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Q545348
Português
O poema abaixo é de Cecília Meireles:
Epigrama 8
Encostei-me em ti, sabendo bem que eras somente onda. Sabendo bem que eras nuvem, depus minha vida em ti.
Como sabia bem tudo isso, e dei-me ao teu destino frágil,fiquei sem poder chorar, quando caí.
É CORRETO afirmar que o texto
Q545347
Português
Acerca da representação da infância em Vidas secas, de Graciliano Ramos, é INCORRETO dizer que
Q545346
Português
Em uma passagem do romance Lucíola, de José de Alencar, Lúcia e Paulo vão a uma praia em Niterói, local onde ela passou a infância. Podemos afirmar que esta cena
Q545345
Português
Está presente no Texto 1, de Manuel Bandeira, e no 2, de Ruy Castro
Q545344
Português
O Texto 2 é uma crítica
Q545343
Português
Assinale a opção em que NÃO há avaliação do autor.
Q545342
Português
Depreende-se do texto que os americanos
I. procuram valorizar as particularidades das pessoas.
II. julgam as pessoas, conforme seu padrão de sucesso ou fracasso.
III. são incoerentes em suas atitudes.
IV. não reconhecem suas próprias fraquezas.
Está(ão) correta(s)
Q545341
Português
Considerando a estrutura do texto, pode-se dizer que Bandeira
I. vale-se de outro texto para refletir sobre a recepção do público americano aos filmes de Chaplin.
II. considera fatos da época para refletir sobre o comportamento dos americanos.
III. descreve cenas de filmes para enaltecer a criação de Chaplin.
IV. usa recursos linguísticos, como perguntas retóricas e adjetivos, para reforçar seu ponto de vista.
Está(ão) correta(s)
Q545340
Português
Segundo o texto, herói é aquele que
Q545339
Português
Segundo Bandeira, o comportamento de Carlito é “uma lição de moral para educação da mocidade” (linhas 41 e 42), porque:
Q545338
Português
Considere os enunciados abaixo, atentando para as palavras em negrito.
I. Não há hoje no mundo, em qualquer domínio de atividade artística, um artista cuja arte contenha maior universalidade que a de Charles Chaplin. (linhas 1 e 2)
II. Agrada por não sei quê de elegante que há no seu ridículo de miséria. (linha 17)
III. [...] uma fita de Carlito nos Estados Unidos tem uma significação muito diversa da que lhe dão fora de lá. (linhas 36 e 37)
IV. A interpretação cabe perfeitamente dentro do tipo e mais: o americano bem verdadeiramente americano, o que veda a entrada do seu território a doentes e estropiados, [...] (linhas 47 e 48)
As palavras em negrito têm valor de adjetivo
Q545337
Português
Assinale a opção que retoma a palavra variante no trecho “Chaplin eliminou imediatamente a variante” (linha 14).
Q545336
Português
Sobre Charles Chaplin, o texto nos permite dizer que
Q545335
Português
De acordo com Bandeira,
Q545334
Português
Assinale a opção cujo elemento coesivo em negrito substitui os dois pontos sem alterar o sentido do enunciado.
Q545333
Português
Considere o enunciado “Carlito é popular no sentido mais alto da palavra” (linha 5) e as informações de todo o texto. Na visão de Bandeira, a popularidade pode ser explicada pelo fato de Carlito
I. ser apresentado com indumentária elegante.
II. ser responsável por atrair grande público para os cinemas.
III. retratar o tipo heroico americano, que não quer ser considerado malsucedido.
IV. ter sido ajustado a partir das reações do público.
Está(ão) correta(s):
Q545332
Português
Considerando que o título pode antecipar para o leitor o tema central do texto, assinale a opção que apresenta o título mais adequado.
Ano: 2013
Banca:
FUMARC
Órgão:
CBM-MG
Prova:
FUMARC - 2013 - CBM-MG - Aspirante do Corpo de Bombeiro |
Q535745
Inglês
Texto associado
FAT IS BEAUTIFUL?
Americans are fat, they are getting fatter and as soon as they out eat the South Sea Islanders,
they will be the fattest people in the world. This alarming message, from the journalist Greg Critter, has
helped promote the provocative bestseller Fat Land. It reveals that six out of every 10 Americans are
already overweight and that, if they continue to expand at the current rate, by 2050 all of them will be. So
what should they do about it
There is an obvious and a not-so-obvious answer to this question. Greg Critser provides the conventional
solution: they should eat more carefully and do more exercise. He traces the expanding American
waistline to Earl Butz, President Nixon’s foul-mouthed Secretary of Agriculture, who drastically
brought down food prices in the ‘70s by introducing subsidies for farming. The other great architect of
obesity was David Wallerstein, the McDonalds executive who discovered super sizing- offering vast single
portions of food so people eat the equivalent of the double helpings that they were too embarrassed
to ask for.
But the issue has another reaction: not “I’m fat, so what can I do about it?” but “I’m fat, so what?”
This is the line taken by fat activists and size awareness advocates. They believe that there is nothing
wrong with being overweight: negative attitudes towards large people are simply prejudices that need to
be fought.
In part perhaps due to fat liberationists, the USA is changing its views on size. The fashion press,
for instance, recently announced that “fat is the new thin.” According to American Vogue the voluptuously
curved Kate Winslet, Jennifer Lopez and Kelly Osbourne are much more attractive than the “stick-thin”
Hollywood stereotypes. There is also a popular backlash against “self-hating” attitudes of an older generation
that was inspired by feminism and sexual liberation to try always be perfect and in control.
In spite of this, one crucial factor seems destined to keep Americans trying to lose weight. Obesity,
as Critser points out, is now - for the first time in the history - the disease of the poor, not the rich.
And, in an aspirational society, if the well-off can see their feet, everyone else will want as well.
Adapted from SPEAKUP n.196, pages 18 to 20.
The crucial factor that can keep Americans trying to lose weight now is:
Ano: 2013
Banca:
FUMARC
Órgão:
CBM-MG
Prova:
FUMARC - 2013 - CBM-MG - Aspirante do Corpo de Bombeiro |
Q535744
Inglês
Texto associado
FAT IS BEAUTIFUL?
Americans are fat, they are getting fatter and as soon as they out eat the South Sea Islanders,
they will be the fattest people in the world. This alarming message, from the journalist Greg Critter, has
helped promote the provocative bestseller Fat Land. It reveals that six out of every 10 Americans are
already overweight and that, if they continue to expand at the current rate, by 2050 all of them will be. So
what should they do about it
There is an obvious and a not-so-obvious answer to this question. Greg Critser provides the conventional
solution: they should eat more carefully and do more exercise. He traces the expanding American
waistline to Earl Butz, President Nixon’s foul-mouthed Secretary of Agriculture, who drastically
brought down food prices in the ‘70s by introducing subsidies for farming. The other great architect of
obesity was David Wallerstein, the McDonalds executive who discovered super sizing- offering vast single
portions of food so people eat the equivalent of the double helpings that they were too embarrassed
to ask for.
But the issue has another reaction: not “I’m fat, so what can I do about it?” but “I’m fat, so what?”
This is the line taken by fat activists and size awareness advocates. They believe that there is nothing
wrong with being overweight: negative attitudes towards large people are simply prejudices that need to
be fought.
In part perhaps due to fat liberationists, the USA is changing its views on size. The fashion press,
for instance, recently announced that “fat is the new thin.” According to American Vogue the voluptuously
curved Kate Winslet, Jennifer Lopez and Kelly Osbourne are much more attractive than the “stick-thin”
Hollywood stereotypes. There is also a popular backlash against “self-hating” attitudes of an older generation
that was inspired by feminism and sexual liberation to try always be perfect and in control.
In spite of this, one crucial factor seems destined to keep Americans trying to lose weight. Obesity,
as Critser points out, is now - for the first time in the history - the disease of the poor, not the rich.
And, in an aspirational society, if the well-off can see their feet, everyone else will want as well.
Adapted from SPEAKUP n.196, pages 18 to 20.
We can say that to Americans who are overweight:
Ano: 2013
Banca:
FUMARC
Órgão:
CBM-MG
Prova:
FUMARC - 2013 - CBM-MG - Aspirante do Corpo de Bombeiro |
Q535743
Inglês
Texto associado
FAT IS BEAUTIFUL?
Americans are fat, they are getting fatter and as soon as they out eat the South Sea Islanders,
they will be the fattest people in the world. This alarming message, from the journalist Greg Critter, has
helped promote the provocative bestseller Fat Land. It reveals that six out of every 10 Americans are
already overweight and that, if they continue to expand at the current rate, by 2050 all of them will be. So
what should they do about it
There is an obvious and a not-so-obvious answer to this question. Greg Critser provides the conventional
solution: they should eat more carefully and do more exercise. He traces the expanding American
waistline to Earl Butz, President Nixon’s foul-mouthed Secretary of Agriculture, who drastically
brought down food prices in the ‘70s by introducing subsidies for farming. The other great architect of
obesity was David Wallerstein, the McDonalds executive who discovered super sizing- offering vast single
portions of food so people eat the equivalent of the double helpings that they were too embarrassed
to ask for.
But the issue has another reaction: not “I’m fat, so what can I do about it?” but “I’m fat, so what?”
This is the line taken by fat activists and size awareness advocates. They believe that there is nothing
wrong with being overweight: negative attitudes towards large people are simply prejudices that need to
be fought.
In part perhaps due to fat liberationists, the USA is changing its views on size. The fashion press,
for instance, recently announced that “fat is the new thin.” According to American Vogue the voluptuously
curved Kate Winslet, Jennifer Lopez and Kelly Osbourne are much more attractive than the “stick-thin”
Hollywood stereotypes. There is also a popular backlash against “self-hating” attitudes of an older generation
that was inspired by feminism and sexual liberation to try always be perfect and in control.
In spite of this, one crucial factor seems destined to keep Americans trying to lose weight. Obesity,
as Critser points out, is now - for the first time in the history - the disease of the poor, not the rich.
And, in an aspirational society, if the well-off can see their feet, everyone else will want as well.
Adapted from SPEAKUP n.196, pages 18 to 20.
In the sentence “[…] they were too embarrassed to ask for […]”, to ask for means:
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