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Questões de Concurso Sobre formação de palavras (prefixos e sufixos) | word formation (prefix and suffix) em inglês

Questões Discursivas

Foram encontradas 314 questões

Q3857870 Inglês
The Adventures of Sherlock Holmes, Arthur Conan Doyle. A Scandal in Bohemia (Part I)


    I had seen little of Holmes lately. My marriage had drifted us away from each other. My own complete happiness, and the home-centred interests which rise up around the man who first finds himself master of his own establishment, were sufficient to absorb all my attention, while Holmes, who loathed every form of society with his whole Bohemian soul, Blank I in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature. He was still, as ever, deeply attracted by the study of crime, and occupied his immense faculties and extraordinary powers of observation in following out those clues, and clearing up those mysteries which had been abandoned as hopeless by the official police. From time to time I Blank II some vague account of his doings: of his summons to Odessa in the case of the Trepoff murder, of his clearing up of the singular tragedy of the Atkinson brothers at Trincomalee, and finally of the mission which he had accomplished so delicately and successfully for the reigning family of Holland. Beyond these signs of his activity, however, which I merely shared with all the readers of the daily press, I knew little of my former friend and companion.

One night – it was on the twentieth of March, 1888 – I was returning from a journey to a patient (for I had now returned to civil practice), when my way led me through Baker Street. As I Blank III the well-remembered door, which must always be associated in my mind with my wooing, and with the dark incidents of the Study in Scarlet, I was seized with a keen desire to see Holmes again, and to know how he was employing his extraordinary powers. His rooms were brilliantly lit, and, even as I looked up, I saw his tall, spare figure pass twice in a dark silhouette against the blind. He was pacing the room swiftly, eagerly, with his head sunk upon his chest and his hands clasped behind him. To me, who knew his every mood and habit, his attitude and manner told their own story. He was at work again. He had risen out of his drug-created dreams and was hot upon the scent of some new problem. I rang the bell and was shown up to the chamber which had formerly been in part my own.

His manner was not effusive. It seldom was; but he was glad, I think, to see me. With hardly a word spoken, but with a kindly eye, he waved me to an armchair, threw across his case of cigars, and indicated a spirit case and a gasogene in the corner. Then he stood before the fire and looked me over in his singular introspective fashion.

From: https://sherlock-holm.es/stories/pdf/a4/1-sided/advs.pdf. Accessed on 12/15/2025.
As in “Baker”, the suffix -er forms nouns from verbs in:
Alternativas
Q3857869 Inglês
The Adventures of Sherlock Holmes, Arthur Conan Doyle. A Scandal in Bohemia (Part I)


    I had seen little of Holmes lately. My marriage had drifted us away from each other. My own complete happiness, and the home-centred interests which rise up around the man who first finds himself master of his own establishment, were sufficient to absorb all my attention, while Holmes, who loathed every form of society with his whole Bohemian soul, Blank I in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature. He was still, as ever, deeply attracted by the study of crime, and occupied his immense faculties and extraordinary powers of observation in following out those clues, and clearing up those mysteries which had been abandoned as hopeless by the official police. From time to time I Blank II some vague account of his doings: of his summons to Odessa in the case of the Trepoff murder, of his clearing up of the singular tragedy of the Atkinson brothers at Trincomalee, and finally of the mission which he had accomplished so delicately and successfully for the reigning family of Holland. Beyond these signs of his activity, however, which I merely shared with all the readers of the daily press, I knew little of my former friend and companion.

One night – it was on the twentieth of March, 1888 – I was returning from a journey to a patient (for I had now returned to civil practice), when my way led me through Baker Street. As I Blank III the well-remembered door, which must always be associated in my mind with my wooing, and with the dark incidents of the Study in Scarlet, I was seized with a keen desire to see Holmes again, and to know how he was employing his extraordinary powers. His rooms were brilliantly lit, and, even as I looked up, I saw his tall, spare figure pass twice in a dark silhouette against the blind. He was pacing the room swiftly, eagerly, with his head sunk upon his chest and his hands clasped behind him. To me, who knew his every mood and habit, his attitude and manner told their own story. He was at work again. He had risen out of his drug-created dreams and was hot upon the scent of some new problem. I rang the bell and was shown up to the chamber which had formerly been in part my own.

His manner was not effusive. It seldom was; but he was glad, I think, to see me. With hardly a word spoken, but with a kindly eye, he waved me to an armchair, threw across his case of cigars, and indicated a spirit case and a gasogene in the corner. Then he stood before the fire and looked me over in his singular introspective fashion.

From: https://sherlock-holm.es/stories/pdf/a4/1-sided/advs.pdf. Accessed on 12/15/2025.
 “Drowsiness” and “hopeless” were formed by the process of:
Alternativas
Q3839799 Inglês
Choose the alternative in which all the derived words are correctly formed and appropriately used in context:
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Q3837335 Inglês
Morphological awareness is essential for vocabulary acquisition. Analyze the statements below regarding the word formation processes known as "Back-formation" and "Blending":

I.Back-formation is the process of reducing a word to a shorter version which belongs to a different word class, often by removing a supposed affix, such as forming the verb "to edit" from the noun "editor".
II.Blending involves combining two separate words to produce a single new term that shares the meaning of both, but unlike compounding, parts of the original words are usually deleted, as in "smog" (smoke + fog).
III.Both processes are strictly restricted to informal slang and are not recognized in standard English dictionaries or academic writing, being considered grammatical errors.

Is it correct what is stated in:
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Q3832690 Inglês
According to the text, analyse the statements below:

I. In “reshaping” (l. 19), re- is a prefix meaning again, the same as in “recognize”.
II. The modal verb “might” (l. 02) expresses certainty that people will use the term “rage bait” to describe how they feel.
III. The sentence “‘rage bait’ had been around since just after the turn of the century” (l. 21-22) uses the past perfect to indicate that the term already existed before another point in the past.

Which ones are correct? 
Alternativas
Q3829927 Inglês
A Morfologia trata dos processos de formação de palavras, nos quais prefixos e sufixos alteram o significado ou a classe gramatical (afixos que mudam de classe versus afixos que mantêm a classe). Quanto à morfologia derivacional, julgue as afirmativas a seguir como Verdadeiras (V) ou Falsas (F):
(__) O sufixo "-ment" é um afixo que muda a classe gramatical, normalmente transformando verbos em substantivos (por exemplo, develop → development).
(__) O prefixo "un-" altera a classe gramatical da palavra-base (por exemplo, transformando um adjetivo em verbo).
(__) O sufixo "-ize" (ou "-ise") é utilizado para derivar verbos a partir de substantivos ou adjetivos (por exemplo, modern → modernize).
(__) Em inglês, os prefixos geralmente alteram a classe da palavra, enquanto os sufixos geralmente alteram apenas o significado.
A sequência correta de cima para baixo é:
Alternativas
Q3828921 Inglês
English spelling rules regarding suffixation often require changes to the root word, such as doubling consonants or dropping vowels, depending on the stress pattern and word ending. Analyze the statements below regarding these orthographic rules and mark (T), for True, or (F), for False:

(__)Monosyllabic words ending in a single vowel followed by a single consonant double the final consonant before a vowel suffix (e.g., run -> runner).
(__)Words ending in a silent 'e' generally drop the 'e' before adding a suffix beginning with a vowel (e.g., write > writing).
(__)Words ending in 'y' preceded by a consonant keep the 'y' unchanged when adding the suffix '-ed' (e.g., study-> studyed).
(__)Words ending in 'l', such as 'travel', always double the 'l' in American English spelling before adding suffixes like '-ing' or '-ed'.

Choose the alternative that presents the correct sequence:
Alternativas
Q3828369 Inglês

texto seguinte servirá de base para responder à questão.


CNN Health Exhausted? The reason may be how you're using technology

Analysis by Kara Alaimo

Oct 7, 2025


Kara Alaimo is a professor of communication at Fairleigh Dickinson University. Her book "Over the Influence: Why Social Media Is Toxic for Women and Girls — And How We Can Take It Back" was published in 2024 by Alcove Press.


You may think you're exhausted because, like me, you have too many things on your plate. But there's another reason, according to a new book.


Case in point: While | was writing this piece, | responded to dozens of emails from colleagues and students, got a huge medical bill, replied to a text about a home repair, and learned that my older daughter needs to wear white to school next Monday while the younger one is supposed to wear the colors of fall.


This relentless barrage of interruptions and switching between thoughts and technology platforms is leaving us utterly exhausted, says Paul Leonardi, department chair and Duca Family Professor of Technology Management | at the University of California, Santa Barbara.


He explains how this happens in his new book, "Digital Exhaustion: Simple Rules for Reclaiming Your Life."


| spoke to Leonardi about what's making us all so tired | and what we can do about it.


CNN: You say one reason we're so exhausted is that we keep switching between platforms. How does that make us exhausted?


Paul Leonardi: Every tool we use requires some amount of cognitive focus. We have to learn the tool we're enmeshed in. When we switch, we have to disengage | and reengage in another area of focus, and we also have to switch how we're using that tool. Our brains do not do a good job of switching that quickly. The main issue is that we haven't evolved to make the switches as quickly as we do today. It leaves us feeling exhausted.


CNN: You found that we often don't realize we're getting exhausted from all this digital switching. Why?


Leonardi: It comes back to the way our bodies have evolved over time. We have good sensory feedback to show us when we're physically tired. Otherwise, we could collapse, and that's dangerous. So, our body knows to send signals to our brain to say stop. But we didn't evolve to sit in an office in front of a computer, so our brain doesn't know to tell itself it's tired. We can just keep taxing ourselves, but that residue builds up over time. Then we feel like we've been hit by a semitruck


CNN: What can we do to address that exhaustion?


Leonardi: Think about reducing the kinds of switches we make throughout the day.


In the book | talk about three kinds of switches. Switching between modalities is switching across tools. Think about the different videoconferencing platforms you use. You might use Zoom and then switch to Microsoft Teams. They seem like they're roughly the same. But how many times have you been in a meeting and thought, "I need to share my screen. How do | do that on this platform?" And those little changes are enough to really wear us out when they accumulate over time


The second type is what | call switches between domains, and that's when we're working on one task, get interrupted and then switch to a different task. The unplugging and then re-plugging into the other task take quite a bit of effort. It's a tremendous tax that we pay.


The third type is switching between different areas of life. How many times in your day are you getting a quick text from your kid's school? Or the plumber calls to tell you they're going to be late and wants to talk about the problem in your house. Those switches across really big domains are even more exhausting because they pull us completely out of our thought process in one area, and then we have to get back.


CNN: You say social media is the most exhausting type of platform to use. Why?


Leonardi: | talk about three forces that exhaust us. One is attention. On social media we're constantly switching between things because apps are pushing us different notifications. First somebody liked something, and then there's an ad. The second force of exhaustion is making inferences. We get a snippet of data, and it's not quite enough to tell us the whole picture. So, we have to fill in the blanks, and that takes effort. On social media we're constantly different apps and making inferences. We see somebody is on a trip, and we're like, they must have a lot of money. And they're having the time of their life. We're filling in the blanks.


The last is emotion. When our emotions get piqued, whether for good or for bad, that's also exhausting. On social media we do social comparisons, so we get jealous that somebody else is doing something we wish we were doing. Or we get annoyed that we see a bunch of friends hanging out and we're not part of the group.


Social media is so exhausting because it maximizes all three of these forces.


CNN: You say it's especially hard for people who work from home to avoid this kind of exhaustion. Why is that? Leonardi: One of the big reasons remote workers experience exhaustion even more than people in the office — or it feels more acute — is that it's very difficult to create separation between work and home. They're constantly trying to manage that boundary, and that's so exhausting.


They also are more dependent on tools for everything, so they don't get a break. If you're in the office and you have an in-person meeting, you don't have to switch onto your Zoom platform. You actually get a break for a little bit when you're talking to somebody in the hallway. You don't get that on these tools.


You're also managing your presence when you're working from home. You need to make sure people know you're available because it matters for people's perception of your work performance. So, you're putting on a sort of act that's also exhausting


CNN: You recommend turning off the video of ourselves in meetings. Why?


Leonardi: | think it's a good idea sometimes. We tend to fixate on ourselves, and doing that creates a feeling of self-consciousness. It also creates more effort for us to manage our presentation to others.


Imagine if you were talking to friends, or you're in a meeting, and you have a mirror in front of your face the entire time. You're like, oh my gosh, how do | look right now? There are bags under my eyes, and | can't believe | made that stupid facial expression. We don't do that in regular life.


These extra little activities accumulate to wear us out over time.


Communicating in person instead of texting, when possible, can reduce digital exhaustion and create richer relationships.


CNN: What's your best advice for parents who are exhausted from keeping up with endless group chats about car pools and soccer games?


Leonardi: | never intended to write about that in my book, but it came up so often in the interviews | did.


One strategy | heard that was quite effective was calculating whether a car pool is actually worth the time you're putting into coordinating it. If you add up all the time you're spending texting with other people, sometimes it adds up to the same amount of time it would take to just drive your kid yourself.


Another strategy people used was reducing those communications by trying to coordinate in person. When they see each other at the soccer game, they have a long conversation about the plan for the next week. A lot of folks find they're developing richer relationships because that discussion about the car pool is just the entrée to a deeper conversation. Those are much more fulfiling relationships than the transactions taking place via text


CNN

Analise a palavra exhaustion, presente no texto. Ela é formada por meio de:  
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Q3802298 Inglês
        SpaceX has pulled off a successful test flight of its newest generation rocket Starship, reversing a trend of disappointing failures. The world's largest and most powerful rocket blasted off from Texas just after 18:30 local time, for a 60-minute flight. Parts of the engine appeared to explode at one stage, and flaps on the side of the rocket caught fire and swung from side to side. The US space agency Nasa plans to use Starship to send humans to the Moon for its Artemis programme in 2027.

       "Great work by the SpaceX team!!", posted SpaceX CEO Elon Musk on X, who is spending billions on developing Starship, with each launch costing an estimated $100m. He will be welcoming the success after three Starship launches ended in failure this year, and one rocket exploded on its test stand in June. Starship is the largest and most powerful rocket built to date, made up of a booster called Super Heavy and the spacecraft Starship.

        The signs were positive from the start of Tuesday's test flight. All of the booster's 33 engines fired up, and after about seven minutes, the booster separated from the spacecraft and fell into the Gulf of Mexico. Starship continued to ascend, reaching a maximum height of almost 200 km above Earth before coasting around the planet. SpaceX said it intended to put the rocket under stress to test its limits, and parts of the rocket's flaps appeared to burn and swing wildly during the descent. The company has designed Starship to one day be a fully reusable transport system capable of carrying people to the Moon and Mars.


BBC News. “SpaceX pulls off Starship rocket launch in muchneeded comeback.” 27 August 2025.
The word "reusable" in the sentence "The company has designed Starship to one day be a fully reusable transport system" is formed by:
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Q4096488 Inglês
Which of the following words is formed by prefixation?
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Q4037208 Inglês
In English lexicology, understanding how words are formed and related is essential for analysing vocabulary expansion and semantic change. When the word "unbelievable" is examined from a morphological perspective, which process best describes its formation and lexical structure? 
Alternativas
Q4037196 Inglês
O texto seguinte servirá de base para responder à questão.

We can learn a lot from Troy's trash

Beneath the epic tales of heroes and gods, Troy's true story is written in something far less glamorous − its rubbish.

When we think of Troy, we imagine epic battles, valiant deeds, cunning tricks and the wrath of gods. Thanks to Homer's Iliad, the city is remembered as a stage for romance and heroism.

But long before Paris stole Helen and Achilles raged on the battlefield, the people of bronze age Troy lived ordinary lives − with extraordinary consequences. They built, cooked, stored, traded and, crucially, threw things away. And they did it right where they lived.

Today, waste is whisked away quickly − out of sight, out of mind. But in bronze age Troy (3000−1000BC), trash stayed close, often accumulating in domestic dumping grounds for generations.

Having spent more than 16 summers excavating and analysing the bronze age layers of Troy, I've learned to read the city's history this waste.

Hundreds of thousands of animal bones from cattle, sheep, fish − even turtles − were found alongside vast quantities of pottery shards, ash, food scraps, and human waste. Sometimes, these layers were reused to level floors or build walls, showing how closely intertwined daily life and refuse management were.

This wasn't laziness or neglect, it was pure pragmatism. In a world without rubbish trucks or sanitation systems, managing refuse was neither chaotic nor careless, but a collective, spatially negotiated − and surprisingly strategic − effort.

The excavations I have worked on as part of the University of Tübingen's Troy Project, which has been going on since 1988, have revealed just how deliberate these routines were. Where people chose to dump, or not to dump, speaks volumes about status, social roles, and community boundaries. Waste is the diary no one meant to write, yet it records the intimate rhythms of daily life with unfiltered clarity.

Far from a nuisance, Troy's waste is an archaeologist's treasure trove.

Over nearly 2,000 years, Troy ended up with 15 meters of built-up debris. Archaeologists can see nine major building phases in it, each made up of hundreds of thin layers, which formed as people lived their everyday lives. These layers act like snapshots, quietly recording how the city changed over time. Some capture hearth cleanings, others record the rebuilding of entire city quarters.

By analysing the layers and their ratios of bones to pottery, ash concentration, presence of storage jars, grinding stones, or production debris, specific spaces of activity become visible: kitchens, workshops, storage areas, rubbish pits. What appears chaotic turns out to be a carefully structured map of everyday routines − showing where meals were prepared, tools made, and discarded objects left behind.

The story these remains tell is one of profound transformation. Troy began as a modest agrarian settlement, shaped by the steady rhythms of farming, herding, and small-scale craft. Over time, it grew into a thriving regional centre.

The archaeological record, rich in refuse, traces this long arc of change. Exotic imports fashioned from stones such as carnelian and lapis lazuli begin to appear, revealing distant trade connections. Specialised metalworking tools emerge alongside monumental architecture. some buildings stretched nearly 30 metres, signalling growing ambitions and expanding capabilities.

This rise unfolded gradually, reflected not just in grander buildings, but in shifting tools, trade, and how people dealt with what they left behind. Waste management became more organised, with designated areas for different types of waste. This reflects broader shifts in how the community structured space and managed its economy. 

Yet this ascent was interrupted. By the mid-third millennium BC, signs that things were becoming smaller appear. Architecture simplifies, household inventories shrink, production debris declines suggesting economic slowdown or political instability.

Still, Troy endured. By the mid-second millennium BC, the city revived. Refined ceramics, luxury imports and evidence of social complexity marked a new chapter of recovery and reinvention. This splendid settlement later became the stage for Homer's Trojan War where Greek warriors faced the daunting task of climbing towering mounds of debris built up over centuries just to reach the palaces.

These insights allow us to see Troy not just as a city of walls and towers, but as a living organism shaped by daily routines, unspoken norms and social negotiation. The waste left behind is a remarkably honest archive of bronze age society − beneath myths, stones, and poetry.

Troy's trash heaps are the bronze age's search history. To know what mattered 4,500 years ago, don't ask poets − ask the garbage. From broken tools to shared meals, from imported luxuries to scraps, this waste reveals the pulse of everyday life and society's evolving structure.

Ironically, these mundane refuse layers preserved the bronze age world for us. Without them, we'd know far less about early Troy's people. Their depth and composition trace changes in economy, technology, and social structure. From scraps to towers of pottery shards, waste archaeology is key to understanding early urban complexity.

So next time you picture Achilles storming Troy's gates, remember: the heroes might have been divine, but their city smelled very human.


https://theconversation.com/we-can-learn-a-lot-from-troys-trash-260613 
Judge the sentences below as TRUE (T) or FALSE (F) regarding morphological analysis and word formation processes:

(__) The compound noun "search history" in the metaphor "Troy's trash heaps are the bronze age's search history" exemplifies an endocentric compound where "history" functions as the head determining the grammatical category, while "search" acts as a modifier specifying the type of history, and this word formation pattern is highly productive in contemporary English, particularly in technology-related vocabulary.
(__) The adjective "unfiltered" in "unfiltered clarity" is formed through derivational morphology by attaching the negative prefix "un-" to the past participle "filtered," creating a word meaning "not filtered" or "without filtration," and this same prefix demonstrates consistent phonological behavior across all English words, always being pronounced /?n/ regardless of the phonological environment of the base word it attaches to. 
(__) The phrase "trash heaps" contains two free morphemes that can function independently as words, whereas "heroism" in "the city is remembered as a stage for romance and heroism" contains the bound morpheme "-ism" (denoting doctrine, practice, or condition) attached to the base "hero," exemplifying derivational suffixation that changes the word class from noun to abstract noun while adding semantic content related to qualities or principles.

The CORRECT sequence is: 
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Q4034385 Inglês
Read the sentence below:
"His arguments were specious , appealing on the surface but fundamentally flawed."
The underlined word "specious" derives from the Latin root spec- ("to look, to appear"), also present in words such as:
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Q4034373 Inglês
Digital archeology

The City Gallery presents Filip Popov with his exhibition "Digital Archeology"

With a large exhibition, including works from his most famous cycles, the visual artist Filip Popov will exhibit in the Hall "2019" at 32 Gladstone Street from March 2 to 31.

For the first time the artist makes such a large-scale performance in the city where he was born.

The opening will be on March 2 from 17:00 to 19:30.

The topics that excite the author of the exhibition "Digital Archeology" can be deciphered in the titles of the series of works created over the past 8 years: TransOrganic, Para Bellum, Order, Posthuman, Paleomatic Monologues and Prayers to the latest series - Bunker City and Zero City. As Velizara Ivanova emphasizes in her analysis:

Combining works dating back to 2014, Digital Archeology reflects Philip Popov's continuing focus on the posthumanism and transhumanism, confronting technology and our uncertain future and insight into the way machines are woven into our tomorrow's world. "

Born in 1964 in Plovdiv, Filip Popov spent several years of his childhood in Germany, where he formed his ideas for unity between art, architecture, design and technology. He studied art at the National Academy of Arts in Sofia, moved to Basel to study at the Kunstgewerbeschule, and later lived in Zurich.

He has had solo exhibitions at EASA, West Berlin (1988), EKG, Wetzikon, CH (1993), Binz Foundation 39, Zurich (1994), Kunsthalle Liesthal, CH (1996), ArtFront Gallery, Tokyo (2005). It is presented in the most famous galleries in Sofia and the country. In 2014 he participated in the National Autumn Exhibitions in Plovdiv. Filip Popov exhibits his works in numerous group exhibitions in Bulgaria, Switzerland, Austria, France.


https://www.visitplovdiv.com/en/node/10577
Regarding the morphological and syntactic structures in the text "Digital Archeology," judge the statements below.

I.The compound noun "posthumanism" in the phrase "Philip Popov's continuing focus on the posthumanism and transhumanism" exhibits derivational morphology through the prefix "post-" (meaning after/beyond) attached to the base "humanism," creating a philosophical term denoting ideology beyond traditional humanism, and this word formation process exemplifies productive morphological patterns in academic and philosophical English vocabulary.

II.The prepositional phrase "from 2014" in "Combining works dating back to 2014" functions as a temporal adjunct modifying the present participle "dating," and the phrasal verb "dating back to" is a three-word intransitive phrasal verb meaning to originate or have existed since a particular time, commonly used in historical and chronological contexts.

III.The relative clause "where he was born" in "the city where he was born" is a restrictive (defining) relative clause that specifies which city is being referenced, using the relative adverb "where" to indicate location, and this construction could be alternatively expressed as "in which he was born" with preposition fronting, though "where" is more natural and commonly preferred in spoken and written English.


The following statement(s) is/are CORRECT.
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Q3893506 Inglês
O léxico da Língua Inglesa é vasto e expande-se continuamente através de diversos processos de formação de palavras (word-formation processes). Os mais comuns incluem a afixação (prefixação e sufixação), a composição (compounding) e a conversão (conversion), onde uma palavra muda de classe gramatical sem alteração na forma. Compreender esses mecanismos auxilia o aluno a inferir significados e a expandir seu vocabulário de forma autônoma.

Assim, analise as afirmativas a seguir:

I.A sufixação ocorre quando um morfema é adicionado ao final de uma palavra, podendo alterar sua classe gramatical (e.g., "teach" (verbo) -> "teacher" (substantivo); "happy" (adjetivo) -> "happiness" (substantivo)). 
II.A composição (*compounding*) é o processo de unir duas ou mais palavras existentes para criar uma nova palavra com um novo significado (e.g., "black" + "board" - > "blackboard"; "post" + "office" -> "post office").
III.A conversão (*conversion* ou *zero-derivation*) é o processo onde uma palavra muda sua classe gramatical sem a adição de qualquer afixo (e.g., o substantivo "water" torna-se o verbo "to water"; o substantivo "email" torna-se o verbo "to email").

Está correto o que se afirma em:
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Q3891717 Inglês
Analyze the relationship between the words "quick" (adjective) and "quickly" (adverb). Choose the option that correctly identifies the primary word formation process used to create "quickly" from "quick" in English. 
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Q3891716 Inglês
Analyze the word "unhappiness" and choose the option that correctly identifies its morphemes and their types. 
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Q3889315 Inglês
Imagem associada para resolução da questão

(Available: https://www.istockphoto.com/br/fotos/toothbrush-ad. Access in: September, 2025.)

During an English class, a teacher introduced the concept of compound nouns, explaining that they are words formed by combining two words from the same or different grammatical classes. To illustrate the explanation that was offered, an advertisement was projected on the screen, and the students identified a compound noun. The teacher clarified that the word in question is formed by two words belonging to the same word class. Next, the teacher provided a list of words and asked the students to identify those that share the same compound structure as the word previously analyzed.
Select the alternative which contains the compound nouns students should spot. 
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Q3826605 Inglês
Choose the sentence in which the highlighted word is formed through derivation by suffixation:
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Q3825089 Inglês

TEXT:

 

Building Rapport

Establishing strong foundations for teaching and learning

 

By Stephanie Hirchman

September 2, 2025

 

How do teachers build rapport with students? I can’t think of a more important question; after all, learning is all about relationships. In fact, I hope the word “rapport” runs through all the blogs I’ve written, like the letters in a stick of rock. However, as the summer holidays draw to a close and with new beginnings in sight, I’m going to focus exclusively on building rapport.

 

Fostering rapport

Let’s get out the metaphors! If learning is a house, then rapport is the foundation, but because it needs constant maintenance, rapport is also a garden, tended with care on a daily basis. When there is a good rapport, students feel:

• seen – each student is greeted individually, and the teacher makes an eff ort to interact with each one during the lesson.

• confident in the teacher, the course, and themselves - the teacher knows what each student needs and how to deliver it so students make progress. Classroom routines are predictable, fair, and make sense.

• safe – they know the teacher will not embarrass them or expose their sensitivities or weaknesses. Mistakes are dealt with sensitively and treated as learning opportunities.

• accepted – the teacher meets each individual student exactly where they are, without judgment, academically and personally. If someone is called out on their behaviour, this is done in private, and an explanation is given about why this behaviour is unproductive or unacceptable.

 

Student profiles – the basis for rapport

Whatever your teaching context, you’ve got to get to know each student as an individual. This can be considered as an initial information gathering phase, with several possible pathways.

A good starting point is to test students either before they start the course or in the first few days, making it clear that this is a process that produces information that will help you to plan and them to learn. Try to generate as full a picture as possible, so you have an idea about their abilities in all four skills.

Secondly, you need to conduct a needs analysis, either privately or publicly. You can read more about this process, but bear in mind that a public needs analysis can also serve to make everyone in the class aware of each other’s interests and thus of the rationale for including certain topics, language points, or skills work in the course syllabus.

Finally, use whatever resources you have to identify students with specific learning differences or traumas/triggers. This information may be disclosed at registration, self-disclosed (perhaps at interview) or in a private needs analysis, or tentatively identified through your own observations. Obviously, this information is private, between you and the student (and their parents, if they are under 18).

 

Classroom activities to build rapport at the start of a course

These rapport-building activities aim to generate information in such a way that students feel well-supported.

In a first lesson, the top priority is to make sure you know everybody’s preferred names and how to pronounce them. I’ve always found it helpful to have small desktop cards with this information on display – at least for a couple of sessions. Why not ask the students to make these themselves, or at least to personalize them? The back of the card could have some classroom language phrases to help prompt students, and there’s also the option of including this useful functional language as an introductory lesson – note that this generates a lot of information about student performance in areas like listening (including following instructions), speaking (including pronunciation) and studentship (including note-taking), facility with vocabulary, grammar and functional language. It can also serve as an introduction to pair and group work and to questioning and correction techniques, and, of course, builds confidence for students to take an active part in lessons.

 

Rapport thrives on praise

Teachers must remember that students are putting themselves on the line every time they come to class. Every effort carries a risk of failure, and not everyone is robust enough to bounce back easily when this occurs. Praise is the magic ingredient here – individualized, sincere and specific. Even when things have gone a bit wrong, find something that went well. It may be that you’re praising eff ort (“Good try, Haruka, I like that idea, but it isn’t what I’m looking for right now.”) or scaffolding achievement (“That’s a pretty good sentence, Juan, the verb tense is correct. But think again about the subject – should it be singular or plural?”). It may be delivered in written form (“This essay makes some relevant points. You used a lot of new vocabulary and improved your accuracy with punctuation. Next time, put the information into paragraphs.”). And when you make a mistake, as you inevitably will, model a positive reaction – check the information, put it right and thank the person who pointed it out.

Finally, make plenty of space for laughter and smiles, as they not only reduce stress, but have a positive effect on engagement, learning and recall. Rapport really does serve learning.

 

Adapted from: https://www.linguahouse.com/blog/post/building-rapport Acesso em 18/10/2025

No trecho “..., this is done in private, and an explanation is given about why this behaviour is unproductive or unacceptable.”, o prefixo usado nos termos sublinhados significa:
Alternativas
Respostas
41: E
42: B
43: B
44: E
45: C
46: A
47: B
48: D
49: C
50: A
51: C
52: D
53: D
54: D
55: D
56: B
57: A
58: A
59: A
60: B