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Q2237482 Inglês

Text 1 A11-II


     "Click!" That's the sound of safety. That's the sound of survival. That's the sound of a seat belt lockling in place. Seat belts save lives and that's a fact. That's why I don't drive anywhere until mine is on tight. Choosing to wear your seat belt is as simple as choosing between life and death.Which one do may be going 100km/h or faster. That car is zipping down the road. Then somebody ahead of you locks up his or her brakes. You don't have time to stop. The car that you locks up his or her brakes. 

     Some people think that seat belts are uncool. They think that seat belts cramp their style, or that seat belts are unconfortable. To them, I say, what's more uncomfortable? Wearing a seat belt or flying through a car, of skidding across the road in your jean shorts? Wearing a seat belt is both cooler and more comfortable than the alternatives. Let's just take a you can hop around the car and slide in and out of your seat easily. That sounds like a lot of fun. But, you are also more likely to die or suffer serious injuries. If you are wearing a seat belt, you have to stay in your seat. That's no fun. But, you are much more likely to walk away unharmed from a car accidente. Hmmm... A small pleasure for a serious pain. That's a tough choice. I think that I'll avoid the serious pain.

Internet: <www.agendaweb.com> (adapted).

The main purpose oftext 1 A11-II is

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Q2237480 Inglês

Text 1 A11-I


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Internet: <www.gocomics.com > (adapted).

It can be inferred from text 1 A 11-I that

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Ano: 2022 Banca: NC-UFPR Órgão: CBM-PR Prova: NC-UFPR - 2022 - CBM-PR - Cadete |
Q2210648 Inglês
Consider the following piece of news:
Coal fire crackdown and London mosque stabbing
(Available in: https://www.bbc.com/news/blogs-the-papers-51581385.)
The headline in a British newspaper refers to:  
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Ano: 2022 Banca: NC-UFPR Órgão: CBM-PR Prova: NC-UFPR - 2022 - CBM-PR - Cadete |
Q2210647 Inglês
The surprising history of India’s vibrant sari tradition

    South Asian women have draped themselves in colorful silks and cottons for eons. The ways they’re made and worn are dazzling and diverse.
    The word “sari” means “strip of cloth” in Sanskrit. But for the Indian women – and a few men – who have been wrapping themselves in silk, cotton, or linen for millennia, these swaths of fabric are more than just simple garments. They’re symbols of national pride, ambassadors for traditional (and cutting-edge) design and craftsmanship, and a prime example of the rich differences in India’s 29 states.
     “The sari both as symbol and reality has filled the imagination of the subcontinent, with its appeal and its ability to conceal and reveal the personality of the person wearing it,” says Delhi-based textile historian Rta Kapur Chishti, author of Saris of India: Tradition and Beyond and co-founder of Taanbaan, a fabric company devoted to reviving and preserving traditional Indian spinning and weaving methods.
    The first mention of saris (alternately spelled sarees) is in the Rig Veda, a Hindu book of hymns dating to 3,000 B.C.; draped garments show up on Indian sculptures from the first through sixth centuries, too. What Delhi-based textile historian Rta Kapur Chishti calls the “magical unstitched garment” is ideally suited to India’s blazingly hot climate and the modest-dress customs of both Hindu and Muslim communities. Saris also remain traditional for women in other South Asian countries including Pakistan, Bangladesh, and Nepal.

(Available in: https://www.nationalgeographic.com/travel/photography/the-story-of-the-sari-in-india/.) 
In the fourth paragraph, Delhi-based textile historian Rta Kapur Chishti calls the sari the “unstitched garment” because it:  
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Ano: 2022 Banca: NC-UFPR Órgão: CBM-PR Prova: NC-UFPR - 2022 - CBM-PR - Cadete |
Q2210646 Inglês
The surprising history of India’s vibrant sari tradition

    South Asian women have draped themselves in colorful silks and cottons for eons. The ways they’re made and worn are dazzling and diverse.
    The word “sari” means “strip of cloth” in Sanskrit. But for the Indian women – and a few men – who have been wrapping themselves in silk, cotton, or linen for millennia, these swaths of fabric are more than just simple garments. They’re symbols of national pride, ambassadors for traditional (and cutting-edge) design and craftsmanship, and a prime example of the rich differences in India’s 29 states.
     “The sari both as symbol and reality has filled the imagination of the subcontinent, with its appeal and its ability to conceal and reveal the personality of the person wearing it,” says Delhi-based textile historian Rta Kapur Chishti, author of Saris of India: Tradition and Beyond and co-founder of Taanbaan, a fabric company devoted to reviving and preserving traditional Indian spinning and weaving methods.
    The first mention of saris (alternately spelled sarees) is in the Rig Veda, a Hindu book of hymns dating to 3,000 B.C.; draped garments show up on Indian sculptures from the first through sixth centuries, too. What Delhi-based textile historian Rta Kapur Chishti calls the “magical unstitched garment” is ideally suited to India’s blazingly hot climate and the modest-dress customs of both Hindu and Muslim communities. Saris also remain traditional for women in other South Asian countries including Pakistan, Bangladesh, and Nepal.

(Available in: https://www.nationalgeographic.com/travel/photography/the-story-of-the-sari-in-india/.) 
In the first sentence of the text, the underlined and in bold type word “eons” means:
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Respostas
26: B
27: C
28: A
29: C
30: B