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Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270987
Inglês
Consider the dialogue below:
Bob: "Hey, long time no see! How have you been?"
Susan: "I've been good, just trying to keep my head above water with all this work."
Bob: "I hear you. It seems like everyone is burning the candle at both ends these days."
Susan: "Exactly! But you know what they say, every cloud has a silver lining. I'm learning a lot."
Bob: "That's the spirit! Just remember, all work and no play makes Jack a dull boy."
Which of the following best describes the meaning of the idiom "keep my head above water" as used in the dialogue?
Bob: "Hey, long time no see! How have you been?"
Susan: "I've been good, just trying to keep my head above water with all this work."
Bob: "I hear you. It seems like everyone is burning the candle at both ends these days."
Susan: "Exactly! But you know what they say, every cloud has a silver lining. I'm learning a lot."
Bob: "That's the spirit! Just remember, all work and no play makes Jack a dull boy."
Which of the following best describes the meaning of the idiom "keep my head above water" as used in the dialogue?
Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270986
Pedagogia
A avaliação formativa desempenha um papel crucial no
processo de ensino e aprendizagem. Considerando as
características da avaliação formativa, qual das
alternativas a seguir não é uma prática adequada dessa
forma de avaliação?
Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270985
Inglês
During a listening comprehension test, you hear the
following conversation:
Max: Did you manage to submit the report on time?
Peter: I was up against the clock, but I got it in just under the wire.
Based on the conversation, what does "just under the wire" mean in this context?
Max: Did you manage to submit the report on time?
Peter: I was up against the clock, but I got it in just under the wire.
Based on the conversation, what does "just under the wire" mean in this context?
Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270984
Pedagogia
Acerca da relação professor-aluno analisada sob a
perspectiva das dinâmicas de poder, julgue as frases
abaixo:
I. Para Pierre Bourdieu, as escolas são instituições que exercem um controle disciplinar sobre os corpos e mentes dos alunos, moldando-os de acordo com as normas sociais predominantes. Este controle é exercido através de uma série de mecanismos sutis, como a vigilância constante (o "panóptico"), o exame, e a classificação, que normalizam o comportamento e reforçam a conformidade com as expectativas sociais.
II. Michel Foucault, em sua teoria do poder simbólico e da reprodução social, argumenta que a escola desempenha um papel crucial na reprodução das desigualdades sociais. Ele introduz o conceito de habitus , que se refere às disposições internalizadas pelos indivíduos, influenciadas por suas condições sociais, e que orientam suas práticas e percepções.
III. Michel Foucault introduz o conceito de biopoder, que se refere ao poder exercido sobre as populações, visando regular a vida social em suas múltiplas dimensões. Na escola, o biopoder se manifesta na forma como os currículos são estruturados para produzir sujeitos que se encaixem nas demandas da sociedade contemporânea, disciplinando não apenas o corpo, mas também os modos de pensar e agir dos alunos.
Está(ão) CORRETA(S) a(s) seguinte(s) proposição(ões).
I. Para Pierre Bourdieu, as escolas são instituições que exercem um controle disciplinar sobre os corpos e mentes dos alunos, moldando-os de acordo com as normas sociais predominantes. Este controle é exercido através de uma série de mecanismos sutis, como a vigilância constante (o "panóptico"), o exame, e a classificação, que normalizam o comportamento e reforçam a conformidade com as expectativas sociais.
II. Michel Foucault, em sua teoria do poder simbólico e da reprodução social, argumenta que a escola desempenha um papel crucial na reprodução das desigualdades sociais. Ele introduz o conceito de habitus , que se refere às disposições internalizadas pelos indivíduos, influenciadas por suas condições sociais, e que orientam suas práticas e percepções.
III. Michel Foucault introduz o conceito de biopoder, que se refere ao poder exercido sobre as populações, visando regular a vida social em suas múltiplas dimensões. Na escola, o biopoder se manifesta na forma como os currículos são estruturados para produzir sujeitos que se encaixem nas demandas da sociedade contemporânea, disciplinando não apenas o corpo, mas também os modos de pensar e agir dos alunos.
Está(ão) CORRETA(S) a(s) seguinte(s) proposição(ões).
Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270983
Inglês
Qual dos seguintes métodos de ensino de línguas se
baseia principalmente na repetição, memorização e
prática intensiva de padrões estruturais da língua, sem
ênfase na explicação de regras gramaticais explícitas?
Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270982
Inglês
Texto associado
O texto seguinte servirá de base para responder à questão.
Carmen Miranda
When Carmen Miranda performed, audiences remarked
on her vivacity and sparkle. Her voice and stage
presence captivated people and made her a favorite star,
first in Brazil, and later in the United States. Miranda was
born in 1909 in northern Portugal, but her family
immigrated to Brazil when she was very young. She
began her career as a singer for Brazilian radio stations,
but she very quickly leapt to stardom, and began acting
in movies as well. Her fame and talent caught the
attention of a Broadway theater owner and producer, Lee
Shubert. He convinced her to join his 1939 production of
The Streets of Paris and, with the support of the Brazilian
government, Miranda and her band went to New York
City as goodwill ambassadors to the United States.
Carmen Miranda was highly successful in the United
States, and in addition to major theater appearances, she
acted in movies and sang in nightclubs. At the peak of
her Hollywood career, she was the highest paid female
performer in the United States. However, her success
came with drawbacks. Her first major role in a Hollywood
film was as an exotic, volatile stereotype of a Latina, and
thereafter she was typically typecast in such roles. Her
parts often genericized Latin American cultures and
played to stereotypes. This was very well received by
American audiences, and fed the interests of the United
States' Good Neighbor policy in the 1940s, but it angered
critics in South and Central America. On a return trip
home to Brazil in 1940, she was poorly received, and was
actually booed off a stage at a charity event she
arranged, a drastic change from the adoration she was
given before her departure for America. She did not
return to Brazil until shortly before she died in 1955.
Miranda's greatest legacy, perhaps, is the popularization
of the samba. The samba was created by Afro-Latin
American musicians with roots in the Carnival
celebrations that blended European Catholic traditions
with African ones. It was created and originally played in
poorer Afro-Latin communities but was increasingly
picked up by middle class performers. Miranda was
sometimes criticized by whites for performing a form of
music they considered vulgar because of its origins, while
Afro-Latin Americans have criticized her for appropriating
their musical traditions without regard for their culture.
Nonetheless, her talent was considerable, and her fame
brought samba into the spotlight with her. Miranda
popularized the samba first in Brazil on the radio and in
films, and later in the United States with her
performances there, and the samba has had
considerable influences on a wide range of musicians
and musical forms since.
https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand
a
Which of the following statements best captures the
reason behind Carmen Miranda's mixed reception in
Brazil upon her return in 1940?
Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270981
Inglês
Texto associado
O texto seguinte servirá de base para responder à questão.
Carmen Miranda
When Carmen Miranda performed, audiences remarked
on her vivacity and sparkle. Her voice and stage
presence captivated people and made her a favorite star,
first in Brazil, and later in the United States. Miranda was
born in 1909 in northern Portugal, but her family
immigrated to Brazil when she was very young. She
began her career as a singer for Brazilian radio stations,
but she very quickly leapt to stardom, and began acting
in movies as well. Her fame and talent caught the
attention of a Broadway theater owner and producer, Lee
Shubert. He convinced her to join his 1939 production of
The Streets of Paris and, with the support of the Brazilian
government, Miranda and her band went to New York
City as goodwill ambassadors to the United States.
Carmen Miranda was highly successful in the United
States, and in addition to major theater appearances, she
acted in movies and sang in nightclubs. At the peak of
her Hollywood career, she was the highest paid female
performer in the United States. However, her success
came with drawbacks. Her first major role in a Hollywood
film was as an exotic, volatile stereotype of a Latina, and
thereafter she was typically typecast in such roles. Her
parts often genericized Latin American cultures and
played to stereotypes. This was very well received by
American audiences, and fed the interests of the United
States' Good Neighbor policy in the 1940s, but it angered
critics in South and Central America. On a return trip
home to Brazil in 1940, she was poorly received, and was
actually booed off a stage at a charity event she
arranged, a drastic change from the adoration she was
given before her departure for America. She did not
return to Brazil until shortly before she died in 1955.
Miranda's greatest legacy, perhaps, is the popularization
of the samba. The samba was created by Afro-Latin
American musicians with roots in the Carnival
celebrations that blended European Catholic traditions
with African ones. It was created and originally played in
poorer Afro-Latin communities but was increasingly
picked up by middle class performers. Miranda was
sometimes criticized by whites for performing a form of
music they considered vulgar because of its origins, while
Afro-Latin Americans have criticized her for appropriating
their musical traditions without regard for their culture.
Nonetheless, her talent was considerable, and her fame
brought samba into the spotlight with her. Miranda
popularized the samba first in Brazil on the radio and in
films, and later in the United States with her
performances there, and the samba has had
considerable influences on a wide range of musicians
and musical forms since.
https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand
a
In the sentence "She began her career as a singer for
Brazilian radio stations," what is the function of the
preposition "for"?
Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270980
Pedagogia
Texto associado
O texto seguinte servirá de base para responder à questão.
Carmen Miranda
When Carmen Miranda performed, audiences remarked
on her vivacity and sparkle. Her voice and stage
presence captivated people and made her a favorite star,
first in Brazil, and later in the United States. Miranda was
born in 1909 in northern Portugal, but her family
immigrated to Brazil when she was very young. She
began her career as a singer for Brazilian radio stations,
but she very quickly leapt to stardom, and began acting
in movies as well. Her fame and talent caught the
attention of a Broadway theater owner and producer, Lee
Shubert. He convinced her to join his 1939 production of
The Streets of Paris and, with the support of the Brazilian
government, Miranda and her band went to New York
City as goodwill ambassadors to the United States.
Carmen Miranda was highly successful in the United
States, and in addition to major theater appearances, she
acted in movies and sang in nightclubs. At the peak of
her Hollywood career, she was the highest paid female
performer in the United States. However, her success
came with drawbacks. Her first major role in a Hollywood
film was as an exotic, volatile stereotype of a Latina, and
thereafter she was typically typecast in such roles. Her
parts often genericized Latin American cultures and
played to stereotypes. This was very well received by
American audiences, and fed the interests of the United
States' Good Neighbor policy in the 1940s, but it angered
critics in South and Central America. On a return trip
home to Brazil in 1940, she was poorly received, and was
actually booed off a stage at a charity event she
arranged, a drastic change from the adoration she was
given before her departure for America. She did not
return to Brazil until shortly before she died in 1955.
Miranda's greatest legacy, perhaps, is the popularization
of the samba. The samba was created by Afro-Latin
American musicians with roots in the Carnival
celebrations that blended European Catholic traditions
with African ones. It was created and originally played in
poorer Afro-Latin communities but was increasingly
picked up by middle class performers. Miranda was
sometimes criticized by whites for performing a form of
music they considered vulgar because of its origins, while
Afro-Latin Americans have criticized her for appropriating
their musical traditions without regard for their culture.
Nonetheless, her talent was considerable, and her fame
brought samba into the spotlight with her. Miranda
popularized the samba first in Brazil on the radio and in
films, and later in the United States with her
performances there, and the samba has had
considerable influences on a wide range of musicians
and musical forms since.
https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand
a
In the sentence "Her parts often genericized Latin
American cultures and played to stereotypes," what is the
grammatical function of the word "genericized"?
Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270979
Inglês
Texto associado
O texto seguinte servirá de base para responder à questão.
Carmen Miranda
When Carmen Miranda performed, audiences remarked
on her vivacity and sparkle. Her voice and stage
presence captivated people and made her a favorite star,
first in Brazil, and later in the United States. Miranda was
born in 1909 in northern Portugal, but her family
immigrated to Brazil when she was very young. She
began her career as a singer for Brazilian radio stations,
but she very quickly leapt to stardom, and began acting
in movies as well. Her fame and talent caught the
attention of a Broadway theater owner and producer, Lee
Shubert. He convinced her to join his 1939 production of
The Streets of Paris and, with the support of the Brazilian
government, Miranda and her band went to New York
City as goodwill ambassadors to the United States.
Carmen Miranda was highly successful in the United
States, and in addition to major theater appearances, she
acted in movies and sang in nightclubs. At the peak of
her Hollywood career, she was the highest paid female
performer in the United States. However, her success
came with drawbacks. Her first major role in a Hollywood
film was as an exotic, volatile stereotype of a Latina, and
thereafter she was typically typecast in such roles. Her
parts often genericized Latin American cultures and
played to stereotypes. This was very well received by
American audiences, and fed the interests of the United
States' Good Neighbor policy in the 1940s, but it angered
critics in South and Central America. On a return trip
home to Brazil in 1940, she was poorly received, and was
actually booed off a stage at a charity event she
arranged, a drastic change from the adoration she was
given before her departure for America. She did not
return to Brazil until shortly before she died in 1955.
Miranda's greatest legacy, perhaps, is the popularization
of the samba. The samba was created by Afro-Latin
American musicians with roots in the Carnival
celebrations that blended European Catholic traditions
with African ones. It was created and originally played in
poorer Afro-Latin communities but was increasingly
picked up by middle class performers. Miranda was
sometimes criticized by whites for performing a form of
music they considered vulgar because of its origins, while
Afro-Latin Americans have criticized her for appropriating
their musical traditions without regard for their culture.
Nonetheless, her talent was considerable, and her fame
brought samba into the spotlight with her. Miranda
popularized the samba first in Brazil on the radio and in
films, and later in the United States with her
performances there, and the samba has had
considerable influences on a wide range of musicians
and musical forms since.
https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand
a
What does the text suggest was Carmen Miranda's most
significant cultural impact?
Ano: 2024
Banca:
AMEOSC
Órgão:
Prefeitura de Itapiranga - SC
Prova:
AMEOSC - 2024 - Prefeitura de Itapiranga - SC - Professor de Língua Estrangeira (Inglês) |
Q3270978
Inglês
Texto associado
O texto seguinte servirá de base para responder à questão.
Carmen Miranda
When Carmen Miranda performed, audiences remarked
on her vivacity and sparkle. Her voice and stage
presence captivated people and made her a favorite star,
first in Brazil, and later in the United States. Miranda was
born in 1909 in northern Portugal, but her family
immigrated to Brazil when she was very young. She
began her career as a singer for Brazilian radio stations,
but she very quickly leapt to stardom, and began acting
in movies as well. Her fame and talent caught the
attention of a Broadway theater owner and producer, Lee
Shubert. He convinced her to join his 1939 production of
The Streets of Paris and, with the support of the Brazilian
government, Miranda and her band went to New York
City as goodwill ambassadors to the United States.
Carmen Miranda was highly successful in the United
States, and in addition to major theater appearances, she
acted in movies and sang in nightclubs. At the peak of
her Hollywood career, she was the highest paid female
performer in the United States. However, her success
came with drawbacks. Her first major role in a Hollywood
film was as an exotic, volatile stereotype of a Latina, and
thereafter she was typically typecast in such roles. Her
parts often genericized Latin American cultures and
played to stereotypes. This was very well received by
American audiences, and fed the interests of the United
States' Good Neighbor policy in the 1940s, but it angered
critics in South and Central America. On a return trip
home to Brazil in 1940, she was poorly received, and was
actually booed off a stage at a charity event she
arranged, a drastic change from the adoration she was
given before her departure for America. She did not
return to Brazil until shortly before she died in 1955.
Miranda's greatest legacy, perhaps, is the popularization
of the samba. The samba was created by Afro-Latin
American musicians with roots in the Carnival
celebrations that blended European Catholic traditions
with African ones. It was created and originally played in
poorer Afro-Latin communities but was increasingly
picked up by middle class performers. Miranda was
sometimes criticized by whites for performing a form of
music they considered vulgar because of its origins, while
Afro-Latin Americans have criticized her for appropriating
their musical traditions without regard for their culture.
Nonetheless, her talent was considerable, and her fame
brought samba into the spotlight with her. Miranda
popularized the samba first in Brazil on the radio and in
films, and later in the United States with her
performances there, and the samba has had
considerable influences on a wide range of musicians
and musical forms since.
https://www.si.edu/spotlight/latin-music-legends-stamps/carmen-mirand
a
In the context of the passage, what is the best meaning
of the phrase "leapt to stardom" as used in the sentence,
"She began her career as a singer for Brazilian radio
stations, but she very quickly leapt to stardom"?
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255480
Pedagogia
Na Base Nacional Comum Curricular (BNCC), o
ensino de Língua Inglesa busca promover o
desenvolvimento integral dos estudantes, visando à
sua participação social em contextos diversos.
Quando se fala em mobilizar conhecimentos,
habilidades, atitudes e valores para resolver
demandas complexas, a BNCC está se referindo a:
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255479
Inglês
Considerando o pensamento de SILVA na obra
Letramento crítico e o ensino de língua inglesa:
fomentando o senso crítico e a cidadania nas aulas
de leitura (2018), julgue as sentenças abaixo como
verdadeiras (V) ou falsas (F).
1.(__) O letramento crítico está focado no ensino formal de textos canônicos para que o estudante desenvolva o senso crítico com equidade.
2.(__) Silva argumenta que o ensino de inglês deve ir além das competências linguísticas, promovendo a construção de cidadãos críticos e reflexivos, capazes de atuar de forma consciente no mundo globalizado.
3.(__) A autora propõe que o ensino de leitura deve integrar a análise de discursos midiáticos, literários e cotidianos.
A sequência correta é:
1.(__) O letramento crítico está focado no ensino formal de textos canônicos para que o estudante desenvolva o senso crítico com equidade.
2.(__) Silva argumenta que o ensino de inglês deve ir além das competências linguísticas, promovendo a construção de cidadãos críticos e reflexivos, capazes de atuar de forma consciente no mundo globalizado.
3.(__) A autora propõe que o ensino de leitura deve integrar a análise de discursos midiáticos, literários e cotidianos.
A sequência correta é:
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255478
Inglês
Considere o excerto abaixo:
De acordo com W. M. Tagata (2018), o conceito
de_______busca uma abordagem integrativa, onde o
inglês é ensinado em diálogo com culturas locais e
globais, promovendo diversidade e letramento
crítico.
Complete a lacuna acima e assinale a alternativa correta.
Complete a lacuna acima e assinale a alternativa correta.
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255477
Pedagogia
Leia o excerto abaixo:
A obra Atividade social nas aulas de língua estrangeira (2009) de LIBERALI aborda como as atividades sociais nas aulas de língua estrangeira podem ser pensadas como práticas que vão além do ensino técnico da língua, promovendo a interação e a transformação do aprendiz. Baseada na teoria de _________, a autora propõe que a aprendizagem ocorre por meio de interação social e da mediação, destacando que o aprendizado não é individual, mas sim uma construção coletiva. A linguagem, nesse contexto, assume um papel central como mediadora de experiências.
Complete a lacuna corretamente e assinale a alternativa correta.
A obra Atividade social nas aulas de língua estrangeira (2009) de LIBERALI aborda como as atividades sociais nas aulas de língua estrangeira podem ser pensadas como práticas que vão além do ensino técnico da língua, promovendo a interação e a transformação do aprendiz. Baseada na teoria de _________, a autora propõe que a aprendizagem ocorre por meio de interação social e da mediação, destacando que o aprendizado não é individual, mas sim uma construção coletiva. A linguagem, nesse contexto, assume um papel central como mediadora de experiências.
Complete a lacuna corretamente e assinale a alternativa correta.
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255476
Pedagogia
Na Base Nacional Comum Curricular (BNCC), a
avaliação das aprendizagens em Língua Inglesa é
orientada por elementos que detalham habilidades
específicas, indicando o que se espera que os
estudantes sejam capazes de realizar em cada etapa
de ensino. Esses elementos são conhecidos como:
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255475
Pedagogia
Na obra de Ana R.S. Carolino de Abreu Nunes (2004),
o uso do lúdico no ensino de uma segunda língua é
fundamentado em abordagens pedagógicas que
valorizam a conexão entre os novos conhecimentos
e os conhecimentos prévios dos aprendizes,
promovendo uma aprendizagem mais relevante e
engajada. Essa abordagem está alinhada a qual das
teorias educacionais apresentadas abaixo?
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255474
Pedagogia
Sobre o conceito de Inglês como Língua Franca (ILF),
abordado por Flavius Almeida dos Anjos em O inglês
como língua franca global da contemporaneidade
(2016), é possível identificar desafios e propostas
pedagógicas que questionam as abordagens
tradicionais de ensino de língua inglesa. Tendo isso
em vista, assinale a alternativa que melhor reflete as
implicações do ILF no contexto educacional:
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255473
Inglês
A obra A oralidade no ensino de línguas estrangeiras
(2022) de PINHO destaca uma abordagem
pedagógica que valoriza a oralidade no ensino de
línguas estrangeiras por meio de tarefas que
simulam situações reais de uso da língua. Essa
abordagem visa desenvolver a competência
comunicativa dos aprendizes de forma prática e
contextualizada. Estamos falando da:
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255472
Pedagogia
Segundo Luiz Paulo Moita Lopes, em Inglês no
Mundo Contemporâneo: Ampliando Oportunidades
Sociais por Meio da Educação (2005), o ensino de
língua inglesa deve considerar seu papel no
enfrentamento de desigualdades sociais. Sobre as
práticas pedagógicas sugeridas por Moita Lopes,
analise as afirmativas e assinale a correta.
Ano: 2024
Banca:
IBAM
Órgão:
Prefeitura de Cubatão - SP
Prova:
IBAM - 2024 - Prefeitura de Cubatão - SP - Professor de Ensino Fundamental II - Língua Inglesa |
Q3255471
Inglês
Sobre Base Nacional Comum Curricular (BNCC) de
Língua Inglesa, julgue as sentenças abaixo como
verdadeiras (V) ou falsas (F).
1.(__)O eixo Conhecimentos linguísticos consolida-se pelas práticas de uso, análise e reflexão sobre a língua, sempre de modo contextualizado, articulado e a serviço das práticas de oralidade, leitura e escrita.
2.(__)A proposição do eixo Dimensão intercultural nasce da compreensão de que as culturas, especialmente na sociedade contemporânea, estão em contínuo processo de interação e (re)construção.
3.(__)Do ponto de vista metodológico, a apresentação de situações de leitura organizadas em pré-leitura, leitura plena e pós-leitura deve ser vista como potencializadora dessas aprendizagens de modo contextualizado e significativo para os estudantes, na perspectiva de um dimensionamento das práticas e competências leitoras já existentes, especialmente em língua franca.
A sequência correta é:
1.(__)O eixo Conhecimentos linguísticos consolida-se pelas práticas de uso, análise e reflexão sobre a língua, sempre de modo contextualizado, articulado e a serviço das práticas de oralidade, leitura e escrita.
2.(__)A proposição do eixo Dimensão intercultural nasce da compreensão de que as culturas, especialmente na sociedade contemporânea, estão em contínuo processo de interação e (re)construção.
3.(__)Do ponto de vista metodológico, a apresentação de situações de leitura organizadas em pré-leitura, leitura plena e pós-leitura deve ser vista como potencializadora dessas aprendizagens de modo contextualizado e significativo para os estudantes, na perspectiva de um dimensionamento das práticas e competências leitoras já existentes, especialmente em língua franca.
A sequência correta é:
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