Questões de Vestibular Comentadas sobre interpretação de texto | reading comprehension em inglês

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Q1796820 Inglês
Read the text to answer question.

     The image depicts a nearly naked man amid a vast area of rainforest, spear pointed at the helicopter hovering above him – a man defending his territory and people from outside influence. This very scene made front-page news some years ago in the UK. It instantly highlighted the loss of ancestral homelands some tribal communities round the world face.
     Bad news has a way of dominating the headlines, so we're of the opinion that all indigenous communities and their culture are in decline – and that's not true. But the allure of propagating the "disappearing tribe" narrative is strong. It’s frustrating to see journalists who go on assignment with a set story in mind and then seek out quotes, experiences or interviews to fit their predetermined angle.

(Jonny Bealby. www.newsweek.com, 27.08.2019. Adapted.) 
In the fragment from the second paragraph “so we’re of the opinion that”, the underlined word refers to
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Q1796819 Inglês
Read the text to answer question.

     The image depicts a nearly naked man amid a vast area of rainforest, spear pointed at the helicopter hovering above him – a man defending his territory and people from outside influence. This very scene made front-page news some years ago in the UK. It instantly highlighted the loss of ancestral homelands some tribal communities round the world face.
     Bad news has a way of dominating the headlines, so we're of the opinion that all indigenous communities and their culture are in decline – and that's not true. But the allure of propagating the "disappearing tribe" narrative is strong. It’s frustrating to see journalists who go on assignment with a set story in mind and then seek out quotes, experiences or interviews to fit their predetermined angle.

(Jonny Bealby. www.newsweek.com, 27.08.2019. Adapted.) 
. In the text the author expresses his opinion that
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Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712827 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

Considering the expression of happenings in the past, verbs vary following time precision or imprecision. The example extracted from the editorial that reflects unspecified time is:
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Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712826 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

The second and first paragraphs are linked by a notion of contrast, which is explicitly conveyed by the linking word "though” (2nd paragraph). The contrast refers to the difference in treatment between::
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Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712825 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

The "3 million people in the country qualified for help under the self-employed support scheme” (2nd paragraph) includes the following group of people:
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Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712824 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

The opinion editorial above advances the following position:
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Ano: 2020 Banca: SELECON Órgão: CEDERJ Prova: SELECON - 2020 - CEDERJ - Vestibular - Opção Inglês |
Q1705835 Inglês
Social Distancing, Without the Police

Letting members of the community enforce social distancing is the better way.

   Of the 125 people arrested over offenses that law enforcement officials described as related to the coronavirus pandemic, 113 were black or Hispanic. Of the 374 summonses from March 16 to May 5, a vast majority — 300 — were given to black and Hispanic New Yorkers.
   Videos of some of the arrests are hard to watch. In one posted to Facebook last week, a group of some six police officers are seen tackling a black woman in a subway station as heryoung child looks on. “She's got a baby with her!” a bystander shouts. Police officials told The Daily News the woman had refused to comply when officers directed her to put the mask she was wearing over her nose and mouth.
   Contrast that with photographs across social media showing crowds of sun-seekers packed into parks in wealthy, whiter areas of the city, lounging undisturbed as police officers hand out masks.
   So it is obvious that the city needs a different approach to enforcing public health measures during the pandemic. Mayor Bill de Blasio seems to understand this, and he has promised to hire 2,300 people to serve as social distancing “ambassadors.”
   Hopefully, the mayor will think bigger.
  One promising idea , promoted by City Councilman Brad Lander and others, is to build quickly a kind of “public health corps" to enforce social-distancing measures.
  In this approach, specially trained civilians could fan out across the neighborhoods and parks, helping with pedestrian traffic control and politely encouraging New Yorkers entering parks to protect one another by wearing masks and keeping their distance. Police Department school safety agents, who are not armed, could help. Such a program could also provide muchneeded employment for young people, especially with New York's summer jobs program, which serves people 14 to 24, threatened by budget cuts.
   Another method to help social-distancing efforts may be the community-based groups that have been effective in reducing gun violence in some of the city's toughest neighborhoods.
   The Police Department would play only a minimal role in this approach, stepping in to help with crowd control, for example, something it does extremely well.
   Without a significant course correction, the department's role in the pandemic may look more and more like stop-and-frisk, the policing tactic that led to the harassment of hundreds of thousands of innocent people, most of them black and Hispanic, while rarely touching white New Yorkers. Mr. de Blasio has scoffed at the comparison, though it's not clear why.
   Aggressive police enforcement of socialdistancing measures is nearly certain to harm the health and dignity of the city's black and Hispanic residents. 
   It could also diminish respect for the Police Department. Which is why it makes sense that the city's largest police union has said that its members want little to do with social-distancing enforcement. “The N.Y.P.D. needs to get cops out of the socialdistancing-enforcement business altogether,” Patrick Lynch, president of the Police Benevolent Association, said in a statement on May 4. On this issue, Mr. Lynch gets it.
   New York is facing a public health crisis, not a spike in crime. Black and Hispanic New Yorkers are already suffering disproportionately from the coronavirus. They don't need more policing. They need more help. 

Available at https://www.nytimes.com/2020/05/18/opinion/nypdcoronavirus-arrests-nyc.html. Accessed May 18,2020. 
One of the main objectives of the text is to discuss:
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Ano: 2020 Banca: SELECON Órgão: CEDERJ Prova: SELECON - 2020 - CEDERJ - Vestibular - Opção Inglês |
Q1705833 Inglês
Social Distancing, Without the Police

Letting members of the community enforce social distancing is the better way.

   Of the 125 people arrested over offenses that law enforcement officials described as related to the coronavirus pandemic, 113 were black or Hispanic. Of the 374 summonses from March 16 to May 5, a vast majority — 300 — were given to black and Hispanic New Yorkers.
   Videos of some of the arrests are hard to watch. In one posted to Facebook last week, a group of some six police officers are seen tackling a black woman in a subway station as heryoung child looks on. “She's got a baby with her!” a bystander shouts. Police officials told The Daily News the woman had refused to comply when officers directed her to put the mask she was wearing over her nose and mouth.
   Contrast that with photographs across social media showing crowds of sun-seekers packed into parks in wealthy, whiter areas of the city, lounging undisturbed as police officers hand out masks.
   So it is obvious that the city needs a different approach to enforcing public health measures during the pandemic. Mayor Bill de Blasio seems to understand this, and he has promised to hire 2,300 people to serve as social distancing “ambassadors.”
   Hopefully, the mayor will think bigger.
  One promising idea , promoted by City Councilman Brad Lander and others, is to build quickly a kind of “public health corps" to enforce social-distancing measures.
  In this approach, specially trained civilians could fan out across the neighborhoods and parks, helping with pedestrian traffic control and politely encouraging New Yorkers entering parks to protect one another by wearing masks and keeping their distance. Police Department school safety agents, who are not armed, could help. Such a program could also provide muchneeded employment for young people, especially with New York's summer jobs program, which serves people 14 to 24, threatened by budget cuts.
   Another method to help social-distancing efforts may be the community-based groups that have been effective in reducing gun violence in some of the city's toughest neighborhoods.
   The Police Department would play only a minimal role in this approach, stepping in to help with crowd control, for example, something it does extremely well.
   Without a significant course correction, the department's role in the pandemic may look more and more like stop-and-frisk, the policing tactic that led to the harassment of hundreds of thousands of innocent people, most of them black and Hispanic, while rarely touching white New Yorkers. Mr. de Blasio has scoffed at the comparison, though it's not clear why.
   Aggressive police enforcement of socialdistancing measures is nearly certain to harm the health and dignity of the city's black and Hispanic residents. 
   It could also diminish respect for the Police Department. Which is why it makes sense that the city's largest police union has said that its members want little to do with social-distancing enforcement. “The N.Y.P.D. needs to get cops out of the socialdistancing-enforcement business altogether,” Patrick Lynch, president of the Police Benevolent Association, said in a statement on May 4. On this issue, Mr. Lynch gets it.
   New York is facing a public health crisis, not a spike in crime. Black and Hispanic New Yorkers are already suffering disproportionately from the coronavirus. They don't need more policing. They need more help. 

Available at https://www.nytimes.com/2020/05/18/opinion/nypdcoronavirus-arrests-nyc.html. Accessed May 18,2020. 
The sum of “113” (paragraph 1) refers to:
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Ano: 2020 Banca: SELECON Órgão: CEDERJ Prova: SELECON - 2020 - CEDERJ - Vestibular - Opção Inglês |
Q1705832 Inglês
Social Distancing, Without the Police

Letting members of the community enforce social distancing is the better way.

   Of the 125 people arrested over offenses that law enforcement officials described as related to the coronavirus pandemic, 113 were black or Hispanic. Of the 374 summonses from March 16 to May 5, a vast majority — 300 — were given to black and Hispanic New Yorkers.
   Videos of some of the arrests are hard to watch. In one posted to Facebook last week, a group of some six police officers are seen tackling a black woman in a subway station as heryoung child looks on. “She's got a baby with her!” a bystander shouts. Police officials told The Daily News the woman had refused to comply when officers directed her to put the mask she was wearing over her nose and mouth.
   Contrast that with photographs across social media showing crowds of sun-seekers packed into parks in wealthy, whiter areas of the city, lounging undisturbed as police officers hand out masks.
   So it is obvious that the city needs a different approach to enforcing public health measures during the pandemic. Mayor Bill de Blasio seems to understand this, and he has promised to hire 2,300 people to serve as social distancing “ambassadors.”
   Hopefully, the mayor will think bigger.
  One promising idea , promoted by City Councilman Brad Lander and others, is to build quickly a kind of “public health corps" to enforce social-distancing measures.
  In this approach, specially trained civilians could fan out across the neighborhoods and parks, helping with pedestrian traffic control and politely encouraging New Yorkers entering parks to protect one another by wearing masks and keeping their distance. Police Department school safety agents, who are not armed, could help. Such a program could also provide muchneeded employment for young people, especially with New York's summer jobs program, which serves people 14 to 24, threatened by budget cuts.
   Another method to help social-distancing efforts may be the community-based groups that have been effective in reducing gun violence in some of the city's toughest neighborhoods.
   The Police Department would play only a minimal role in this approach, stepping in to help with crowd control, for example, something it does extremely well.
   Without a significant course correction, the department's role in the pandemic may look more and more like stop-and-frisk, the policing tactic that led to the harassment of hundreds of thousands of innocent people, most of them black and Hispanic, while rarely touching white New Yorkers. Mr. de Blasio has scoffed at the comparison, though it's not clear why.
   Aggressive police enforcement of socialdistancing measures is nearly certain to harm the health and dignity of the city's black and Hispanic residents. 
   It could also diminish respect for the Police Department. Which is why it makes sense that the city's largest police union has said that its members want little to do with social-distancing enforcement. “The N.Y.P.D. needs to get cops out of the socialdistancing-enforcement business altogether,” Patrick Lynch, president of the Police Benevolent Association, said in a statement on May 4. On this issue, Mr. Lynch gets it.
   New York is facing a public health crisis, not a spike in crime. Black and Hispanic New Yorkers are already suffering disproportionately from the coronavirus. They don't need more policing. They need more help. 

Available at https://www.nytimes.com/2020/05/18/opinion/nypdcoronavirus-arrests-nyc.html. Accessed May 18,2020. 
According to the text it is true that:
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Q1697179 Inglês

Robot priests can bless you, advise you, and even perform your funeral 


By Sigal Samuel Updated Jan 13, 2020, 11:25am EST


A new priest named Mindar is holding forth at Kodaiji, a 400-year-old Buddhist temple in Kyoto, Japan. Like other clergy members, this priest can deliver sermons and move around to interface with worshippers. Mindar is a robot, designed to look like Kannon, the Buddhist deity of mercy, and cost $1 million.


As more religious communities begin to incorporate robotics — in some cases, AI-powered — questions arise about how technology could change our religious experiences. Traditionally, those experiences are valuable in part because they leave room for the spontaneous and surprising, the emotional and even the mystical. That could be lost if we mechanize them.  


Another risk has to do with how an AI priest would handle ethical queries. Robots whose algorithms learn from previous data may nudge us toward decisions based on what people have done in the past, incrementally homogenizing answers and narrowing the scope of our spiritual imagination. One could argue, however, that risk also exists with human clergy, since the clergy is bounded too — there’s already a built-in nudging or limiting factor.


AI systems can be particularly problematic in that they often function as black boxes. We typically don’t know what sorts of biases are coded into them or what sorts of human nuance and context they’re failing to understand. A human priest who knows your broader context as a whole person may gather this and give you the right recommendation. 


Human clergy members serve as the anchor for a community, bringing people together. They provide human contact, which is in danger of becoming a luxury good as we create robots to more cheaply do the work of people. Robots, notwithstanding, might be able to transcend some social divides, such as race and gender, to enhance community in a way that’s more liberating. 


Ultimately, in religion as in other domains, robots and humans are perhaps best understood not as competitors but as collaborators. Each offers something the other lacks. 


(S. Samuel, Robot priests can bless you, advise you, and even perform your funeral. Vox, 9/9/2019. Disponível em https://www.vox.com/ future-perfect/2019/9/9/20851753/ai-religionrobot-priest-mindar-budd hism-christianity. Acessado em 05/08/2020.)

Qual das afirmações abaixo sintetiza corretamente a discussão sobre os riscos do uso de robôs na função de clérigos, tal como exposta no texto?
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Q1697178 Inglês



Injured ape 


Nisha Gaind (Bureau chief, Europe). This X-ray shows a baby Sumatran orangutan (Pongo abelii) with a fractured arm. Conservation workers rescued the animal, named Brenda, from a village on the Indonesian island where she had reportedly been kept illegally as a pet. As editors, we see lots of photographs of conservation, but this image struck me for many reasons: the ‘humanness’ of Brenda’s shape, her innocence and the dedication of the conservation centre, which flew in a surgeon to operate on the animal.


(N. Gaind e E. Callaway. The best science images of the year: 2019 in pictures. Nature, v. 576, n. 7787, p. 354–359, 16/12/2019.)

Sobre o texto “The best science images of the year: 2019 in pictures”, considerando a imagem radiográfica que ele traz, é correto dizer:



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Ano: 2020 Banca: IMT - SP Órgão: IMT - SP Prova: IMT - SP - 2020 - IMT - SP - 2ª Aplicação - 01/12/2020 |
Q1692772 Inglês
Since its founding, UNESCO has sought to collaborate with NGOs, which are fundamental civil society partners for the implementation of the Organization’s activities and programs. Over the years, UNESCO has built up a valuable network of cooperation with NGOs having an expertise in education, science, social and human sciences, culture, communication and information. Currently, UNESCO is enjoying official partnerships with 390 NGOs and 33 foundations and similar institutions. Adapted from https://en.unesco.org/partnerships/non-governmental-organizations
Which are the fields of competence mentioned in the text that UNESCO looks for in NonGovernmental Organizations?
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Ano: 2020 Banca: IMT - SP Órgão: IMT - SP Prova: IMT - SP - 2020 - IMT - SP - 1ª Aplicação - 20/11/2020 |
Q1692598 Inglês
Texafornia dreaming America’s future will be written in the two mega-states In the cable-news version of America, the president sits in the White House issuing commands that transform the nation. Life is not like that. In the real version of America many of the biggest political choices are made not in Washington but by the states—and by two of them in particular. Texas and California are the biggest, most important states in the union, each equally convinced that it is the future. However, their rules and regulations are basically opposite to each other. Adapted from https://www.economist.com/leaders/2019/06/20/texaforniadreaming?cid1
What can one infer by reading the text?
Alternativas
Ano: 2020 Banca: IMT - SP Órgão: IMT - SP Prova: IMT - SP - 2020 - IMT - SP - 1ª Aplicação - 20/11/2020 |
Q1692595 Inglês
Qual a principal característica do trabalho de Jane Austen, mencionada no trecho a seguir?
Jane Austen (December 16, 1775 - July 18, 1817) is widely known for her most famous novels. Jane Austen's work features biting social commentary, often delivered with great irony. While her writing was not well known during her lifetime, the 1870 publication of A Memoir of the Life of Jane Austen introduced her to a wider public. Her work is widelyread and admired by modern audiences, who have become quite familiar with Austen's cultural references, including television shows and movies adapted from her work.
Alternativas
Ano: 2020 Banca: IMT - SP Órgão: IMT - SP Prova: IMT - SP - 2020 - IMT - SP - 1ª Aplicação - 20/11/2020 |
Q1692593 Inglês
The world has a handful of great commercial hubs. Silicon Valley dominates technology. The home of luxury is Paris and the capital of outsourcing is Bangalore, in India. One of the mightiest clusters of all is London, which hosts the globe’s largest international financial center. Within a square mile on the Thames, a multinational firm can sell $5bn of shares in 20 minutes, or a European startup can raise seed finance from Asian pensioners. You can insure container ships or a pop star’s vocal cords. Companies can hedge the risk that a factory anywhere on the planet will face a volatile currency or hurricanes and a rising sea level a decade from now. Adapted from: https://www.economist.com/leaders/2019/06/27/can-thecity-survive-brexit?cid1 According to the text, what are examples of important global deals that may be closed in London?
Alternativas
Ano: 2020 Banca: UniREDENTOR Órgão: UniREDENTOR Prova: UniREDENTOR - 2020 - UniREDENTOR - Vestibular - Medicina - Vagas Remanescentes |
Q1406175 Inglês
WHERE DO WE GO FROM HERE?
The conversation around aging in the U.S. must change—both in Washington and among industry stakeholders. This will require players in the ecosystem proactively working together to solve interoperability challenges, committing to value-based care and accommodating and supporting caregivers and patients alike. Supporting partnerships between hospitals and community organizations that provide more support for caregivers and reimbursing patients for tools outside of the healthcare ecosystem will be critical. By working together, the healthcare system can support aging gracefully and living happier, healthier lives.

Speaking of which, our friends at HLTH have launched a new conference with the goal of bringing industry players together to discuss how industry verticals can work together to solve complex challenges  in healthcare—including addressing the aging population. Check out their website to learn more and read their latest blog on the aging U.S. population.

Samantha Smoak https://www.thinkrevivehealth.com/bl og/five-ways-aging-populationimpacting-healthcare-united-states
One of the key action to help the elderly live longer and healthier is to:
Alternativas
Ano: 2020 Banca: UniREDENTOR Órgão: UniREDENTOR Prova: UniREDENTOR - 2020 - UniREDENTOR - Vestibular - Medicina - Vagas Remanescentes |
Q1406173 Inglês
WHERE DO WE GO FROM HERE?
The conversation around aging in the U.S. must change—both in Washington and among industry stakeholders. This will require players in the ecosystem proactively working together to solve interoperability challenges, committing to value-based care and accommodating and supporting caregivers and patients alike. Supporting partnerships between hospitals and community organizations that provide more support for caregivers and reimbursing patients for tools outside of the healthcare ecosystem will be critical. By working together, the healthcare system can support aging gracefully and living happier, healthier lives.

Speaking of which, our friends at HLTH have launched a new conference with the goal of bringing industry players together to discuss how industry verticals can work together to solve complex challenges  in healthcare—including addressing the aging population. Check out their website to learn more and read their latest blog on the aging U.S. population.

Samantha Smoak https://www.thinkrevivehealth.com/bl og/five-ways-aging-populationimpacting-healthcare-united-states
According to the text, one of the reasons why people today live longer is:
Alternativas
Ano: 2020 Banca: UniREDENTOR Órgão: UniREDENTOR Prova: UniREDENTOR - 2020 - UniREDENTOR - Vestibular - Medicina - Vagas Remanescentes |
Q1406172 Inglês
WHERE DO WE GO FROM HERE?
The conversation around aging in the U.S. must change—both in Washington and among industry stakeholders. This will require players in the ecosystem proactively working together to solve interoperability challenges, committing to value-based care and accommodating and supporting caregivers and patients alike. Supporting partnerships between hospitals and community organizations that provide more support for caregivers and reimbursing patients for tools outside of the healthcare ecosystem will be critical. By working together, the healthcare system can support aging gracefully and living happier, healthier lives.

Speaking of which, our friends at HLTH have launched a new conference with the goal of bringing industry players together to discuss how industry verticals can work together to solve complex challenges  in healthcare—including addressing the aging population. Check out their website to learn more and read their latest blog on the aging U.S. population.

Samantha Smoak https://www.thinkrevivehealth.com/bl og/five-ways-aging-populationimpacting-healthcare-united-states
In: “This will require players in the ecosystem proactively working together to solve interoperability challenges, committing to valuebased care and accommodating and supporting caregivers and patients alike.”, the word in bold sums up the idea of:
Alternativas
Ano: 2020 Banca: UniREDENTOR Órgão: UniREDENTOR Prova: UniREDENTOR - 2020 - UniREDENTOR - Vestibular - Medicina - Vagas Remanescentes |
Q1406171 Inglês
WHERE DO WE GO FROM HERE?
The conversation around aging in the U.S. must change—both in Washington and among industry stakeholders. This will require players in the ecosystem proactively working together to solve interoperability challenges, committing to value-based care and accommodating and supporting caregivers and patients alike. Supporting partnerships between hospitals and community organizations that provide more support for caregivers and reimbursing patients for tools outside of the healthcare ecosystem will be critical. By working together, the healthcare system can support aging gracefully and living happier, healthier lives.

Speaking of which, our friends at HLTH have launched a new conference with the goal of bringing industry players together to discuss how industry verticals can work together to solve complex challenges  in healthcare—including addressing the aging population. Check out their website to learn more and read their latest blog on the aging U.S. population.

Samantha Smoak https://www.thinkrevivehealth.com/bl og/five-ways-aging-populationimpacting-healthcare-united-states
We can claim, based on the text, that today in the U.S., the greater number of older adults has impacted in:
Alternativas
Ano: 2019 Banca: CESPE / CEBRASPE Órgão: UNCISAL Prova: CESPE / CEBRASPE - 2019 - UNCISAL - Vestibular - 2º Dia |
Q4010447 Inglês
    Yury Azhichakov set out early by bike for Senogda Bay, his favorite beach, on the northwestern shore of Lake Baikal in Siberia. The world’s oldest, deepest and most voluminous lake, Baikal holds 20 percent of the planet’s unfrozen freshwater. It is often described as the world’s cleanest lake.
    As Mr. Azhichakov discovered, that is no longer the case. Senogda’s once pristine sands were buried under thick mats of reeking greenish-black goo.
    “This stuff stretched far into the distance, for several kilometers,” said Mr. Azhichakov, 61, a retired ecological engineer. “The beach was in terrible condition.”
    The muck, scientists have discovered, follows mass algal blooms at dozens of sites around Lake Baikal’s 1,240-mile perimeter. Confined to shallow water and shores near towns and villages, the problem seems to stem from an influx of untreated sewage – the result of inadequate wastewater treatment.
    Algal blooms threaten iconic freshwater bodies around the world, including the Great Lakes, Lake Geneva, and Lake Biwa in Japan. But Lake Baikal is especially precious: a World Heritage site home to more than 3,700 species, more than half found nowhere else.
    “People are dumping sewage, waste and rubbish around the lake, creating pretty appalling conditions in some places,” said Anson MacKay, an environmental scientist at University College London.

Disponível em: www.nytimes.com. Acesso em: 15 nov. 2018 (adaptado).

Conforme o texto anterior,  
Alternativas
Respostas
421: C
422: B
423: C
424: D
425: C
426: A
427: D
428: B
429: C
430: D
431: C
432: E
433: B
434: B
435: C
436: C
437: E
438: A
439: E
440: A