raged on the battlefield, the people of bronze age Troy lived ordinary lives − with extraordinary consequences. They built, cooked, stored, traded and, crucially, threw things away. And they did it right where they lived.

Today, waste is whisked away quickly − out of sight, out of mind. But in bronze age Troy (3000−1000BC), trash stayed close, often accumulating in domestic dumping grounds for generations.

Having spent more than 16 summers excavating and analysing the bronze age layers of Troy, I've learned to read the city's history this waste.

Hundreds of thousands of animal bones from cattle, sheep, fish − even turtles − were found alongside vast quantities of pottery shards, ash, food scraps, and human waste. Sometimes, these layers were reused to level floors or build walls, showing how closely intertwined daily life and refuse management were.

This wasn't laziness or neglect, it was pure pragmatism. In a world without rubbish trucks or sanitation systems, managing refuse was neither chaotic nor careless, but a collective, spatially negotiated − and surprisingly strategic − effort.

The excavations I have worked on as part of the University of Tübingen's Troy Project, which has been going on since 1988, have revealed just how deliberate these routines were. Where people chose to dump, or not to dump, speaks volumes about status, social roles, and community boundaries. Waste is the diary no one meant to write, yet it records the intimate rhythms of daily life with unfiltered clarity.

Far from a nuisance, Troy's waste is an archaeologist's treasure trove.

Over nearly 2,000 years, Troy ended up with 15 meters of built-up debris. Archaeologists can see nine major building phases in it, each made up of hundreds of thin layers, which formed as people lived their everyday lives. These layers act like snapshots, quietly recording how the city changed over time. Some capture hearth cleanings, others record the rebuilding of entire city quarters.

By analysing the layers and their ratios of bones to pottery, ash concentration, presence of storage jars, grinding stones, or production debris, specific spaces of activity become visible: kitchens, workshops, storage areas, rubbish pits. What appears chaotic turns out to be a carefully structured map of everyday routines − showing where meals were prepared, tools made, and discarded objects left behind.

The story these remains tell is one of profound transformation. Troy began as a modest agrarian settlement, shaped by the steady rhythms of farming, herding, and small-scale craft. Over time, it grew into a thriving regional centre.

The archaeological record, rich in refuse, traces this long arc of change. Exotic imports fashioned from stones such as carnelian and lapis lazuli begin to appear, revealing distant trade connections. Specialised metalworking tools emerge alongside monumental architecture. some buildings stretched nearly 30 metres, signalling growing ambitions and expanding capabilities.

This rise unfolded gradually, reflected not just in grander buildings, but in shifting tools, trade, and how people dealt with what they left behind. Waste management became more organised, with designated areas for different types of waste. This reflects broader shifts in how the community structured space and managed its economy. 

Yet this ascent was interrupted. By the mid-third millennium BC, signs that things were becoming smaller appear. Architecture simplifies, household inventories shrink, production debris declines suggesting economic slowdown or political instability.

Still, Troy endured. By the mid-second millennium BC, the city revived. Refined ceramics, luxury imports and evidence of social complexity marked a new chapter of recovery and reinvention. This splendid settlement later became the stage for Homer's Trojan War where Greek warriors faced the daunting task of climbing towering mounds of debris built up over centuries just to reach the palaces.

These insights allow us to see Troy not just as a city of walls and towers, but as a living organism shaped by daily routines, unspoken norms and social negotiation. The waste left behind is a remarkably honest archive of bronze age society − beneath myths, stones, and poetry.

Troy's trash heaps are the bronze age's search history. To know what mattered 4,500 years ago, don't ask poets − ask the garbage. From broken tools to shared meals, from imported luxuries to scraps, this waste reveals the pulse of everyday life and society's evolving structure.

Ironically, these mundane refuse layers preserved the bronze age world for us. Without them, we'd know far less about early Troy's people. Their depth and composition trace changes in economy, technology, and social structure. From scraps to towers of pottery shards, waste archaeology is key to understanding early urban complexity.

So next time you picture Achilles storming Troy's gates, remember: the heroes might have been divine, but their city smelled very human.


https://theconversation.com/we-can-learn-a-lot-from-troys-trash-260613 
Read the excerpt from the text:

"Waste is the diary no one meant to write, yet it records the intimate rhythms of daily life with unfiltered clarity."

In this context, the word "unfiltered" most nearly means:
Alternativas
Q4037198 Inglês
O texto seguinte servirá de base para responder à questão.

We can learn a lot from Troy's trash

Beneath the epic tales of heroes and gods, Troy's true story is written in something far less glamorous − its rubbish.

When we think of Troy, we imagine epic battles, valiant deeds, cunning tricks and the wrath of gods. Thanks to Homer's Iliad, the city is remembered as a stage for romance and heroism.

But long before Paris stole Helen and Achilles raged on the battlefield, the people of bronze age Troy lived ordinary lives − with extraordinary consequences. They built, cooked, stored, traded and, crucially, threw things away. And they did it right where they lived.

Today, waste is whisked away quickly − out of sight, out of mind. But in bronze age Troy (3000−1000BC), trash stayed close, often accumulating in domestic dumping grounds for generations.

Having spent more than 16 summers excavating and analysing the bronze age layers of Troy, I've learned to read the city's history this waste.

Hundreds of thousands of animal bones from cattle, sheep, fish − even turtles − were found alongside vast quantities of pottery shards, ash, food scraps, and human waste. Sometimes, these layers were reused to level floors or build walls, showing how closely intertwined daily life and refuse management were.

This wasn't laziness or neglect, it was pure pragmatism. In a world without rubbish trucks or sanitation systems, managing refuse was neither chaotic nor careless, but a collective, spatially negotiated − and surprisingly strategic − effort.

The excavations I have worked on as part of the University of Tübingen's Troy Project, which has been going on since 1988, have revealed just how deliberate these routines were. Where people chose to dump, or not to dump, speaks volumes about status, social roles, and community boundaries. Waste is the diary no one meant to write, yet it records the intimate rhythms of daily life with unfiltered clarity.

Far from a nuisance, Troy's waste is an archaeologist's treasure trove.

Over nearly 2,000 years, Troy ended up with 15 meters of built-up debris. Archaeologists can see nine major building phases in it, each made up of hundreds of thin layers, which formed as people lived their everyday lives. These layers act like snapshots, quietly recording how the city changed over time. Some capture hearth cleanings, others record the rebuilding of entire city quarters.

By analysing the layers and their ratios of bones to pottery, ash concentration, presence of storage jars, grinding stones, or production debris, specific spaces of activity become visible: kitchens, workshops, storage areas, rubbish pits. What appears chaotic turns out to be a carefully structured map of everyday routines − showing where meals were prepared, tools made, and discarded objects left behind.

The story these remains tell is one of profound transformation. Troy began as a modest agrarian settlement, shaped by the steady rhythms of farming, herding, and small-scale craft. Over time, it grew into a thriving regional centre.

The archaeological record, rich in refuse, traces this long arc of change. Exotic imports fashioned from stones such as carnelian and lapis lazuli begin to appear, revealing distant trade connections. Specialised metalworking tools emerge alongside monumental architecture. some buildings stretched nearly 30 metres, signalling growing ambitions and expanding capabilities.

This rise unfolded gradually, reflected not just in grander buildings, but in shifting tools, trade, and how people dealt with what they left behind. Waste management became more organised, with designated areas for different types of waste. This reflects broader shifts in how the community structured space and managed its economy. 

Yet this ascent was interrupted. By the mid-third millennium BC, signs that things were becoming smaller appear. Architecture simplifies, household inventories shrink, production debris declines suggesting economic slowdown or political instability.

Still, Troy endured. By the mid-second millennium BC, the city revived. Refined ceramics, luxury imports and evidence of social complexity marked a new chapter of recovery and reinvention. This splendid settlement later became the stage for Homer's Trojan War where Greek warriors faced the daunting task of climbing towering mounds of debris built up over centuries just to reach the palaces.

These insights allow us to see Troy not just as a city of walls and towers, but as a living organism shaped by daily routines, unspoken norms and social negotiation. The waste left behind is a remarkably honest archive of bronze age society − beneath myths, stones, and poetry.

Troy's trash heaps are the bronze age's search history. To know what mattered 4,500 years ago, don't ask poets − ask the garbage. From broken tools to shared meals, from imported luxuries to scraps, this waste reveals the pulse of everyday life and society's evolving structure.

Ironically, these mundane refuse layers preserved the bronze age world for us. Without them, we'd know far less about early Troy's people. Their depth and composition trace changes in economy, technology, and social structure. From scraps to towers of pottery shards, waste archaeology is key to understanding early urban complexity.

So next time you picture Achilles storming Troy's gates, remember: the heroes might have been divine, but their city smelled very human.


https://theconversation.com/we-can-learn-a-lot-from-troys-trash-260613 
Consider the following excerpt:

"Far from a nuisance, Troy's waste is an archaeologist's treasure trove. Over nearly 2,000 years, Troy ended up with 15 meters of built-up debris. Archaeologists can see nine major building phases in it, each made up of hundreds of thin layers, which formed as people lived their everyday lives."

An English teacher preparing reading comprehension activities for intermediate Brazilian students analyzes this passage to identify vocabulary and conceptual challenges. Regarding lexical comprehension, idiomatic expressions, and the relationship between linguistic form and archaeological content, which pedagogical analysis is accurate?
Alternativas
Q4037188 Inglês
O texto seguinte servirá de base para responder à questão.

New research unveils the "dark side" of social media influencers and their impact on marketing and consumer behaviour

Social media influencers (SMIs) pose psychological, health and security risks and need tighter regulation, a new study finds.

SMIs have revolutionised marketing, shaping consumer behaviour, brand strategies, and even societal norms. However, new research exposes a lesser-known side of influencer culture, one that raises ethical, psychological, and regulatory concerns.

A recent study by the University of Portsmouth systematically examines the negative impacts of SMIs, highlighting issues such as misinformation, endorsement of dangerous products, unrealistic beauty standards, the fostering of a comparison culture, deceptive consumption, and privacy risks.

With influencer marketing projected to reach an estimated $480 billion by 2027, companies increasingly rely on SMIs to promote products and foster consumer trust.

A Digital Marketing Institute (2024) survey found that 60 per cent of consumers trust influencer recommendations, with nearly half of all purchasing decisions being influenced by these endorsements. However, as influencer culture grows, so do concerns about its unintended consequences. 

Many SMIs act as opinion leaders or experts within their respective areas, frequently reviewing products and leveraging their authority, expertise, or relationships with followers to influence purchasing decisions. Some inspire and entertain; others deceive and upset. The deception and damage, and their impact on consumption, need to be carefully regulated.

Yuksel Ekinci, Professor of Marketing and Sales at the University of Portsmouth

The paper, published in Psychology and Marketing, warns power of SMIs is creating a worrying consumer landscape. Unlike traditional celebrities, whose fame is typically rooted in institutional settings - such as acting, music, or sports - SMIs gain recognition through social media platforms, often relying on personal branding and consistent engagement with their audiences.

Yuksel Ekinci, Professor of Marketing and Sales at the University of Portsmouth, said: "Many SMIs act as opinion leaders or experts within their respective areas, frequently reviewing products and leveraging their authority, expertise, or relationships with followers to influence purchasing decisions. Some inspire and entertain; others deceive and upset. The deception and damage, and their impact on consumption, need to be carefully regulated."

This study organises the negative aspects of influencer marketing into six key themes:

1. Promotion of harmful products − SMIs often endorse unhealthy or dangerous products such as diet pills, detox teas, and alcohol without full disclosure, influencing consumption habits, particularly among younger audiences.

2. Dissemination of misinformation − many influencers, despite lacking expertise, spread false information about health, politics, and social issues, leading to widespread disinformation.

3. Reinforcement of unrealistic beauty standards − by presenting filtered and curated images, influencers contribute to body dissatisfaction, low self-esteem, and harmful beauty practices.

4. Fostering of comparison culture − influencer-driven content fuels lifestyle envy and social anxiety, leading to negative self-comparison and diminished wellbeing.

5. Deceptive consumption practices − some influencers engage in unethical behaviours such as undisclosed sponsorships, promotion of counterfeit goods, and misleading advertisements, undermining consumer trust.

6. Privacy concerns − the extensive data collection and sharing by influencers raise significant security and regulatory issues, posing risks for both influencers and followers.

Social media influencers hold immense power over consumer decisions and cultural norms. While they provide entertainment, inspiration, and brand engagement, the unchecked influence of some SMIs can lead to serious ethical and psychological consequences. Our study highlights the urgency for both academic and industry stakeholders to address these challenges proactively.

Dr Georgia Buckle, Research Fellow in the School of Accounting, Economics and Finance at the University of Portsmouth

The study calls for more stringent oversight, increased transparency, and ethical marketing strategies to mitigate these risks. Researchers suggest the following strategies for policymakers and marketeers:

Transparency and ethical compliance: brands must enforce clear disclosure policies to ensure responsible influencer partnerships. 

• Regulation and consumer protection: governments should strengthen policies on influencer marketing to prevent deceptive practices and misinformation. 

• Mental health awareness: companies and influencers must prioritize authentic content that promotes well-being rather than unattainable ideals. 

• Data privacy protections: stronger safeguards and awareness campaigns are needed to protect users from privacy breaches and data exploitation.

Dr Georgia Buckle, Research Fellow in the School of Accounting, Economics and Finance at the University of Portsmouth, said: "Social media influencers hold immense power over consumer decisions and cultural norms. While they provide entertainment, inspiration, and brand engagement, the unchecked influence of some SMIs can lead to serious ethical and psychological consequences. Our study highlights the urgency for both academic and industry stakeholders to address these challenges proactively."

This research offers a critical framework for analysing influencer culture beyond its commercial benefits, emphasising the need for ethical marketing practices and a healthier digital ecosystem.


https://www.port.ac.uk/news-events-and-blogs/news/new-research-unv eils-the-dark-side-of-social-media-influencers-and-their-impact-on-mark eting-and-consumer-behaviour
The study suggests that companies should adopt ethical marketing strategies to mitigate these risks. The word "mitigate" most nearly means: 
Alternativas
Q4034385 Inglês
Read the sentence below:
"His arguments were specious , appealing on the surface but fundamentally flawed."
The underlined word "specious" derives from the Latin root spec- ("to look, to appear"), also present in words such as:
Alternativas
Q4034374 Inglês
Digital archeology

The City Gallery presents Filip Popov with his exhibition "Digital Archeology"

With a large exhibition, including works from his most famous cycles, the visual artist Filip Popov will exhibit in the Hall "2019" at 32 Gladstone Street from March 2 to 31.

For the first time the artist makes such a large-scale performance in the city where he was born.

The opening will be on March 2 from 17:00 to 19:30.

The topics that excite the author of the exhibition "Digital Archeology" can be deciphered in the titles of the series of works created over the past 8 years: TransOrganic, Para Bellum, Order, Posthuman, Paleomatic Monologues and Prayers to the latest series - Bunker City and Zero City. As Velizara Ivanova emphasizes in her analysis:

Combining works dating back to 2014, Digital Archeology reflects Philip Popov's continuing focus on the posthumanism and transhumanism, confronting technology and our uncertain future and insight into the way machines are woven into our tomorrow's world. "

Born in 1964 in Plovdiv, Filip Popov spent several years of his childhood in Germany, where he formed his ideas for unity between art, architecture, design and technology. He studied art at the National Academy of Arts in Sofia, moved to Basel to study at the Kunstgewerbeschule, and later lived in Zurich.

He has had solo exhibitions at EASA, West Berlin (1988), EKG, Wetzikon, CH (1993), Binz Foundation 39, Zurich (1994), Kunsthalle Liesthal, CH (1996), ArtFront Gallery, Tokyo (2005). It is presented in the most famous galleries in Sofia and the country. In 2014 he participated in the National Autumn Exhibitions in Plovdiv. Filip Popov exhibits his works in numerous group exhibitions in Bulgaria, Switzerland, Austria, France.


https://www.visitplovdiv.com/en/node/10577
Consider the following excerpt:
"Born in 1964 in Plovdiv, Filip Popov spent several years of his childhood in Germany, where he formed his ideas for unity between art, architecture, design and technology."
An English teacher designing a reading comprehension lesson for intermediate Brazilian students analyzes this biographical sentence to identify potential comprehension obstacles. Regarding vocabulary, syntax, and cultural references that may challenge Brazilian EFL learners, and considering effective scaffolding strategies aligned with communicative language teaching and BNCC principles, which analysis is pedagogically accurate?
Alternativas
Q4034368 Inglês

Cold Kimchi Tomato Bibim Noodles





Ingredients

For the sauce

 3 tablespoons tomato paste

 2 tablespoons gochujang

 1 teaspoon kosher salt

 1 1/2 tablespoons sesame oil

 3 tablespoons apple cider vinegar

 3 tablespoons kimchi juice

 1 tablespoon honey

 1 cup chopped kimchi

For the noodles

150 grams somen noodles

For the toppings

 2 Persian cucumbers, sliced into matchsticks

 1 shallot, minced

 2 cups cherry tomatoes, halved

 2 soft-boiled eggs (7 minutes, jammy yolks)

 4 radishes, thinly sliced

To finish

Extra sesame oil, for drizzling

 2 tablespoons furikake

Handful of cilantro

Directions

•Step 1


Make the sauce: In a medium bowl, whisk together the tomato paste, gochujang, salt, sesame oil, vinegar, kimchi juice, and honey until smooth. Stir in the chopped kimchi until evenly coated.

•Step 2 

Cook the noodles: Bring a pot of water to a rolling boil. Add the somen noodles and cook for 3 to 4 minutes, until just tender. Drain and rinse under cold water until completely cooled, then shake off excess water.

•Step 3

Toss together: Add the chilled noodles to the sauce bowl. Using tongs, gently mix until each strand is coated in the kimchi-gochujang sauce. 

•Step 4

Assemble: Divide the noodles between bowls. Top with cucumbers, shallot, tomatoes, soft-boiled eggs, and radishes. 

•Step 5

Finish & serve: Drizzle with a little extra sesame oil, sprinkle with furikake, and top with cilantro. Mix everything together at the table before eating.



https://food52.com/recipes/cold-kimchi-tomato-bibim-noodles
Judge the sentences below as TRUE (T) or FALSE (F) regarding lexical-semantic analysis and vocabulary comprehension of culinary terms in the recipe "Cold Kimchi Tomato Bibim Noodles."

(__)The verb "drizzle" in the instruction "Drizzle with a little extra sesame oil" belongs to the semantic field of liquid application techniques, denoting controlled pouring of liquid in thin stream, and shares semantic features with verbs like "sprinkle" and "pour," though with distinct manner specifications regarding quantity and distribution pattern.

(__)The compound adjective "soft-boiled" in "2 soft-boiled eggs (7 minutes, jammy yolks)" functions as a hyphenated attributive modifier specifying a cooking method, and its morphological structure combines adjective + past participle to create a specialized culinary term that would be translated into Portuguese as "ovos cozidos moles" or "ovos quentes."

(__)The noun "matchsticks" in "sliced into matchsticks" represents a metaphorical extension through shape similarity, where the lexical item originally denoting small wooden sticks for lighting fires has undergone semantic broadening to describe a cutting technique (julienne) in culinary contexts, demonstrating how concrete nouns can acquire specialized technical meanings in professional domains.


The CORRECT sequence is:
Alternativas
Respostas
221: A
222: B
223: B
224: D
225: A
226: E
227: D
228: B
229: B
230: A
231: A
232: C
233: A
234: A
235: D
236: D
237: B
238: D
239: A
240: B