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" I remember that life in that room seemed to be occurring beneath the sea. Time flowed past indifferently above us; hours and days had no meaning. In the beginning, our life together held a joy and amazement which was newborn every day. Beneath the joy, of course, was anguish and beneath the amazement was fear; but they did not work themselves to the beginning until our high beginning was aloes on our tongues. By then anguish and fear had become the surface on which we slipped and slid, losing balance, dignity, and pride. Giovanni's face, which I had memorized so many mornings, noons, and nights, hardened before my eyes, began to give in secret places, began to crack."
In the sentence "Beneath the joy, of course, was anguish and beneath the amazement was fear", what is correct about the word "anguish" in this context?
O texto seguinte servirá de base para responder à questão.
(§1º) From the earliest time he could remember, William Stoner had his duties. At the age of six he milked the bony cows, slopped the pigs in the sty a few yards from the house, and gathered small eggs from a flock of spindly chickens. And even when he started attending the rural school eight miles from the farm, his day, from before dawn until after dark, was filled with work of one sort or another. At seventeen his shoulders were already beginning to stoop beneath the weight of his occupation.
(§2º) It was a lonely household, of which he was an only child, and it was bound together by the necessity of its toil. In the evenings the three of them sat in the small kitchen lighted by a single kerosene lamp, staring into the yellow flame; often during the hour or so between supper and bed, the only sound that could be heard was the weary movement of a body in a straight chair and the soft creak of a timber giving a little beneath the age of the house.
(§3º) The house was built in a crude square, and the unpainted timbers sagged around the porch and doors. It had with the years taken on the colors of the dry land—gray and brown, streaked with white. On one side of the house was a long parlor, sparsely furnished with straight chairs and a few hewn tables, and a kitchen, where the family spent most of its little time together. On the other side were two bedrooms, each furnished with an iron bedstead enameled white, a single straight chair, and a table, with a lamp and a wash basin on it. The floors were of unpainted plank, unevenly spaced and cracking with age, up through which dust steadily seeped and was swept back each day by Stoner's mother.
Williams, J. (2003). Stoner. New York Review Books. (Original work published 1965).
Read the following excerpt from the third paragraph (§3º):
"On one side of the house was a long parlor, sparsely furnished with straight chairs and a few hewn tables, and a kitchen, where the family spent most of its little time together."
In the excerpt, the word "its" refers to which word or expression?
O texto seguinte servirá de base para responder à questão.
(§1º) From the earliest time he could remember, William Stoner had his duties. At the age of six he milked the bony cows, slopped the pigs in the sty a few yards from the house, and gathered small eggs from a flock of spindly chickens. And even when he started attending the rural school eight miles from the farm, his day, from before dawn until after dark, was filled with work of one sort or another. At seventeen his shoulders were already beginning to stoop beneath the weight of his occupation.
(§2º) It was a lonely household, of which he was an only child, and it was bound together by the necessity of its toil. In the evenings the three of them sat in the small kitchen lighted by a single kerosene lamp, staring into the yellow flame; often during the hour or so between supper and bed, the only sound that could be heard was the weary movement of a body in a straight chair and the soft creak of a timber giving a little beneath the age of the house.
(§3º) The house was built in a crude square, and the unpainted timbers sagged around the porch and doors. It had with the years taken on the colors of the dry land—gray and brown, streaked with white. On one side of the house was a long parlor, sparsely furnished with straight chairs and a few hewn tables, and a kitchen, where the family spent most of its little time together. On the other side were two bedrooms, each furnished with an iron bedstead enameled white, a single straight chair, and a table, with a lamp and a wash basin on it. The floors were of unpainted plank, unevenly spaced and cracking with age, up through which dust steadily seeped and was swept back each day by Stoner's mother.
Williams, J. (2003). Stoner. New York Review Books. (Original work published 1965).
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O estudo de advérbios e conjunções na língua inglesa é fundamental para quem deseja se destacar em provas de concursos públicos. Esses elementos desempenham papéis essenciais na construção de frases, influenciando diretamente o sentido e a coesão textual, habilidades bastante exigidas nas questões de interpretação e compreensão de textos em inglês.
Artigos (Articles) em inglês: uso em concursos públicos
Artigos (Articles) são palavras essenciais na gramática da língua inglesa, usadas para indicar se um substantivo está sendo mencionado de forma específica ou geral. Eles desempenham papel fundamental em provas de concursos, pois ajudam na compreensão e interpretação dos textos, além de serem frequentemente cobrados em questões envolvendo uso correto de estruturas gramaticais.
O texto seguinte servirá de base para responder à questão.
(§1º) From the earliest time he could remember, William Stoner had his duties. At the age of six he milked the bony cows, slopped the pigs in the sty a few yards from the house, and gathered small eggs from a flock of spindly chickens. And even when he started attending the rural school eight miles from the farm, his day, from before dawn until after dark, was filled with work of one sort or another. At seventeen his shoulders were already beginning to stoop beneath the weight of his occupation.
(§2º) It was a lonely household, of which he was an only child, and it was bound together by the necessity of its toil. In the evenings the three of them sat in the small kitchen lighted by a single kerosene lamp, staring into the yellow flame; often during the hour or so between supper and bed, the only sound that could be heard was the weary movement of a body in a straight chair and the soft creak of a timber giving a little beneath the age of the house.
(§3º) The house was built in a crude square, and the unpainted timbers sagged around the porch and doors. It had with the years taken on the colors of the dry land—gray and brown, streaked with white. On one side of the house was a long parlor, sparsely furnished with straight chairs and a few hewn tables, and a kitchen, where the family spent most of its little time together. On the other side were two bedrooms, each furnished with an iron bedstead enameled white, a single straight chair, and a table, with a lamp and a wash basin on it. The floors were of unpainted plank, unevenly spaced and cracking with age, up through which dust steadily seeped and was swept back each day by Stoner's mother.
Williams, J. (2003). Stoner. New York Review Books. (Original work published 1965).
TV for dogs booms but are they watching?
By David Silverberg
(Frolicking = playing energetically
Squishy = soft when pressed)
(Available at: www.bbc.com/news/articles/cq59leg3gp5o – text specially adapted for this test).
( ) In “dogs don’t care” (l. 26), the word “care” could be replaced by “mind” without a significant change of meaning.
( ) The expression “his then-girlfriend” (l. 01) could be understood as the girlfriend he had at that time.
( ) In “The research is mixed” (l. 28), the word “mixed” could be replaced by “conflicting” without significant change of meaning.
( ) In “which dogs can see much clearer than other colours” (l. 23), the word “which” refers to dogs.
The correct order of filling in the parentheses, from top to bottom, is:
TV for dogs booms but are they watching?
By David Silverberg
(Frolicking = playing energetically
Squishy = soft when pressed)
(Available at: www.bbc.com/news/articles/cq59leg3gp5o – text specially adapted for this test).
TV for dogs booms but are they watching?
By David Silverberg
(Frolicking = playing energetically
Squishy = soft when pressed)
(Available at: www.bbc.com/news/articles/cq59leg3gp5o – text specially adapted for this test).
TV for dogs booms but are they watching?
By David Silverberg
(Frolicking = playing energetically
Squishy = soft when pressed)
(Available at: www.bbc.com/news/articles/cq59leg3gp5o – text specially adapted for this test).
TV for dogs booms but are they watching?
By David Silverberg
(Frolicking = playing energetically
Squishy = soft when pressed)
(Available at: www.bbc.com/news/articles/cq59leg3gp5o – text specially adapted for this test).
TV for dogs booms but are they watching?
By David Silverberg
(Frolicking = playing energetically
Squishy = soft when pressed)
(Available at: www.bbc.com/news/articles/cq59leg3gp5o – text specially adapted for this test).
I. Using the passive voice puts Barnum at the center of the sentence, which fits the paragraph's focus on his reputation and legacy.
II. The point is that it is widely said Barnum is responsible for the quote. The passive voice elegantly generalizes and vagueness the source, which is appropriate for common attribution or collective opinion.
III. The writer wants the reader to pay attention to who receives the credit (P.T. Barnum), not who exactly is doing the crediting ("people say", "historians claim", "critics argue").
The CORRECT statements are:
I. In Portuguese, "publicidade" often means advertislng paid for by a company.
II. In English, publicity can be free/earned media, including news coverage or viral attention.
III. In this case "publicidade / publicity" is a false friend, but in a nuanced way, not a 100 % "opposite meaning" one.
The CORRECT statements are
( ) The word ethos is uncountable because it refers to the guiding spirit, values, or character of a person, group, or culture.
( ) The word ethos names a general, continuous quality (a way of thinking/behaving).
( ) In the text, you could say two ethoses because it reÍers to an overarching spirit or attitude that applies to many people.
( ) The use of ethos is functional when the writer wants to talk about individual instances.
Which alternative CORRECTLY fills in the parentheses above?
( ) In literal terms, a ringmaster is the person in charge of a circus performance, especially the one who introduces the acts, guides the audience's attention, and keeps the show moving in the ring.
( ) In the text, the word is used metaphorically.
( ) The "ringmaster" stands for P.T. Barnum as the director/controller of attention and spectacle, the one who teaches people that any kind of publicity (even fake or sensational) is acceptable as long as it grabs notice.
( ) "Ringmaster", in popular culture, means the master-of-ceremonies of a showy, attention-driven culture, not just a literal circus host.
Which alternative CORRECTLY fills in the parentheses a bove?
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