Questões de Vestibular
Comentadas sobre interpretação de texto | reading comprehension em inglês
Foram encontradas 2.261 questões
What about the artists?
The Guardian - Wed 14 Oct 2020
The government is deaf to the plight of freelance musicians and othercreatives
On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.
The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.
Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.
What about the artists?
The Guardian - Wed 14 Oct 2020
The government is deaf to the plight of freelance musicians and othercreatives
On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.
The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.
Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.
What about the artists?
The Guardian - Wed 14 Oct 2020
The government is deaf to the plight of freelance musicians and othercreatives
On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.
The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.
Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.
What about the artists?
The Guardian - Wed 14 Oct 2020
The government is deaf to the plight of freelance musicians and othercreatives
On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.
The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.
Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.
Robot priests can bless you, advise you, and even perform your funeral
By Sigal Samuel Updated Jan 13, 2020, 11:25am EST
A new priest named Mindar is holding forth at Kodaiji, a 400-year-old Buddhist temple in Kyoto, Japan. Like other clergy members, this priest can deliver sermons and move around to interface with worshippers. Mindar is a robot, designed to look like Kannon, the Buddhist deity of mercy, and cost $1 million.
As more religious communities begin to incorporate robotics — in some cases, AI-powered — questions arise about how technology could change our religious experiences. Traditionally, those experiences are valuable in part because they leave room for the spontaneous and surprising, the emotional and even the mystical. That could be lost if we mechanize them.
Another risk has to do with how an AI priest would handle ethical queries. Robots whose algorithms learn from previous data may nudge us toward decisions based on what people have done in the past, incrementally homogenizing answers and narrowing the scope of our spiritual imagination. One could argue, however, that risk also exists with human clergy, since the clergy is bounded too — there’s already a built-in nudging or limiting factor.
AI systems can be particularly problematic in that they often function as black boxes. We typically don’t know what sorts of biases are coded into them or what sorts of human nuance and context they’re failing to understand. A human priest who knows your broader context as a whole person may gather this and give you the right recommendation.
Human clergy members serve as the anchor for a community, bringing people together. They provide human contact, which is in danger of becoming a luxury good as we create robots to more cheaply do the work of people. Robots, notwithstanding, might be able to transcend some social divides, such as race and gender, to enhance community in a way that’s more liberating.
Ultimately, in religion as in other domains, robots and humans are perhaps best understood not as competitors but as collaborators. Each offers something the other lacks.

Injured ape
Nisha Gaind (Bureau chief, Europe). This X-ray shows a baby Sumatran orangutan (Pongo abelii) with a fractured arm. Conservation workers rescued the animal, named Brenda, from a village on the Indonesian island where she had reportedly been kept illegally as a pet. As editors, we see lots of photographs of conservation, but this image struck me for many reasons: the ‘humanness’ of Brenda’s shape, her innocence and the dedication of the conservation centre, which flew in a surgeon to operate on the animal.
(N. Gaind e E. Callaway. The best science images of the year: 2019 in
pictures. Nature, v. 576, n. 7787, p. 354–359, 16/12/2019.)
Sobre o texto “The best science images of the year: 2019 in
pictures”, considerando a imagem radiográfica que ele traz,
é correto dizer:
Which are the fields of competence mentioned in the text that UNESCO looks for in NonGovernmental Organizations?
What can one infer by reading the text?
Jane Austen (December 16, 1775 - July 18, 1817) is widely known for her most famous novels. Jane Austen's work features biting social commentary, often delivered with great irony. While her writing was not well known during her lifetime, the 1870 publication of A Memoir of the Life of Jane Austen introduced her to a wider public. Her work is widelyread and admired by modern audiences, who have become quite familiar with Austen's cultural references, including television shows and movies adapted from her work.
As Mr. Azhichakov discovered, that is no longer the case. Senogda’s once pristine sands were buried under thick mats of reeking greenish-black goo.
“This stuff stretched far into the distance, for several kilometers,” said Mr. Azhichakov, 61, a retired ecological engineer. “The beach was in terrible condition.”
The muck, scientists have discovered, follows mass algal blooms at dozens of sites around Lake Baikal’s 1,240-mile perimeter. Confined to shallow water and shores near towns and villages, the problem seems to stem from an influx of untreated sewage – the result of inadequate wastewater treatment.
Algal blooms threaten iconic freshwater bodies around the world, including the Great Lakes, Lake Geneva, and Lake Biwa in Japan. But Lake Baikal is especially precious: a World Heritage site home to more than 3,700 species, more than half found nowhere else.
“People are dumping sewage, waste and rubbish around the lake, creating pretty appalling conditions in some places,” said Anson MacKay, an environmental scientist at University College London.
Disponível em: www.nytimes.com. Acesso em: 15 nov. 2018 (adaptado).
Conforme o texto anterior,