Questões de Concurso Para professor - inglês

Foram encontradas 30.746 questões

Resolva questões gratuitamente!

Junte-se a mais de 4 milhões de concurseiros!

Q3484943 Inglês
Imagem associada para resolução da questão


What is the actual message the woman intends to convey to the man about driving in bad weather? 
Alternativas
Q3484942 Inglês
Imagem associada para resolução da questão

Disponível em: https://www.gocomics.com/garfield/1998/02/09


In the comic strip, Jon Arbuckle says that he likes women who are impressed with his intellect. Garfield's response indicates that he believes Jon is saying that he likes:
Alternativas
Q3484941 Inglês
Imagem associada para resolução da questão


Disponível em: https://www.gocomics.com/pearlsbeforeswine/2003/07/01

What is the reason behind the customer's rejection of the wine in the comic strip?
Alternativas
Q3484940 Inglês
In a professional setting, identify the phrase that most accurately conveys formality and linguistic appropriateness: 
Alternativas
Q3484939 Inglês

Imagem associada para resolução da questão


Disponível em: https://www.gocomics.com/pickles/2016/04/13



The word "stumped", in the last panel, could be replaced without a change in meaning by:


Alternativas
Q3484938 Linguística
Identify the phrase that most accurately exemplifies the utilization of African American Vernacular English (AAVE) in an argumentative context.
Alternativas
Q3484937 Inglês
Total Physical Response (TPR) is a teaching methodology that focuses on learning through physical activities and body movements. It is based on the premise that associating physical actions with the learning of a foreign language facilitates understanding and retention of the content.
Which of the following activities are typical of the TPR methodology?
Alternativas
Q3484936 Inglês

Associate the reading strategies with their respective descriptions.


1 - Skimming;

2 - Scanning;

3 - Critical Reading;

4 - Predictive Reading:


( ) It is a thoughtful and analytical reading strategy. It goes beyond understanding the literal meaning of the text and involves evaluating the author's arguments, questioning assumptions, and considering alternative perspectives.


( ) It involves making educated guesses about the content of a text based on headings, subheadings, and other organizational cues. Readers use their prior knowledge and the structure of the material to anticipate what information might come next.


( ) It is a reading strategy that involves searching for specific information within a text. Instead of reading the entire passage, the reader focuses on keywords, phrases, or numbers to quickly locate the relevant details.


( ) It is a rapid reading technique used to get an overview of the text. Readers quickly glance through the material to identify the main ideas, important points, and the overall structure of the text without reading every word.


The correct association is, respectively: 


Alternativas
Q3484935 Inglês
“There were people who went to sleep last night,
poor and rich and white and black,
but they will never wake again.

And those dead folks would give anything at all
for just five minutes of this weather
or ten minutes of plowing.

So you watch yourself about complaining.

What you're supposed to do when you don't like a thing is change it.
If you can't change it, change the way you think about it.”

— Maya Angelou

The passage uses the phrase "those dead folks" to refer to: 
Alternativas
Q3484934 Inglês
Wuthering Heights


"I'll not change my mind, Heathcliff," I said, "and I won't marry you. I'll never be yours, and you shall never be mine."

He looked incredibly shocked at this unexpected declaration, and drew his breath in and out in short, hurried gasps. His face grew red and white, and he stared at me wildly.

"Why not?" he demanded at last, in a voice that sounded almost strangled. "Why won't you marry me?"

"Because I don't love you," I said simply.

He stared at me for a moment, then burst out laughing. "You don't love me?" he repeated. "You don't love me? Then why did you come here?"

"I came here because I was afraid of you," I said. "I thought you would hurt me if I didn't." He laughed again, but this time it was a different kind of laugh. It was a bitter, mocking laugh. "You were right to be afraid of me," he said. "I would have hurt you. I would have killed you."

He reached out and grabbed my arm, his fingers digging into my flesh. "But now I'm going to let you go," he said. "I'm going to let you go, and you'll never see me again."

He released my arm and stepped back, his eyes blazing with anger. "Go," he said. "Go, and never come back." 

Emily Brontë

What is the main conflict in this excerpt?
Alternativas
Q3484930 Pedagogia
De acordo com a Lei Federal nº 13.005/2014 – Plano Nacional de Educação. São diretrizes do PNE: Exceto:
Alternativas
Q3484927 Ciência Política
De acordo com o Plano Municipal de Educação de Araçariguama - Lei Municipal N.º 710, de 28 de maio de 2015. São Programas de Transferência de Renda do Governo Estadual, Exceto:
Alternativas
Q3484923 Português
Assinale a alternativa em que, na sentença apresentada, ocorre um verbo defectivo. 
Alternativas
Q3484920 Português
Caso de divórcio (III)


         Ele é um ex-seminarista. Sério, metódico e higiênico. Do tipo que dorme sem amassar o pijama. Dela, todos dizem: é uma santa. Nunca tiveram filhos, e explicam que é por um problema de bacia estreita. Dele, não dela, mas ninguém jamais pediu maiores explicações. Ele é técnico contábil, está muito bem de vida. Ela se dedica a obras benemerentes e a atividades paroquiais. Os dois fizeram cursilho. Certa vez, ele escreveu uma carta ao jornal sobre uma vaga questão de dogma da Igreja e assinou Leigo Alerta. Ela usa o cabelo puxado para trás e amarrado num coque que é uma declaração de princípios. Até que um dia...

          Um dia, por acaso, ligam o rádio no meio de uma transmissão de futebol. E ela ouve um nome: Dulcídio Wanderley Boschilia. Não ouve o resto da frase, não sabe quem é, mas fixa-se no nome como se o agarrasse com os dentes. Dulcídio Wanderley Boschilia. Estremece. Sente uma estranha sensação no peito, uma aflição. Como um sumidouro. Dulcídio Wanderley Boschilia. O que é que está me acontecendo, Deus? Levanta e vai na cozinha tomar água. Quando volta, o marido acabou de desligar o rádio e está tirando a gravata, sinal certo de que se prepara para dormir. Será que ele notou alguma coisa? Dulcídio Wanderley Boschilia. Não consegue dormir. Nunca mais será a mesma. Que fascínio tem aquele nome para mudar uma vida? E o mais estranho é que só de madrugada, o marido roncando como um urso, ela se dá conta que existe um homem que corresponde ao nome. Até então o nome fora uma assombração sem corpo na sua vigília, uma coisa etérea, uma abstração sonora.
         
         Poucas horas antes da missa das seis, a aflição ganha um corpo. Mas que corpo terá Dulcídio Wanderley Boschilia? De volta da missa ela pega o jornal e vira para a página de esportes. Procura uma fotografia. Será este aqui? Deixa ver. Zezinho. Não é este. Tadeu. Cacau. Sente-se ridícula. O massagista Banha. Preciso me controlar. E súbito, num canto da página, a notícia: o árbitro Dulcídio Wanderley Boschilia, que apitou o jogo de ontem, ficará na cidade até amanhã pela manhã, quando embarcará para São Paulo.

          A empregada aparece na sala para pedir instruções para o almoço e descobre a patroa, com o jornal amassado contra o peito, o olhar perdido, e uma expressão na boca que a empregada — se soubesse soletrar a palavra — chamaria de pura lascívia. No mesmo dia, temendo nem ela sabe bem o quê, a empregada pede dispensa, depois de 17 anos com a família.

          Na manhã do dia seguinte, em vez da missa, a mulher vai para o aeroporto. De cabelo solto. O marido fica dormindo. Atenta a todas as chamadas para embarque, a mulher procura em vão por alguém com cara de Dulcídio Wanderley Boschilia. Almoça um bauru com guaraná no balcão do aeroporto e fica até à noite. Só quando descobre que não há mais voos para São Paulo naquele dia é que vai para casa.

      — Onde é que você esteve? quis saber o marido, preocupado.

    — Não interessa. Ela tranca-se no quarto, e nos quatro dias seguintes só sai uma vez, para telefonar a um jornal. Pede o endereço de Dulcídio Wanderley Boschilia em São Paulo. Ninguém sabe.

       Ela deve escrever para a Federação Paulista de Futebol, o Departamento de Árbitros, por aí. Na noite do quarto dia ela declara para o marido:

      — Quero ir para São Paulo.

      — Está bem. Iremos.

     — Você, não. Eu. Quero viver. Quero viver!

     O marido salta com os dois pés no seu peito, como um Watusi, e a manda cambaleando para dentro do quarto. Fecha a porta. Até hoje, só a deixa sair para ir ao banheiro. Ela tem assustado várias pessoas da vizinhança com chamados furtivos, da janela, no meio da noite, e misteriosos bilhetes “para o Dulcídio, em São Paulo. Rápido, rápido!”


VERISSIMO, L. F. Ed Mort e outras histórias. Porto Alegre: L&PM Editores, 1985. 
As alternativas a seguir apresentam palavras que ocorrem no texto. Assinale aquela que é formada por justaposição. 
Alternativas
Q3484918 Português
Caso de divórcio (III)


         Ele é um ex-seminarista. Sério, metódico e higiênico. Do tipo que dorme sem amassar o pijama. Dela, todos dizem: é uma santa. Nunca tiveram filhos, e explicam que é por um problema de bacia estreita. Dele, não dela, mas ninguém jamais pediu maiores explicações. Ele é técnico contábil, está muito bem de vida. Ela se dedica a obras benemerentes e a atividades paroquiais. Os dois fizeram cursilho. Certa vez, ele escreveu uma carta ao jornal sobre uma vaga questão de dogma da Igreja e assinou Leigo Alerta. Ela usa o cabelo puxado para trás e amarrado num coque que é uma declaração de princípios. Até que um dia...

          Um dia, por acaso, ligam o rádio no meio de uma transmissão de futebol. E ela ouve um nome: Dulcídio Wanderley Boschilia. Não ouve o resto da frase, não sabe quem é, mas fixa-se no nome como se o agarrasse com os dentes. Dulcídio Wanderley Boschilia. Estremece. Sente uma estranha sensação no peito, uma aflição. Como um sumidouro. Dulcídio Wanderley Boschilia. O que é que está me acontecendo, Deus? Levanta e vai na cozinha tomar água. Quando volta, o marido acabou de desligar o rádio e está tirando a gravata, sinal certo de que se prepara para dormir. Será que ele notou alguma coisa? Dulcídio Wanderley Boschilia. Não consegue dormir. Nunca mais será a mesma. Que fascínio tem aquele nome para mudar uma vida? E o mais estranho é que só de madrugada, o marido roncando como um urso, ela se dá conta que existe um homem que corresponde ao nome. Até então o nome fora uma assombração sem corpo na sua vigília, uma coisa etérea, uma abstração sonora.
         
         Poucas horas antes da missa das seis, a aflição ganha um corpo. Mas que corpo terá Dulcídio Wanderley Boschilia? De volta da missa ela pega o jornal e vira para a página de esportes. Procura uma fotografia. Será este aqui? Deixa ver. Zezinho. Não é este. Tadeu. Cacau. Sente-se ridícula. O massagista Banha. Preciso me controlar. E súbito, num canto da página, a notícia: o árbitro Dulcídio Wanderley Boschilia, que apitou o jogo de ontem, ficará na cidade até amanhã pela manhã, quando embarcará para São Paulo.

          A empregada aparece na sala para pedir instruções para o almoço e descobre a patroa, com o jornal amassado contra o peito, o olhar perdido, e uma expressão na boca que a empregada — se soubesse soletrar a palavra — chamaria de pura lascívia. No mesmo dia, temendo nem ela sabe bem o quê, a empregada pede dispensa, depois de 17 anos com a família.

          Na manhã do dia seguinte, em vez da missa, a mulher vai para o aeroporto. De cabelo solto. O marido fica dormindo. Atenta a todas as chamadas para embarque, a mulher procura em vão por alguém com cara de Dulcídio Wanderley Boschilia. Almoça um bauru com guaraná no balcão do aeroporto e fica até à noite. Só quando descobre que não há mais voos para São Paulo naquele dia é que vai para casa.

      — Onde é que você esteve? quis saber o marido, preocupado.

    — Não interessa. Ela tranca-se no quarto, e nos quatro dias seguintes só sai uma vez, para telefonar a um jornal. Pede o endereço de Dulcídio Wanderley Boschilia em São Paulo. Ninguém sabe.

       Ela deve escrever para a Federação Paulista de Futebol, o Departamento de Árbitros, por aí. Na noite do quarto dia ela declara para o marido:

      — Quero ir para São Paulo.

      — Está bem. Iremos.

     — Você, não. Eu. Quero viver. Quero viver!

     O marido salta com os dois pés no seu peito, como um Watusi, e a manda cambaleando para dentro do quarto. Fecha a porta. Até hoje, só a deixa sair para ir ao banheiro. Ela tem assustado várias pessoas da vizinhança com chamados furtivos, da janela, no meio da noite, e misteriosos bilhetes “para o Dulcídio, em São Paulo. Rápido, rápido!”


VERISSIMO, L. F. Ed Mort e outras histórias. Porto Alegre: L&PM Editores, 1985. 
Analise o excerto: “De volta da missa ela pega o jornal e vira para a página de esportes. Procura uma fotografia. Será este aqui? Deixa ver. Zezinho. Não é este. Tadeu. Cacau. Sente-se ridícula. O massagista Banha. Preciso me controlar.” Assinale a alternativa que apresenta todos os pronomes que ocorrem no contexto apresentado e suas respectivas subcategorias.
Alternativas
Q3484917 Português
Caso de divórcio (III)


         Ele é um ex-seminarista. Sério, metódico e higiênico. Do tipo que dorme sem amassar o pijama. Dela, todos dizem: é uma santa. Nunca tiveram filhos, e explicam que é por um problema de bacia estreita. Dele, não dela, mas ninguém jamais pediu maiores explicações. Ele é técnico contábil, está muito bem de vida. Ela se dedica a obras benemerentes e a atividades paroquiais. Os dois fizeram cursilho. Certa vez, ele escreveu uma carta ao jornal sobre uma vaga questão de dogma da Igreja e assinou Leigo Alerta. Ela usa o cabelo puxado para trás e amarrado num coque que é uma declaração de princípios. Até que um dia...

          Um dia, por acaso, ligam o rádio no meio de uma transmissão de futebol. E ela ouve um nome: Dulcídio Wanderley Boschilia. Não ouve o resto da frase, não sabe quem é, mas fixa-se no nome como se o agarrasse com os dentes. Dulcídio Wanderley Boschilia. Estremece. Sente uma estranha sensação no peito, uma aflição. Como um sumidouro. Dulcídio Wanderley Boschilia. O que é que está me acontecendo, Deus? Levanta e vai na cozinha tomar água. Quando volta, o marido acabou de desligar o rádio e está tirando a gravata, sinal certo de que se prepara para dormir. Será que ele notou alguma coisa? Dulcídio Wanderley Boschilia. Não consegue dormir. Nunca mais será a mesma. Que fascínio tem aquele nome para mudar uma vida? E o mais estranho é que só de madrugada, o marido roncando como um urso, ela se dá conta que existe um homem que corresponde ao nome. Até então o nome fora uma assombração sem corpo na sua vigília, uma coisa etérea, uma abstração sonora.
         
         Poucas horas antes da missa das seis, a aflição ganha um corpo. Mas que corpo terá Dulcídio Wanderley Boschilia? De volta da missa ela pega o jornal e vira para a página de esportes. Procura uma fotografia. Será este aqui? Deixa ver. Zezinho. Não é este. Tadeu. Cacau. Sente-se ridícula. O massagista Banha. Preciso me controlar. E súbito, num canto da página, a notícia: o árbitro Dulcídio Wanderley Boschilia, que apitou o jogo de ontem, ficará na cidade até amanhã pela manhã, quando embarcará para São Paulo.

          A empregada aparece na sala para pedir instruções para o almoço e descobre a patroa, com o jornal amassado contra o peito, o olhar perdido, e uma expressão na boca que a empregada — se soubesse soletrar a palavra — chamaria de pura lascívia. No mesmo dia, temendo nem ela sabe bem o quê, a empregada pede dispensa, depois de 17 anos com a família.

          Na manhã do dia seguinte, em vez da missa, a mulher vai para o aeroporto. De cabelo solto. O marido fica dormindo. Atenta a todas as chamadas para embarque, a mulher procura em vão por alguém com cara de Dulcídio Wanderley Boschilia. Almoça um bauru com guaraná no balcão do aeroporto e fica até à noite. Só quando descobre que não há mais voos para São Paulo naquele dia é que vai para casa.

      — Onde é que você esteve? quis saber o marido, preocupado.

    — Não interessa. Ela tranca-se no quarto, e nos quatro dias seguintes só sai uma vez, para telefonar a um jornal. Pede o endereço de Dulcídio Wanderley Boschilia em São Paulo. Ninguém sabe.

       Ela deve escrever para a Federação Paulista de Futebol, o Departamento de Árbitros, por aí. Na noite do quarto dia ela declara para o marido:

      — Quero ir para São Paulo.

      — Está bem. Iremos.

     — Você, não. Eu. Quero viver. Quero viver!

     O marido salta com os dois pés no seu peito, como um Watusi, e a manda cambaleando para dentro do quarto. Fecha a porta. Até hoje, só a deixa sair para ir ao banheiro. Ela tem assustado várias pessoas da vizinhança com chamados furtivos, da janela, no meio da noite, e misteriosos bilhetes “para o Dulcídio, em São Paulo. Rápido, rápido!”


VERISSIMO, L. F. Ed Mort e outras histórias. Porto Alegre: L&PM Editores, 1985. 
Considere o excerto: “Nunca mais será a mesma.” No contexto apresentado, ocorre uma locução adverbial responsável por exprimir circunstância de: 
Alternativas
Q3483803 Inglês

INSTRUCTION: Read the following text to answer question.


Communicative Language Teaching


By Judson Wright


Introduction



Over the last few decades, Communicative Language Teaching (CLT) has become common in classrooms around the world at all levels of ability and with students of all ages. The starting point for the CLT approach is to consider what people actually do with language outside the classroom. Every day, people use language to provide and to ask for information, to make requests, to give and to ask for permission, and for a long list of other functions. In other words, they use language to communicate. […]


The teacher as model


In some approaches to teaching English, the teacher’s main role is to pass on knowledge to students through explanations. In Communicative Language Teaching, the role of the teacher is rather different, although providing clear explanations of language points is still an important part of it. First of all, the teacher acts as a model of good communication skills. This involves asking clear questions, providing clear answers, and giving clear instructions to students. The teacher also models active listening skills, which include making eye contact, listening carefully to what people are saying, checking that listeners understand what’s being said, and responding appropriately. It is the teacher who sets the expectation that these and other communication skills, such as taking turns appropriately in a conversation, are the classroom norm.


Classroom interaction


As in many other classrooms, some of the interaction in the CLT classroom consists of the teacher talking to the whole class while the students listen or respond to the teacher’s questions, particularly when the teacher is explaining a language point. However, CLT is based on the idea that in order to improve students’ communication skills, most of the interaction that teachers need to provide for their students should be classroom tasks that require and develop communication skills. In particular, CLT makes use of roleplays, pair work and group work tasks. These forms of interaction provide some important benefits.


One benefit is that students usually find these forms of interaction motivating and engaging. Pair and group work provide opportunities to focus more on fluency and on content than on accuracy, which often means that students are able to speak more freely than when they are asked to respond to direct questions from the teacher in front of the whole class. These interactions provide a safer space to practise communication skills. The teacher has an important part to play here, ensuring that students avoid focusing on form too much during tasks as well as bringing their students’ focus back onto the content of the interaction rather than correcting each other’s English while carrying out the task


Another benefit is a better use of time. When students are divided into pairs or groups and given a task that each pair or group carries out at the same time, it is a far more efficient and effective use of classroom time than other forms of classroom interaction. It means that all students can be engaged and active at the same time, rather than merely listening to other students respond to the teacher’s questions or prompts, which is a typical interaction in some classrooms. Through pair and group work, each individual student spends far more time using English and practising their communication skills.


Meaningful communication 


In order for the interactions to be effective, we need to ensure that successfully completing a task depends on meaningful communication. In other words, each pair and group work task are designed so that there is a real purpose for the interaction, mirroring communicative interactions in the real world. This real purpose might involve a student communicating something about their own life which another student doesn’t know, such as information about their family, or their own opinions on a subject. It might also involve creating an information gap between the students which requires the use of different communication skills. Let’s consider a couple of examples at different levels of English ability that illustrate the idea of meaningful communication.


Imagine a teacher is working with students at an elementary level of English who are learning or practising the names of colours. The teacher produces sheets of paper with perhaps four or five coloured circles on them. Most sheets are different from each other, but each sheet has at least one other that matches it exactly. Each student receives a sheet and is asked not to let other people see their sheet. The task is for each student to find another student whose sheet exactly matches their own. Armed with a simple structure, such as Do you have a … circle?, students mingle around the classroom, asking and answering each other’s questions, until they have each found a matching partner. This type of task can be easily adapted to focus on shapes, body parts, and a range of other lexical sets. Contrast this with a situation where a teacher indicates different objects that the whole class can see and asks questions such as What colour is this? and expects students to respond with the correct colour. In that case, no meaningful communication takes place since all students already know the answer.


[…]


Assessment and correction


During the task, the students’ focus should be on achieving the communicative aim, whether that’s finding someone in the class with matching information, reconstructing a text, or successfully completing a roleplay. The teacher’s role is to employ ongoing informal assessment by monitoring the interactions and making sure that each pair and group stays on task and does not get distracted by trying to correct each other’s use of language. It’s worth making the importance of completing the task explicit at the start of any communicative task. As teachers monitor the students, they should make a note of any errors that they want to focus on after the activity. This is usually most effective when the teacher selects errors that more than one student makes since focusing on these is likely to be of use to more students. While the teacher may choose to ignore most other errors, it is sometimes worth using ‘hot correction’ with individual students. With hot correction, the teacher quickly makes a note of the correct form on a slip of paper and simply places it on the table in front of the student, without interrupting the interaction.


Conclusion


Communicative Language Teaching prepares students for communicative demands outside the classroom using techniques that develop communication skills. In its pure form, some teachers may feel that there is not enough focus on accuracy and language structure to meet their needs and the needs of their students. However, introducing elements of the approach into your classroom and reconsidering your role as a teacher and the types of tasks you ask your students to take part in will motivate and engage your students while developing their communication skills.



Available at: https://www.onestopenglish.com/methodology-theworld-of-elt/communicative-language-teaching/1000116.article. Accessed on: Jan 23rd, 2024.


The discourse marker however in “However, introducing elements of the approach into your classroom and reconsidering your role as a teacher and the types of tasks you ask your students to take part in will motivate and engage your students while developing their communication skills.” is closest in meaning to

Alternativas
Q3483802 Inglês

INSTRUCTION: Read the following text to answer question.


Communicative Language Teaching


By Judson Wright


Introduction



Over the last few decades, Communicative Language Teaching (CLT) has become common in classrooms around the world at all levels of ability and with students of all ages. The starting point for the CLT approach is to consider what people actually do with language outside the classroom. Every day, people use language to provide and to ask for information, to make requests, to give and to ask for permission, and for a long list of other functions. In other words, they use language to communicate. […]


The teacher as model


In some approaches to teaching English, the teacher’s main role is to pass on knowledge to students through explanations. In Communicative Language Teaching, the role of the teacher is rather different, although providing clear explanations of language points is still an important part of it. First of all, the teacher acts as a model of good communication skills. This involves asking clear questions, providing clear answers, and giving clear instructions to students. The teacher also models active listening skills, which include making eye contact, listening carefully to what people are saying, checking that listeners understand what’s being said, and responding appropriately. It is the teacher who sets the expectation that these and other communication skills, such as taking turns appropriately in a conversation, are the classroom norm.


Classroom interaction


As in many other classrooms, some of the interaction in the CLT classroom consists of the teacher talking to the whole class while the students listen or respond to the teacher’s questions, particularly when the teacher is explaining a language point. However, CLT is based on the idea that in order to improve students’ communication skills, most of the interaction that teachers need to provide for their students should be classroom tasks that require and develop communication skills. In particular, CLT makes use of roleplays, pair work and group work tasks. These forms of interaction provide some important benefits.


One benefit is that students usually find these forms of interaction motivating and engaging. Pair and group work provide opportunities to focus more on fluency and on content than on accuracy, which often means that students are able to speak more freely than when they are asked to respond to direct questions from the teacher in front of the whole class. These interactions provide a safer space to practise communication skills. The teacher has an important part to play here, ensuring that students avoid focusing on form too much during tasks as well as bringing their students’ focus back onto the content of the interaction rather than correcting each other’s English while carrying out the task


Another benefit is a better use of time. When students are divided into pairs or groups and given a task that each pair or group carries out at the same time, it is a far more efficient and effective use of classroom time than other forms of classroom interaction. It means that all students can be engaged and active at the same time, rather than merely listening to other students respond to the teacher’s questions or prompts, which is a typical interaction in some classrooms. Through pair and group work, each individual student spends far more time using English and practising their communication skills.


Meaningful communication 


In order for the interactions to be effective, we need to ensure that successfully completing a task depends on meaningful communication. In other words, each pair and group work task are designed so that there is a real purpose for the interaction, mirroring communicative interactions in the real world. This real purpose might involve a student communicating something about their own life which another student doesn’t know, such as information about their family, or their own opinions on a subject. It might also involve creating an information gap between the students which requires the use of different communication skills. Let’s consider a couple of examples at different levels of English ability that illustrate the idea of meaningful communication.


Imagine a teacher is working with students at an elementary level of English who are learning or practising the names of colours. The teacher produces sheets of paper with perhaps four or five coloured circles on them. Most sheets are different from each other, but each sheet has at least one other that matches it exactly. Each student receives a sheet and is asked not to let other people see their sheet. The task is for each student to find another student whose sheet exactly matches their own. Armed with a simple structure, such as Do you have a … circle?, students mingle around the classroom, asking and answering each other’s questions, until they have each found a matching partner. This type of task can be easily adapted to focus on shapes, body parts, and a range of other lexical sets. Contrast this with a situation where a teacher indicates different objects that the whole class can see and asks questions such as What colour is this? and expects students to respond with the correct colour. In that case, no meaningful communication takes place since all students already know the answer.


[…]


Assessment and correction


During the task, the students’ focus should be on achieving the communicative aim, whether that’s finding someone in the class with matching information, reconstructing a text, or successfully completing a roleplay. The teacher’s role is to employ ongoing informal assessment by monitoring the interactions and making sure that each pair and group stays on task and does not get distracted by trying to correct each other’s use of language. It’s worth making the importance of completing the task explicit at the start of any communicative task. As teachers monitor the students, they should make a note of any errors that they want to focus on after the activity. This is usually most effective when the teacher selects errors that more than one student makes since focusing on these is likely to be of use to more students. While the teacher may choose to ignore most other errors, it is sometimes worth using ‘hot correction’ with individual students. With hot correction, the teacher quickly makes a note of the correct form on a slip of paper and simply places it on the table in front of the student, without interrupting the interaction.


Conclusion


Communicative Language Teaching prepares students for communicative demands outside the classroom using techniques that develop communication skills. In its pure form, some teachers may feel that there is not enough focus on accuracy and language structure to meet their needs and the needs of their students. However, introducing elements of the approach into your classroom and reconsidering your role as a teacher and the types of tasks you ask your students to take part in will motivate and engage your students while developing their communication skills.



Available at: https://www.onestopenglish.com/methodology-theworld-of-elt/communicative-language-teaching/1000116.article. Accessed on: Jan 23rd, 2024.


Concerning assessment in the Communicative Approach, a teacher is encouraged 

Alternativas
Q3483801 Pedagogia

INSTRUCTION: Read the following text to answer question.


Communicative Language Teaching


By Judson Wright


Introduction



Over the last few decades, Communicative Language Teaching (CLT) has become common in classrooms around the world at all levels of ability and with students of all ages. The starting point for the CLT approach is to consider what people actually do with language outside the classroom. Every day, people use language to provide and to ask for information, to make requests, to give and to ask for permission, and for a long list of other functions. In other words, they use language to communicate. […]


The teacher as model


In some approaches to teaching English, the teacher’s main role is to pass on knowledge to students through explanations. In Communicative Language Teaching, the role of the teacher is rather different, although providing clear explanations of language points is still an important part of it. First of all, the teacher acts as a model of good communication skills. This involves asking clear questions, providing clear answers, and giving clear instructions to students. The teacher also models active listening skills, which include making eye contact, listening carefully to what people are saying, checking that listeners understand what’s being said, and responding appropriately. It is the teacher who sets the expectation that these and other communication skills, such as taking turns appropriately in a conversation, are the classroom norm.


Classroom interaction


As in many other classrooms, some of the interaction in the CLT classroom consists of the teacher talking to the whole class while the students listen or respond to the teacher’s questions, particularly when the teacher is explaining a language point. However, CLT is based on the idea that in order to improve students’ communication skills, most of the interaction that teachers need to provide for their students should be classroom tasks that require and develop communication skills. In particular, CLT makes use of roleplays, pair work and group work tasks. These forms of interaction provide some important benefits.


One benefit is that students usually find these forms of interaction motivating and engaging. Pair and group work provide opportunities to focus more on fluency and on content than on accuracy, which often means that students are able to speak more freely than when they are asked to respond to direct questions from the teacher in front of the whole class. These interactions provide a safer space to practise communication skills. The teacher has an important part to play here, ensuring that students avoid focusing on form too much during tasks as well as bringing their students’ focus back onto the content of the interaction rather than correcting each other’s English while carrying out the task


Another benefit is a better use of time. When students are divided into pairs or groups and given a task that each pair or group carries out at the same time, it is a far more efficient and effective use of classroom time than other forms of classroom interaction. It means that all students can be engaged and active at the same time, rather than merely listening to other students respond to the teacher’s questions or prompts, which is a typical interaction in some classrooms. Through pair and group work, each individual student spends far more time using English and practising their communication skills.


Meaningful communication 


In order for the interactions to be effective, we need to ensure that successfully completing a task depends on meaningful communication. In other words, each pair and group work task are designed so that there is a real purpose for the interaction, mirroring communicative interactions in the real world. This real purpose might involve a student communicating something about their own life which another student doesn’t know, such as information about their family, or their own opinions on a subject. It might also involve creating an information gap between the students which requires the use of different communication skills. Let’s consider a couple of examples at different levels of English ability that illustrate the idea of meaningful communication.


Imagine a teacher is working with students at an elementary level of English who are learning or practising the names of colours. The teacher produces sheets of paper with perhaps four or five coloured circles on them. Most sheets are different from each other, but each sheet has at least one other that matches it exactly. Each student receives a sheet and is asked not to let other people see their sheet. The task is for each student to find another student whose sheet exactly matches their own. Armed with a simple structure, such as Do you have a … circle?, students mingle around the classroom, asking and answering each other’s questions, until they have each found a matching partner. This type of task can be easily adapted to focus on shapes, body parts, and a range of other lexical sets. Contrast this with a situation where a teacher indicates different objects that the whole class can see and asks questions such as What colour is this? and expects students to respond with the correct colour. In that case, no meaningful communication takes place since all students already know the answer.


[…]


Assessment and correction


During the task, the students’ focus should be on achieving the communicative aim, whether that’s finding someone in the class with matching information, reconstructing a text, or successfully completing a roleplay. The teacher’s role is to employ ongoing informal assessment by monitoring the interactions and making sure that each pair and group stays on task and does not get distracted by trying to correct each other’s use of language. It’s worth making the importance of completing the task explicit at the start of any communicative task. As teachers monitor the students, they should make a note of any errors that they want to focus on after the activity. This is usually most effective when the teacher selects errors that more than one student makes since focusing on these is likely to be of use to more students. While the teacher may choose to ignore most other errors, it is sometimes worth using ‘hot correction’ with individual students. With hot correction, the teacher quickly makes a note of the correct form on a slip of paper and simply places it on the table in front of the student, without interrupting the interaction.


Conclusion


Communicative Language Teaching prepares students for communicative demands outside the classroom using techniques that develop communication skills. In its pure form, some teachers may feel that there is not enough focus on accuracy and language structure to meet their needs and the needs of their students. However, introducing elements of the approach into your classroom and reconsidering your role as a teacher and the types of tasks you ask your students to take part in will motivate and engage your students while developing their communication skills.



Available at: https://www.onestopenglish.com/methodology-theworld-of-elt/communicative-language-teaching/1000116.article. Accessed on: Jan 23rd, 2024.


The aim of Communicative Language Teaching is 

Alternativas
Q3483800 Inglês

Imagem associada para resolução da questão


Available at: https://www.glasbergen.com/education-cartoons/language-grammar/. Accessed on: Jan 23rd, 2024. 



An essential feature of cartoons is humor. The cartoonist is making fun of the fact that 

Alternativas
Respostas
8161: B
8162: E
8163: D
8164: B
8165: A
8166: B
8167: D
8168: C
8169: A
8170: C
8171: D
8172: X
8173: C
8174: D
8175: B
8176: E
8177: C
8178: B
8179: A
8180: A