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Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147586
Linguística
Considerando os elementos língua, cultura e sociedade, julgue o item a seguir.
Todas as diferenças linguísticas entre as regiões do Brasil têm uma única causa comum: o processo histórico de colonização.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147585
Linguística
Considerando os elementos língua, cultura e sociedade, julgue o item a seguir.
O uso de gírias e neologismos só tem conexão com o contexto histórico e cultural da geração dos jovens.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147584
Linguística
Considerando os elementos língua, cultura e sociedade, julgue o item a seguir.
A cultura é unicamente individual e não está relacionada à linguagem.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147583
Linguística
Considerando os elementos língua, cultura e sociedade, julgue o item a seguir.
As transformações sociais e culturais refletem-se na linguagem, afetando o modo como esta é utilizada.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147582
Inglês
Texto associado
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems
written in collaboration with the photographer Roger Ballen,
whose photographic negatives are reproduced in the book.
The images are mostly terrifying, in keeping with the
otherworldly inclination of the poems. This bilingual edition
includes Tinti’s original Italian poems with English translations
by David Graham, interspersed with Greek lines taken from
inscriptions found on archaeological objects and from ancient
Greek texts.
The book is inspired by the Petavatthu, a Theravada
Buddhist scripture that includes stories about the realm of the
“hungry ghosts,” a category of supernatural beings ubiquitous in
East and South Asian religions, with section headings such as
“Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry
Ghosts.” T he poems are quite short and try to emulate the
obscure, esoteric quality of scriptural language, though they
struggle, at times, under the weight of too many venerable
references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org> (adapted).
About the linguistic and lexical features of the preceding text, judge the following item.
The word “though” (last sentence of the second paragraph) is used to introduce a concessive clause.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147581
Inglês
Texto associado
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems
written in collaboration with the photographer Roger Ballen,
whose photographic negatives are reproduced in the book.
The images are mostly terrifying, in keeping with the
otherworldly inclination of the poems. This bilingual edition
includes Tinti’s original Italian poems with English translations
by David Graham, interspersed with Greek lines taken from
inscriptions found on archaeological objects and from ancient
Greek texts.
The book is inspired by the Petavatthu, a Theravada
Buddhist scripture that includes stories about the realm of the
“hungry ghosts,” a category of supernatural beings ubiquitous in
East and South Asian religions, with section headings such as
“Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry
Ghosts.” T he poems are quite short and try to emulate the
obscure, esoteric quality of scriptural language, though they
struggle, at times, under the weight of too many venerable
references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org> (adapted).
About the linguistic and lexical features of the preceding text, judge the following item.
In the sentence “The poems are quite short” (last sentence of the second paragraph), “quite” is a degree adverb modifying the adjective “short”.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147580
Inglês
Texto associado
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems
written in collaboration with the photographer Roger Ballen,
whose photographic negatives are reproduced in the book.
The images are mostly terrifying, in keeping with the
otherworldly inclination of the poems. This bilingual edition
includes Tinti’s original Italian poems with English translations
by David Graham, interspersed with Greek lines taken from
inscriptions found on archaeological objects and from ancient
Greek texts.
The book is inspired by the Petavatthu, a Theravada
Buddhist scripture that includes stories about the realm of the
“hungry ghosts,” a category of supernatural beings ubiquitous in
East and South Asian religions, with section headings such as
“Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry
Ghosts.” T he poems are quite short and try to emulate the
obscure, esoteric quality of scriptural language, though they
struggle, at times, under the weight of too many venerable
references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org> (adapted).
About the linguistic and lexical features of the preceding text, judge the following item.
The word “otherworldly” (second sentence of the first paragraph) is a synonym for abstract.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147579
Inglês
Texto associado
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems
written in collaboration with the photographer Roger Ballen,
whose photographic negatives are reproduced in the book.
The images are mostly terrifying, in keeping with the
otherworldly inclination of the poems. This bilingual edition
includes Tinti’s original Italian poems with English translations
by David Graham, interspersed with Greek lines taken from
inscriptions found on archaeological objects and from ancient
Greek texts.
The book is inspired by the Petavatthu, a Theravada
Buddhist scripture that includes stories about the realm of the
“hungry ghosts,” a category of supernatural beings ubiquitous in
East and South Asian religions, with section headings such as
“Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry
Ghosts.” T he poems are quite short and try to emulate the
obscure, esoteric quality of scriptural language, though they
struggle, at times, under the weight of too many venerable
references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org> (adapted).
About the linguistic and lexical features of the preceding text, judge the following item.
In the text, the word “terrifying” (second sentence of the first paragraph) conveys a sense of intense fear and is an adjective formed from the verb to terrify.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147578
Inglês
Texto associado
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems
written in collaboration with the photographer Roger Ballen,
whose photographic negatives are reproduced in the book.
The images are mostly terrifying, in keeping with the
otherworldly inclination of the poems. This bilingual edition
includes Tinti’s original Italian poems with English translations
by David Graham, interspersed with Greek lines taken from
inscriptions found on archaeological objects and from ancient
Greek texts.
The book is inspired by the Petavatthu, a Theravada
Buddhist scripture that includes stories about the realm of the
“hungry ghosts,” a category of supernatural beings ubiquitous in
East and South Asian religions, with section headings such as
“Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry
Ghosts.” T he poems are quite short and try to emulate the
obscure, esoteric quality of scriptural language, though they
struggle, at times, under the weight of too many venerable
references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org> (adapted).
About the linguistic and lexical features of the preceding text, judge the following item.
Both “written” and “reproduced” (first sentence) are past participles and are used, in the text, in passive voice constructions.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147577
Inglês
Texto associado
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems
written in collaboration with the photographer Roger Ballen,
whose photographic negatives are reproduced in the book.
The images are mostly terrifying, in keeping with the
otherworldly inclination of the poems. This bilingual edition
includes Tinti’s original Italian poems with English translations
by David Graham, interspersed with Greek lines taken from
inscriptions found on archaeological objects and from ancient
Greek texts.
The book is inspired by the Petavatthu, a Theravada
Buddhist scripture that includes stories about the realm of the
“hungry ghosts,” a category of supernatural beings ubiquitous in
East and South Asian religions, with section headings such as
“Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry
Ghosts.” T he poems are quite short and try to emulate the
obscure, esoteric quality of scriptural language, though they
struggle, at times, under the weight of too many venerable
references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org> (adapted).
About the linguistic and lexical features of the preceding text, judge the following item.
The phrase “emulate the obscure, esoteric quality” (last sentence of the second paragraph) represents an incorrect or awkward collocation in English.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147576
Inglês
Texto associado
“The High Priestess of Soul,” Nina Simone was a singer,
pianist, songwriter, and civil rights activist. Mostly known as a
jazz singer, her music blended gospel, blues, folk, pop, and
classical styles. No popular singer was more closely associated
with the Civil Rights Movement than Simone.
Nina Simone was born Eunice Kathleen Waymon on
February 21st, 1933, in Tryon, North Carolina. Her mother, Mary
Kate Irvin, was a Methodist preacher and housekeeper, and her
father, John Divine Waymon, worked as an entertainer, barber,
and dry-cleaner. The family’s home was filled with music and
Simone’s mother encouraged her musical pursuits but she did not
approve of nonreligious music like blues and jazz. Simone took
up the piano before her feet could reach the pedals, and by the
age of six, she was playing during church services.
In 2008, Rolling Stone named Simone to its list of the
100 Greatest Singers of All Time, and, in 2018, Simone was
inducted into the Rock & Roll Hall of Fame.
Internet:<womenshistory.org> (adapted).
Based on the previous text, judge the following item.
The words “preacher”, “housekeeper”, “entertainer”, “barber”, and “dry-cleaner” (second paragraph) belong to the same grammatical class and serve the same purpose in the discourse.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147575
Inglês
Texto associado
“The High Priestess of Soul,” Nina Simone was a singer,
pianist, songwriter, and civil rights activist. Mostly known as a
jazz singer, her music blended gospel, blues, folk, pop, and
classical styles. No popular singer was more closely associated
with the Civil Rights Movement than Simone.
Nina Simone was born Eunice Kathleen Waymon on
February 21st, 1933, in Tryon, North Carolina. Her mother, Mary
Kate Irvin, was a Methodist preacher and housekeeper, and her
father, John Divine Waymon, worked as an entertainer, barber,
and dry-cleaner. The family’s home was filled with music and
Simone’s mother encouraged her musical pursuits but she did not
approve of nonreligious music like blues and jazz. Simone took
up the piano before her feet could reach the pedals, and by the
age of six, she was playing during church services.
In 2008, Rolling Stone named Simone to its list of the
100 Greatest Singers of All Time, and, in 2018, Simone was
inducted into the Rock & Roll Hall of Fame.
Internet:<womenshistory.org> (adapted).
Based on the previous text, judge the following item.
In the sentence “Simone took up the piano before her feet could reach the pedals” (last sentence of the second paragraph), the clause that starts with “before her feet” is an independent clause.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147574
Inglês
Texto associado
“The High Priestess of Soul,” Nina Simone was a singer,
pianist, songwriter, and civil rights activist. Mostly known as a
jazz singer, her music blended gospel, blues, folk, pop, and
classical styles. No popular singer was more closely associated
with the Civil Rights Movement than Simone.
Nina Simone was born Eunice Kathleen Waymon on
February 21st, 1933, in Tryon, North Carolina. Her mother, Mary
Kate Irvin, was a Methodist preacher and housekeeper, and her
father, John Divine Waymon, worked as an entertainer, barber,
and dry-cleaner. The family’s home was filled with music and
Simone’s mother encouraged her musical pursuits but she did not
approve of nonreligious music like blues and jazz. Simone took
up the piano before her feet could reach the pedals, and by the
age of six, she was playing during church services.
In 2008, Rolling Stone named Simone to its list of the
100 Greatest Singers of All Time, and, in 2018, Simone was
inducted into the Rock & Roll Hall of Fame.
Internet:<womenshistory.org> (adapted).
Based on the previous text, judge the following item.
The phrase “more closely” (third sentence of the first paragraph) works as an adjectival phrase modifying the noun “singer”.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147573
Inglês
Texto associado
“The High Priestess of Soul,” Nina Simone was a singer,
pianist, songwriter, and civil rights activist. Mostly known as a
jazz singer, her music blended gospel, blues, folk, pop, and
classical styles. No popular singer was more closely associated
with the Civil Rights Movement than Simone.
Nina Simone was born Eunice Kathleen Waymon on
February 21st, 1933, in Tryon, North Carolina. Her mother, Mary
Kate Irvin, was a Methodist preacher and housekeeper, and her
father, John Divine Waymon, worked as an entertainer, barber,
and dry-cleaner. The family’s home was filled with music and
Simone’s mother encouraged her musical pursuits but she did not
approve of nonreligious music like blues and jazz. Simone took
up the piano before her feet could reach the pedals, and by the
age of six, she was playing during church services.
In 2008, Rolling Stone named Simone to its list of the
100 Greatest Singers of All Time, and, in 2018, Simone was
inducted into the Rock & Roll Hall of Fame.
Internet:<womenshistory.org> (adapted).
Based on the previous text, judge the following item.
Replacing the excerpt “civil rights activist” (first sentence) with activist for the civil rights would violate natural collocation in English.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147572
Inglês
Texto associado
“The High Priestess of Soul,” Nina Simone was a singer,
pianist, songwriter, and civil rights activist. Mostly known as a
jazz singer, her music blended gospel, blues, folk, pop, and
classical styles. No popular singer was more closely associated
with the Civil Rights Movement than Simone.
Nina Simone was born Eunice Kathleen Waymon on
February 21st, 1933, in Tryon, North Carolina. Her mother, Mary
Kate Irvin, was a Methodist preacher and housekeeper, and her
father, John Divine Waymon, worked as an entertainer, barber,
and dry-cleaner. The family’s home was filled with music and
Simone’s mother encouraged her musical pursuits but she did not
approve of nonreligious music like blues and jazz. Simone took
up the piano before her feet could reach the pedals, and by the
age of six, she was playing during church services.
In 2008, Rolling Stone named Simone to its list of the
100 Greatest Singers of All Time, and, in 2018, Simone was
inducted into the Rock & Roll Hall of Fame.
Internet:<womenshistory.org> (adapted).
Based on the previous text, judge the following item.
The word ‘Priestess’ in the phrase ‘The High Priestess of Soul’ is used figuratively to emphasize Nina Simone’s symbolic or spiritual significance in the music world.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147571
Inglês
Texto associado
“The High Priestess of Soul,” Nina Simone was a singer,
pianist, songwriter, and civil rights activist. Mostly known as a
jazz singer, her music blended gospel, blues, folk, pop, and
classical styles. No popular singer was more closely associated
with the Civil Rights Movement than Simone.
Nina Simone was born Eunice Kathleen Waymon on
February 21st, 1933, in Tryon, North Carolina. Her mother, Mary
Kate Irvin, was a Methodist preacher and housekeeper, and her
father, John Divine Waymon, worked as an entertainer, barber,
and dry-cleaner. The family’s home was filled with music and
Simone’s mother encouraged her musical pursuits but she did not
approve of nonreligious music like blues and jazz. Simone took
up the piano before her feet could reach the pedals, and by the
age of six, she was playing during church services.
In 2008, Rolling Stone named Simone to its list of the
100 Greatest Singers of All Time, and, in 2018, Simone was
inducted into the Rock & Roll Hall of Fame.
Internet:<womenshistory.org> (adapted).
Based on the previous text, judge the following item.
The verb “encourage” has a cognate in Portuguese: encorajar.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147570
Inglês
Texto associado
Internet:<phdcomics.com>
Regarding the language usage in the preceding comic strip, judge the following item.
In the second panel, the clause “Let me tell you:” presents a verb in the imperative mood.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147569
Inglês
Texto associado
Internet:<phdcomics.com>
Regarding the language usage in the preceding comic strip, judge the following item.
The word “hope”, in the comic strip, is used both as an adjective and as a verb.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147568
Inglês
Texto associado
Internet:<phdcomics.com>
Regarding the language usage in the preceding comic strip, judge the following item.
The adverb “entirely” (second panel) could be successfully replaced with completely, maintaining the same meaning.
Ano: 2025
Banca:
CESPE / CEBRASPE
Órgão:
InoversaSul
Prova:
CESPE / CEBRASPE - 2025 - InoversaSul - Professor de Inglês - Ensino Fundamental |
Q3147567
Inglês
Texto associado
Global issues, global education, and transcultural learning
all take two conditions of a globalizing world as their point of
departure: (1) all social, cultural, economic, and ecological issues
are increasingly interconnected and there is no such thing as an
isolated, merely local issue; (2) globalization and hybridization
affect all cultures and cultural phenomena. There are no pure,
homogeneous, unchanging elements of culture, and this affects
the life of all individuals and social groups. Global learning takes
on a transcultural perspective and aims to enable learners to
effectively acquire a foreign or second language while
empowering them with the knowledge, skills and commitment
required by world citizens to solve global problems. Here, local
problems, challenges, and solutions are always seen as
inextricably intertwined with global issues.
Michael Meyer, Laurenz Volkmann, and Nancy Grimm.
Teaching English. Narr: Tübigen, 2022. p. 163 (adapted).
Based on the ideas presented in the previous text, judge the item that follow.
The authors have a negative perspective on globalization because it makes global problems also local problems.
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