Questões de Concurso Sobre interpretação de texto | reading comprehension em inglês

Foram encontradas 12.997 questões

Q3556553 Inglês

Read the text to answer the question 



    User Interface (UI) and User Experience (UX) are two terms you are likely to hear a lot. In the very simplest sense, User Experience is about devising the best means of getting information from the application to the user. User Interface, on the other hand, is about devising the optimal way to present that information to the user. There is broad overlap between the two and close cooperation between them is required for both to be successful.

    As the market for digital applications becomes ever more crowded, the success of a product comes to depend more and more on the effectiveness of UI and UX. We can get a better understanding of the differences between the two and of their importance to the tech sector by looking at how they operate with a slightly less technological product.

    Let’s consider a favorite household item, the lamp. In the production of a lamp, UX and UI are combined by the role of the product designer. The UX of a lamp might include the various lighting settings available, if the light can be dimmed, if it comes on instantly or if it gets gradually brighter. UI might include things like what the switch looks like, where it is located, or how easy it is to find or to use.

    A lamp is an almost ornamental utility, and the choice of lamp we make is mostly based on aesthetic. It is also a relatively disposable item but, most importantly for UI and UX, we can also have several lamps in our house or office at once, each with a different design. The UI and UX of a lamp will inform certain core elements of the design requirements of the lamp but much of the lamp’s appearance – its colour or the materials it is made from – can vary a great deal.

    With a digital product, things are a little different. Users choose a product primarily for its utility rather than its aesthetic and, most importantly, they usually have only one instance of a product type. Even with a video game, while many people play lots of different games of a similar genre, they can only play one game at a time.

    This makes UX and UI the key factors that differentiate one digital product from another. The product that carries out these functions the best is likely to be the one a user selects, the one that gets the most praise in media and the one that gets to establish industry standards.



(https://digitalskillsglobal.com)


It is information about lamps mentioned in paragraphs 3 and 4:
Alternativas
Q3556552 Inglês

Read the text to answer the question 



    User Interface (UI) and User Experience (UX) are two terms you are likely to hear a lot. In the very simplest sense, User Experience is about devising the best means of getting information from the application to the user. User Interface, on the other hand, is about devising the optimal way to present that information to the user. There is broad overlap between the two and close cooperation between them is required for both to be successful.

    As the market for digital applications becomes ever more crowded, the success of a product comes to depend more and more on the effectiveness of UI and UX. We can get a better understanding of the differences between the two and of their importance to the tech sector by looking at how they operate with a slightly less technological product.

    Let’s consider a favorite household item, the lamp. In the production of a lamp, UX and UI are combined by the role of the product designer. The UX of a lamp might include the various lighting settings available, if the light can be dimmed, if it comes on instantly or if it gets gradually brighter. UI might include things like what the switch looks like, where it is located, or how easy it is to find or to use.

    A lamp is an almost ornamental utility, and the choice of lamp we make is mostly based on aesthetic. It is also a relatively disposable item but, most importantly for UI and UX, we can also have several lamps in our house or office at once, each with a different design. The UI and UX of a lamp will inform certain core elements of the design requirements of the lamp but much of the lamp’s appearance – its colour or the materials it is made from – can vary a great deal.

    With a digital product, things are a little different. Users choose a product primarily for its utility rather than its aesthetic and, most importantly, they usually have only one instance of a product type. Even with a video game, while many people play lots of different games of a similar genre, they can only play one game at a time.

    This makes UX and UI the key factors that differentiate one digital product from another. The product that carries out these functions the best is likely to be the one a user selects, the one that gets the most praise in media and the one that gets to establish industry standards.



(https://digitalskillsglobal.com)


The third and fourth paragraphs aim mainly to 
Alternativas
Q3556550 Inglês

Read the text to answer the question 



    User Interface (UI) and User Experience (UX) are two terms you are likely to hear a lot. In the very simplest sense, User Experience is about devising the best means of getting information from the application to the user. User Interface, on the other hand, is about devising the optimal way to present that information to the user. There is broad overlap between the two and close cooperation between them is required for both to be successful.

    As the market for digital applications becomes ever more crowded, the success of a product comes to depend more and more on the effectiveness of UI and UX. We can get a better understanding of the differences between the two and of their importance to the tech sector by looking at how they operate with a slightly less technological product.

    Let’s consider a favorite household item, the lamp. In the production of a lamp, UX and UI are combined by the role of the product designer. The UX of a lamp might include the various lighting settings available, if the light can be dimmed, if it comes on instantly or if it gets gradually brighter. UI might include things like what the switch looks like, where it is located, or how easy it is to find or to use.

    A lamp is an almost ornamental utility, and the choice of lamp we make is mostly based on aesthetic. It is also a relatively disposable item but, most importantly for UI and UX, we can also have several lamps in our house or office at once, each with a different design. The UI and UX of a lamp will inform certain core elements of the design requirements of the lamp but much of the lamp’s appearance – its colour or the materials it is made from – can vary a great deal.

    With a digital product, things are a little different. Users choose a product primarily for its utility rather than its aesthetic and, most importantly, they usually have only one instance of a product type. Even with a video game, while many people play lots of different games of a similar genre, they can only play one game at a time.

    This makes UX and UI the key factors that differentiate one digital product from another. The product that carries out these functions the best is likely to be the one a user selects, the one that gets the most praise in media and the one that gets to establish industry standards.



(https://digitalskillsglobal.com)


According to the first and second paragraphs, the growing relevance of UI and UX can be explained by the fact that
Alternativas
Q3556549 Inglês

Read the text to answer the question. 



    With the rising complexity of modern information systems and the resulting ever increasing flow of big data, the benefits of Artificial Intelligence (AI) are now widely recognized. Specifically, Machine Learning (ML) methods are already deployed to solve diverse real-world tasks – especially with the advent of deep learning. Fascinating examples of practical achievements of ML are machine translation, travel and vacation recommendations, object detection and tracking, and even various applications in healthcare. Furthermore, ML is rightly considered to be a technology enabler, as it has shown great potential in the context of telecommunication systems or autonomous driving.

    Nevertheless, modern society is increasingly relying on Information Technology (IT) systems – including autonomous ones – which are also actively leveraged by malicious entities. Digital threats are, in fact, continuously evolving, and some researchers believe attackers will have sufficient capabilities to harm or kill humans by 2025. To prevent such incidents and mitigate the plethora of risks that can target current and future IT systems, defensive mechanisms require the capability to quickly adapt to the (i) mutating environments and (ii) dynamic threat landscape. Coping with such a twofold requirement via static and human-defined methods is clearly unfeasible, and deployment of Machine Learning in cybersecurity is inescapable.



(https://dl.acm.org. Adaptad)

According to the second paragraph, in the fight against malicious entities – …deployment of Machine Learning in cybersecurity is inescapable – because

Alternativas
Q3556547 Inglês

Read the text to answer the question. 



    With the rising complexity of modern information systems and the resulting ever increasing flow of big data, the benefits of Artificial Intelligence (AI) are now widely recognized. Specifically, Machine Learning (ML) methods are already deployed to solve diverse real-world tasks – especially with the advent of deep learning. Fascinating examples of practical achievements of ML are machine translation, travel and vacation recommendations, object detection and tracking, and even various applications in healthcare. Furthermore, ML is rightly considered to be a technology enabler, as it has shown great potential in the context of telecommunication systems or autonomous driving.

    Nevertheless, modern society is increasingly relying on Information Technology (IT) systems – including autonomous ones – which are also actively leveraged by malicious entities. Digital threats are, in fact, continuously evolving, and some researchers believe attackers will have sufficient capabilities to harm or kill humans by 2025. To prevent such incidents and mitigate the plethora of risks that can target current and future IT systems, defensive mechanisms require the capability to quickly adapt to the (i) mutating environments and (ii) dynamic threat landscape. Coping with such a twofold requirement via static and human-defined methods is clearly unfeasible, and deployment of Machine Learning in cybersecurity is inescapable.



(https://dl.acm.org. Adaptad)

The second paragraph states that information technology 

Alternativas
Q3556545 Inglês

Read the text to answer the question. 



    With the rising complexity of modern information systems and the resulting ever increasing flow of big data, the benefits of Artificial Intelligence (AI) are now widely recognized. Specifically, Machine Learning (ML) methods are already deployed to solve diverse real-world tasks – especially with the advent of deep learning. Fascinating examples of practical achievements of ML are machine translation, travel and vacation recommendations, object detection and tracking, and even various applications in healthcare. Furthermore, ML is rightly considered to be a technology enabler, as it has shown great potential in the context of telecommunication systems or autonomous driving.

    Nevertheless, modern society is increasingly relying on Information Technology (IT) systems – including autonomous ones – which are also actively leveraged by malicious entities. Digital threats are, in fact, continuously evolving, and some researchers believe attackers will have sufficient capabilities to harm or kill humans by 2025. To prevent such incidents and mitigate the plethora of risks that can target current and future IT systems, defensive mechanisms require the capability to quickly adapt to the (i) mutating environments and (ii) dynamic threat landscape. Coping with such a twofold requirement via static and human-defined methods is clearly unfeasible, and deployment of Machine Learning in cybersecurity is inescapable.



(https://dl.acm.org. Adaptad)

In the fragment from the first paragraph – the resulting ever increasing flow of big data –, the terms in bold mean that the flow of big data is 

Alternativas
Q3556544 Inglês

Read the text to answer the question. 



    With the rising complexity of modern information systems and the resulting ever increasing flow of big data, the benefits of Artificial Intelligence (AI) are now widely recognized. Specifically, Machine Learning (ML) methods are already deployed to solve diverse real-world tasks – especially with the advent of deep learning. Fascinating examples of practical achievements of ML are machine translation, travel and vacation recommendations, object detection and tracking, and even various applications in healthcare. Furthermore, ML is rightly considered to be a technology enabler, as it has shown great potential in the context of telecommunication systems or autonomous driving.

    Nevertheless, modern society is increasingly relying on Information Technology (IT) systems – including autonomous ones – which are also actively leveraged by malicious entities. Digital threats are, in fact, continuously evolving, and some researchers believe attackers will have sufficient capabilities to harm or kill humans by 2025. To prevent such incidents and mitigate the plethora of risks that can target current and future IT systems, defensive mechanisms require the capability to quickly adapt to the (i) mutating environments and (ii) dynamic threat landscape. Coping with such a twofold requirement via static and human-defined methods is clearly unfeasible, and deployment of Machine Learning in cybersecurity is inescapable.



(https://dl.acm.org. Adaptad)

The first paragraph is mainly about

Alternativas
Q3556102 Inglês
Match the reading strategy with its description:
1 - Skimming
2 - Scanning
3- Close Reading
4 - Inference
5 – Summarizing

( ) Condensing the essential information in a text, usually in your words, to capture the main points.
( ) When using this strategy, you search for specific information in the text, such as dates, names, or keywords.
( ) This strategy requires a thorough and analytical examination of the text, paying attention to details, language, and tone.
( ) This involves reading quickly to get a general sense of the text's main ideas without focusing on details.
() Making educated guesses based on the information provided in the text, even if it's not explicitly stated.
Mark the option that contains the correct and respective association.
Alternativas
Q3556099 Inglês
When teaching reading strategies, a teacher emphasizes the importance of identifying contextual clues and cognate words to understand the meaning of unknown words in a text. Which reading strategy does this approach exemplify? 
Alternativas
Q3556092 Inglês
Match the authors with their notable literary works:
(I) William Shakespeare
(II) Charles Dickens
(III) James Joyce
(IV) Emily Bronte
(V) T. S. Eliot


A) "A Tale of Two Cities"
B) "Dubliners"
C) "The Wasteland"
D) "Romeo and Juliet"
E) "Wuthering Heights" 

Choose the correct option that makes the appropriate association.
Alternativas
Q3556086 Inglês
When teaching English reading comprehension, what should instructors emphasize to help students better understand the structure and organization of texts?
Alternativas
Q3556084 Inglês
Imagem associada para resolução da questão Zack Hill by John Deering and John Newcombe for September 03, 2023
What does Zack Hill accuse the mailbox of when it responds with "Ironic, isn't it?" in the comic strip?
Alternativas
Q3556083 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
What is the ultimate effect of the raven on the narrator?
Alternativas
Q3556082 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
How does the narrator feel when the raven enters his chamber?
Alternativas
Q3556081 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
Which literary element contributes to the dark atmosphere of the poem?
Alternativas
Q3556080 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
What is the emotional state of the narrator at the beginning of the poem?
Alternativas
Q3556079 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
What effect does the repetition of the word "Nevermore" have in the poem "The Raven"? 
Alternativas
Q3556078 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
What is the central theme of Edgar Allan Poe's poem "The Raven"?
Alternativas
Q3554867 Inglês
Leia o texto para responder à questão.

    The ecosystems, biomes and processes that regulate the stability and resilience of the Earth system are under severe pressure. So, it is timely to reflect on how our understanding of tackling environmental problems has shifted, and what factors make for successful outcomes.
    Standard risk management approaches will not be sufficient to address the complex societal, environmental and economic systems and their interactions that characterize nations across the world today. Reducing the loss of biodiversity simply by establishing protected areas will not succeed, when much biodiversity is found in areas under production, both in agriculture and in the seas. Furthermore, as the climate changes, habitat fragmentation restricts species to smaller spaces, reduces genetic variability and stresses ecosystems. Protected areas are important — but are only part of the answer. Innovative ways are needed to integrate development and biodiversity protection. There is a risk of inadvertently making things worse, for example, by expanding agriculture in ways that deplete soils, waste water and increase desertification and deforestation. 
STAPanalysed 32 climate change mitigation and chemicals and waste management projects worldwide. One such project was based on the “circular economy concept”, which aims to change the linear economic model based on ‘take, make, use, and dispose,’ to a more sustainable model that is restorative and regenerative by design. The concept ensures that the value of products, materials, and resources is maintained in the economy at their highest value and usefulness for as long as possible while minimizing waste.
A circular approach will also yield socio-economic gains. Transitioning to the circular economy in five European countries by 2030, apart from reducing carbon emissions by two-thirds, would also lower business costs and increase the workforce by about 4%, creating more than 1.2 million jobs, including benefits across focal areas — and are ultimately more transformational.  

(https://www thegef.org. Adaptado)

STAP1 Scientific and Technical Advisory Panel — United Nations. 
The whole discussion in the second paragraph illustrates the notion that, in tackling environmental problems, 
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Q3554866 Inglês
Leia o texto para responder à questão.

    The ecosystems, biomes and processes that regulate the stability and resilience of the Earth system are under severe pressure. So, it is timely to reflect on how our understanding of tackling environmental problems has shifted, and what factors make for successful outcomes.
    Standard risk management approaches will not be sufficient to address the complex societal, environmental and economic systems and their interactions that characterize nations across the world today. Reducing the loss of biodiversity simply by establishing protected areas will not succeed, when much biodiversity is found in areas under production, both in agriculture and in the seas. Furthermore, as the climate changes, habitat fragmentation restricts species to smaller spaces, reduces genetic variability and stresses ecosystems. Protected areas are important — but are only part of the answer. Innovative ways are needed to integrate development and biodiversity protection. There is a risk of inadvertently making things worse, for example, by expanding agriculture in ways that deplete soils, waste water and increase desertification and deforestation. 
STAPanalysed 32 climate change mitigation and chemicals and waste management projects worldwide. One such project was based on the “circular economy concept”, which aims to change the linear economic model based on ‘take, make, use, and dispose,’ to a more sustainable model that is restorative and regenerative by design. The concept ensures that the value of products, materials, and resources is maintained in the economy at their highest value and usefulness for as long as possible while minimizing waste.
A circular approach will also yield socio-economic gains. Transitioning to the circular economy in five European countries by 2030, apart from reducing carbon emissions by two-thirds, would also lower business costs and increase the workforce by about 4%, creating more than 1.2 million jobs, including benefits across focal areas — and are ultimately more transformational.  

(https://www thegef.org. Adaptado)

STAP1 Scientific and Technical Advisory Panel — United Nations. 
No trecho do primeiro parágrafo “and what factors make for successful outcomes”, os termos em negrito correspondem, em português, a 
Alternativas
Respostas
4121: A
4122: C
4123: E
4124: A
4125: B
4126: A
4127: A
4128: E
4129: C
4130: A
4131: E
4132: B
4133: A
4134: B
4135: D
4136: C
4137: C
4138: D
4139: D
4140: B