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Q3270988 Pedagogia
Julgue as sentenças abaixo como VERDADEIRAS ou FALSAS:

(__) O Projeto Político Pedagógico (PPP) é um documento flexível, mas não deve ser revisado periodicamente para assegurar sua eficácia e devido cumprimento.
(__) Na prática educativa, o PPP serve como referência para os professores na elaboração de seus planos de aula e na escolha das metodologias e estratégias de ensino. Ele também orienta as avaliações, garantindo que estas estejam alinhadas com as metas de aprendizagem estabelecidas.
(__) Muitas vezes, a falta de engajamento ou a resistência a mudanças pode dificultar o processo de implementação de um PPP.

A sequência CORRETA é:
Alternativas
Q3270987 Inglês
Consider the dialogue below:

Bob: "Hey, long time no see! How have you been?"
Susan: "I've been good, just trying to keep my head above water with all this work."
Bob: "I hear you. It seems like everyone is burning the candle at both ends these days."
Susan: "Exactly! But you know what they say, every cloud has a silver lining. I'm learning a lot."
Bob: "That's the spirit! Just remember, all work and no play makes Jack a dull boy."

Which of the following best describes the meaning of the idiom "keep my head above water" as used in the dialogue?
Alternativas
Q3270986 Pedagogia
A avaliação formativa desempenha um papel crucial no processo de ensino e aprendizagem. Considerando as características da avaliação formativa, qual das alternativas a seguir não é uma prática adequada dessa forma de avaliação?
Alternativas
Q3270985 Inglês
During a listening comprehension test, you hear the following conversation:

Max: Did you manage to submit the report on time?
Peter: I was up against the clock, but I got it in just under the wire.

Based on the conversation, what does "just under the wire" mean in this context? 
Alternativas
Q3270984 Pedagogia
Acerca da relação professor-aluno analisada sob a perspectiva das dinâmicas de poder, julgue as frases abaixo:

I. Para Pierre Bourdieu, as escolas são instituições que exercem um controle disciplinar sobre os corpos e mentes dos alunos, moldando-os de acordo com as normas sociais predominantes. Este controle é exercido através de uma série de mecanismos sutis, como a vigilância constante (o "panóptico"), o exame, e a classificação, que normalizam o comportamento e reforçam a conformidade com as expectativas sociais.
II. Michel Foucault, em sua teoria do poder simbólico e da reprodução social, argumenta que a escola desempenha um papel crucial na reprodução das desigualdades sociais. Ele introduz o conceito de habitus , que se refere às disposições internalizadas pelos indivíduos, influenciadas por suas condições sociais, e que orientam suas práticas e percepções.
III. Michel Foucault introduz o conceito de biopoder, que se refere ao poder exercido sobre as populações, visando regular a vida social em suas múltiplas dimensões. Na escola, o biopoder se manifesta na forma como os currículos são estruturados para produzir sujeitos que se encaixem nas demandas da sociedade contemporânea, disciplinando não apenas o corpo, mas também os modos de pensar e agir dos alunos.

Está(ão) CORRETA(S) a(s) seguinte(s) proposição(ões).
Alternativas
Q3270983 Inglês
Qual dos seguintes métodos de ensino de línguas se baseia principalmente na repetição, memorização e prática intensiva de padrões estruturais da língua, sem ênfase na explicação de regras gramaticais explícitas?
Alternativas
Q3270982 Inglês
O texto seguinte servirá de base para responder à questão.

Carmen Miranda

When Carmen Miranda performed, audiences remarked on her vivacity and sparkle. Her voice and stage presence captivated people and made her a favorite star, first in Brazil, and later in the United States. Miranda was born in 1909 in northern Portugal, but her family immigrated to Brazil when she was very young. She began her career as a singer for Brazilian radio stations, but she very quickly leapt to stardom, and began acting in movies as well. Her fame and talent caught the attention of a Broadway theater owner and producer, Lee Shubert. He convinced her to join his 1939 production of The Streets of Paris and, with the support of the Brazilian government, Miranda and her band went to New York City as goodwill ambassadors to the United States.

Carmen Miranda was highly successful in the United States, and in addition to major theater appearances, she acted in movies and sang in nightclubs. At the peak of her Hollywood career, she was the highest paid female performer in the United States. However, her success came with drawbacks. Her first major role in a Hollywood film was as an exotic, volatile stereotype of a Latina, and thereafter she was typically typecast in such roles. Her parts often genericized Latin American cultures and played to stereotypes. This was very well received by American audiences, and fed the interests of the United States' Good Neighbor policy in the 1940s, but it angered critics in South and Central America. On a return trip home to Brazil in 1940, she was poorly received, and was actually booed off a stage at a charity event she arranged, a drastic change from the adoration she was given before her departure for America. She did not return to Brazil until shortly before she died in 1955.

Miranda's greatest legacy, perhaps, is the popularization of the samba. The samba was created by Afro-Latin American musicians with roots in the Carnival celebrations that blended European Catholic traditions with African ones. It was created and originally played in poorer Afro-Latin communities but was increasingly picked up by middle class performers. Miranda was sometimes criticized by whites for performing a form of music they considered vulgar because of its origins, while Afro-Latin Americans have criticized her for appropriating their musical traditions without regard for their culture. Nonetheless, her talent was considerable, and her fame brought samba into the spotlight with her. Miranda popularized the samba first in Brazil on the radio and in films, and later in the United States with her performances there, and the samba has had considerable influences on a wide range of musicians and musical forms since.

https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand a 
Which of the following statements best captures the reason behind Carmen Miranda's mixed reception in Brazil upon her return in 1940?
Alternativas
Q3270981 Inglês
O texto seguinte servirá de base para responder à questão.

Carmen Miranda

When Carmen Miranda performed, audiences remarked on her vivacity and sparkle. Her voice and stage presence captivated people and made her a favorite star, first in Brazil, and later in the United States. Miranda was born in 1909 in northern Portugal, but her family immigrated to Brazil when she was very young. She began her career as a singer for Brazilian radio stations, but she very quickly leapt to stardom, and began acting in movies as well. Her fame and talent caught the attention of a Broadway theater owner and producer, Lee Shubert. He convinced her to join his 1939 production of The Streets of Paris and, with the support of the Brazilian government, Miranda and her band went to New York City as goodwill ambassadors to the United States.

Carmen Miranda was highly successful in the United States, and in addition to major theater appearances, she acted in movies and sang in nightclubs. At the peak of her Hollywood career, she was the highest paid female performer in the United States. However, her success came with drawbacks. Her first major role in a Hollywood film was as an exotic, volatile stereotype of a Latina, and thereafter she was typically typecast in such roles. Her parts often genericized Latin American cultures and played to stereotypes. This was very well received by American audiences, and fed the interests of the United States' Good Neighbor policy in the 1940s, but it angered critics in South and Central America. On a return trip home to Brazil in 1940, she was poorly received, and was actually booed off a stage at a charity event she arranged, a drastic change from the adoration she was given before her departure for America. She did not return to Brazil until shortly before she died in 1955.

Miranda's greatest legacy, perhaps, is the popularization of the samba. The samba was created by Afro-Latin American musicians with roots in the Carnival celebrations that blended European Catholic traditions with African ones. It was created and originally played in poorer Afro-Latin communities but was increasingly picked up by middle class performers. Miranda was sometimes criticized by whites for performing a form of music they considered vulgar because of its origins, while Afro-Latin Americans have criticized her for appropriating their musical traditions without regard for their culture. Nonetheless, her talent was considerable, and her fame brought samba into the spotlight with her. Miranda popularized the samba first in Brazil on the radio and in films, and later in the United States with her performances there, and the samba has had considerable influences on a wide range of musicians and musical forms since.

https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand a 
In the sentence "She began her career as a singer for Brazilian radio stations," what is the function of the preposition "for"?
Alternativas
Q3270980 Pedagogia
O texto seguinte servirá de base para responder à questão.

Carmen Miranda

When Carmen Miranda performed, audiences remarked on her vivacity and sparkle. Her voice and stage presence captivated people and made her a favorite star, first in Brazil, and later in the United States. Miranda was born in 1909 in northern Portugal, but her family immigrated to Brazil when she was very young. She began her career as a singer for Brazilian radio stations, but she very quickly leapt to stardom, and began acting in movies as well. Her fame and talent caught the attention of a Broadway theater owner and producer, Lee Shubert. He convinced her to join his 1939 production of The Streets of Paris and, with the support of the Brazilian government, Miranda and her band went to New York City as goodwill ambassadors to the United States.

Carmen Miranda was highly successful in the United States, and in addition to major theater appearances, she acted in movies and sang in nightclubs. At the peak of her Hollywood career, she was the highest paid female performer in the United States. However, her success came with drawbacks. Her first major role in a Hollywood film was as an exotic, volatile stereotype of a Latina, and thereafter she was typically typecast in such roles. Her parts often genericized Latin American cultures and played to stereotypes. This was very well received by American audiences, and fed the interests of the United States' Good Neighbor policy in the 1940s, but it angered critics in South and Central America. On a return trip home to Brazil in 1940, she was poorly received, and was actually booed off a stage at a charity event she arranged, a drastic change from the adoration she was given before her departure for America. She did not return to Brazil until shortly before she died in 1955.

Miranda's greatest legacy, perhaps, is the popularization of the samba. The samba was created by Afro-Latin American musicians with roots in the Carnival celebrations that blended European Catholic traditions with African ones. It was created and originally played in poorer Afro-Latin communities but was increasingly picked up by middle class performers. Miranda was sometimes criticized by whites for performing a form of music they considered vulgar because of its origins, while Afro-Latin Americans have criticized her for appropriating their musical traditions without regard for their culture. Nonetheless, her talent was considerable, and her fame brought samba into the spotlight with her. Miranda popularized the samba first in Brazil on the radio and in films, and later in the United States with her performances there, and the samba has had considerable influences on a wide range of musicians and musical forms since.

https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand a 
In the sentence "Her parts often genericized Latin American cultures and played to stereotypes," what is the grammatical function of the word "genericized"?
Alternativas
Q3270979 Inglês
O texto seguinte servirá de base para responder à questão.

Carmen Miranda

When Carmen Miranda performed, audiences remarked on her vivacity and sparkle. Her voice and stage presence captivated people and made her a favorite star, first in Brazil, and later in the United States. Miranda was born in 1909 in northern Portugal, but her family immigrated to Brazil when she was very young. She began her career as a singer for Brazilian radio stations, but she very quickly leapt to stardom, and began acting in movies as well. Her fame and talent caught the attention of a Broadway theater owner and producer, Lee Shubert. He convinced her to join his 1939 production of The Streets of Paris and, with the support of the Brazilian government, Miranda and her band went to New York City as goodwill ambassadors to the United States.

Carmen Miranda was highly successful in the United States, and in addition to major theater appearances, she acted in movies and sang in nightclubs. At the peak of her Hollywood career, she was the highest paid female performer in the United States. However, her success came with drawbacks. Her first major role in a Hollywood film was as an exotic, volatile stereotype of a Latina, and thereafter she was typically typecast in such roles. Her parts often genericized Latin American cultures and played to stereotypes. This was very well received by American audiences, and fed the interests of the United States' Good Neighbor policy in the 1940s, but it angered critics in South and Central America. On a return trip home to Brazil in 1940, she was poorly received, and was actually booed off a stage at a charity event she arranged, a drastic change from the adoration she was given before her departure for America. She did not return to Brazil until shortly before she died in 1955.

Miranda's greatest legacy, perhaps, is the popularization of the samba. The samba was created by Afro-Latin American musicians with roots in the Carnival celebrations that blended European Catholic traditions with African ones. It was created and originally played in poorer Afro-Latin communities but was increasingly picked up by middle class performers. Miranda was sometimes criticized by whites for performing a form of music they considered vulgar because of its origins, while Afro-Latin Americans have criticized her for appropriating their musical traditions without regard for their culture. Nonetheless, her talent was considerable, and her fame brought samba into the spotlight with her. Miranda popularized the samba first in Brazil on the radio and in films, and later in the United States with her performances there, and the samba has had considerable influences on a wide range of musicians and musical forms since.

https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand a 
What does the text suggest was Carmen Miranda's most significant cultural impact?
Alternativas
Q3270978 Inglês
O texto seguinte servirá de base para responder à questão.

Carmen Miranda

When Carmen Miranda performed, audiences remarked on her vivacity and sparkle. Her voice and stage presence captivated people and made her a favorite star, first in Brazil, and later in the United States. Miranda was born in 1909 in northern Portugal, but her family immigrated to Brazil when she was very young. She began her career as a singer for Brazilian radio stations, but she very quickly leapt to stardom, and began acting in movies as well. Her fame and talent caught the attention of a Broadway theater owner and producer, Lee Shubert. He convinced her to join his 1939 production of The Streets of Paris and, with the support of the Brazilian government, Miranda and her band went to New York City as goodwill ambassadors to the United States.

Carmen Miranda was highly successful in the United States, and in addition to major theater appearances, she acted in movies and sang in nightclubs. At the peak of her Hollywood career, she was the highest paid female performer in the United States. However, her success came with drawbacks. Her first major role in a Hollywood film was as an exotic, volatile stereotype of a Latina, and thereafter she was typically typecast in such roles. Her parts often genericized Latin American cultures and played to stereotypes. This was very well received by American audiences, and fed the interests of the United States' Good Neighbor policy in the 1940s, but it angered critics in South and Central America. On a return trip home to Brazil in 1940, she was poorly received, and was actually booed off a stage at a charity event she arranged, a drastic change from the adoration she was given before her departure for America. She did not return to Brazil until shortly before she died in 1955.

Miranda's greatest legacy, perhaps, is the popularization of the samba. The samba was created by Afro-Latin American musicians with roots in the Carnival celebrations that blended European Catholic traditions with African ones. It was created and originally played in poorer Afro-Latin communities but was increasingly picked up by middle class performers. Miranda was sometimes criticized by whites for performing a form of music they considered vulgar because of its origins, while Afro-Latin Americans have criticized her for appropriating their musical traditions without regard for their culture. Nonetheless, her talent was considerable, and her fame brought samba into the spotlight with her. Miranda popularized the samba first in Brazil on the radio and in films, and later in the United States with her performances there, and the samba has had considerable influences on a wide range of musicians and musical forms since.

https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand a 
In the context of the passage, what is the best meaning of the phrase "leapt to stardom" as used in the sentence, "She began her career as a singer for Brazilian radio stations, but she very quickly leapt to stardom"?
Alternativas
Q3270801 Pedagogia

A história da Educação Especial no Brasil reflete uma trajetória de mudança significativa, passando de práticas de segregação para um modelo mais inclusivo. Tradicionalmente, a educação especial era organizada como um atendimento educacional especializado que substituía o ensino regular. Isso levou à criação de instituições, escolas e classes especiais, baseadas na noção de normalidade e anormalidade. Essa abordagem, focada em diagnósticos e testes psicométricos, determinava práticas escolares e terapêuticas para alunos com deficiência, priorizando um atendimento clínico e individualizado.


No Brasil, o atendimento às pessoas com deficiência teve início com a criação de duas instituições:

Alternativas
Q3270800 Legislação Federal

O Art. 7º-A da Lei de Diretrizes e Bases da Educação Nacional (LDB) nº 9.394/96, incluído pela Lei nº 13.796, de 2019, estabelece diretrizes para garantir o direito de alunos de se ausentarem de provas ou aulas devido a observâncias religiosas.


Nesse contexto, analise as afirmações que seguem:



I. Direito de Ausência: O artigo assegura aos alunos matriculados em instituições de ensino públicas ou privadas, de qualquer nível, o direito de se ausentarem de provas ou aulas que coincidam com dias em que, conforme os preceitos de sua religião, tais atividades sejam proibidas.


II. Procedimento: Para usufruir desse direito, o aluno deve fazer um requerimento prévio e devidamente justificado à instituição de ensino, explicando a razão da ausência com base nos preceitos de sua religião.


III. Prestações Alternativas: A instituição de ensino deve oferecer ao aluno uma alternativa para compensar a ausência. Essa alternativa pode incluir a realização de uma prova substitutiva ou a recuperação de conteúdos, conforme o critério da instituição. A legislação assegura que não devem ser cobrados custos adicionais para o aluno em relação a essas alternativas.



Está CORRETO o que se afirma em: 

Alternativas
Q3270799 Pedagogia

A BNCC orienta o planejamento curricular das escolas, definindo os conteúdos e as competências que devem ser trabalhados em cada etapa da educação básica. Os professores devem adaptar os conteúdos e as metodologias para atender às diretrizes da BNCC e às necessidades de seus alunos.


Nesse contexto, analise as afirmações que seguem:



I. Formação de Professores: A implementação efetiva da BNCC requer formação contínua para os professores, para que eles possam compreender e aplicar as diretrizes e estratégias pedagógicas propostas.


II. Avaliação: A BNCC sugere formas de avaliação que considerem o desenvolvimento das competências gerais e específicas, permitindo uma avaliação mais ampla e integrada do processo educativo.


III. Recursos e Materiais Didáticos: A implementação da BNCC também envolve a criação e adaptação de recursos e materiais didáticos que apoiem o desenvolvimento das competências estabelecidas.



Está CORRETO o que se afirma em: 

Alternativas
Q3270798 Direito da Criança e do Adolescente - Estatuto da Criança e do Adolescente (ECA) - Lei nº 8.069 de 1990
O Art. 8º-A do Estatuto da Criança e do Adolescente (ECA), incluído pela Lei nº 13.798, de 2019, com o objetivo de promover a disseminação de informações sobre medidas preventivas e educativas para reduzir a incidência da gravidez na adolescência e fornecer conhecimento e recursos para adolescentes a fim de evitar a gravidez precoce, estabelece:
Alternativas
Q3270797 Pedagogia

Por muito tempo, a educação especial foi vista como paralela à educação comum, focando na deficiência em vez da dimensão pedagógica. A Declaração de Salamanca (1994) promoveu a inclusão de todos os alunos nas escolas regulares, destacando a importância de atender às necessidades educacionais especiais no ensino regular. Embora essa mudança conceitual tenha influenciado políticas, a implementação efetiva da inclusão escolar para todos ainda enfrenta desafios.


Nesse contexto, é CORRETO afirmar que:

Alternativas
Q3270796 Pedagogia
A Lei nº 13.005/14, sancionada em 25 de junho de 2014, aprova o Plano Nacional de Educação (PNE) e estabelece diretrizes para a política educacional do Brasil. Acerca desse importante dispositivo legal, é CORRETO afirmar que:
Alternativas
Q3270795 Pedagogia

A legislação brasileira sobre o atendimento de alunos com necessidades educacionais especiais na Educação Básica busca garantir a inclusão e a igualdade de oportunidades para todos os estudantes.


Um importante dispositivo legal é a Portaria nº 2.678/2002 que: 

Alternativas
Q3270794 Direito Constitucional

Os Artigos 205 a 214 da Constituição Federal de 1988 são fundamentais para a definição das diretrizes e princípios da educação no Brasil, incluindo aspectos relacionados à inclusão e à promoção da igualdade.


Em relação a esses artigos, é CORRETO afirmar que o artigo 210, diretamente: 

Alternativas
Q3270793 Pedagogia
Existem três tipos comuns de distúrbios de aprendizagem: Distúrbios da leitura, Distúrbios da expressão escrita e Distúrbios envolvendo a capacidade matemática. Acerca dessa temática, assinale a alternativa INCORRETA: 
Alternativas
Respostas
12781: B
12782: C
12783: A
12784: A
12785: A
12786: B
12787: A
12788: A
12789: A
12790: B
12791: D
12792: A
12793: C
12794: A
12795: A
12796: D
12797: A
12798: C
12799: B
12800: B