Questões de Concurso Comentadas sobre vocabulário | vocabulary em inglês

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Q4396510 Inglês
Text 2


Reading as an Active Process


Many people assume that reading is simply the ability to recognize words and understand their literal meanings. However, proficient readers know that comprehension is a far more sophisticated process. Rather than passively absorbing information, skilled readers actively construct meaning by interacting with the text, questioning the author’s ideas, and integrating new information with their existing knowledge.

One of the most effective reading strategies is prediction. Before beginning a text, readers examine titles, headings, visuals, and introductory paragraphs to anticipate its content and purpose. These predictions are continuously revised as new information emerges, demonstrating that reading is a dynamic rather than linear process.

Another essential strategy is monitoring comprehension. Expert readers constantly evaluate whether they understand what they are reading. When comprehension breaks down, they employ repair strategies such as rereading, slowing their reading pace, consulting context clues, or summarizing key ideas before moving forward. Less experienced readers, by contrast, often continue reading despite confusion, which limits their overall understanding.

Critical reading extends beyond comprehension     encouraging readers     evaluate the credibility, assumptions, and intentions     a text. Instead of accepting every statement as factual, critical readers consider the author’s perspective, identify possible bias, and compare the information with other reliable sources. In today’s digital environment, where misinformation can spread rapidly, these analytical skills have become increasingly important.

Furthermore, effective readers recognize that every text is written for a particular audience and purpose. A scientific article, a newspaper editorial, and a social media post all require different reading approaches. Adjusting one’s strategy according to genre, purpose, and context enables readers to extract relevant information more efficiently.

Finally, reading should be viewed as an ongoing dialogue between the reader and the author. Meaning does not reside solely in the words printed on the page; instead, it is constructed through the interaction between textual evidence, the reader’s prior knowledge, cultural background, and personal experiences. Consequently, two readers may develop different—but equally valid—interpretations of the same  text, provided that their conclusions are supported by evidence.

Ultimately, becoming a proficient reader involves much more than increasing reading speed. It requires conscious strategy use, critical thinking, and a willingness to question, reflect, and make meaningful connections throughout the reading process.
Match Column 2 with the correct meanings of the words from text 2 in Column 1.

Column 1 Words

1. purpose
2. clues
3. factual
4. solely
5. consequently

Column 2 Meanings

( ) therefore.
( ) true.
( ) a piece of evidence.
( ) the reason for which something is done.
( ) only, exclusively.

Choose the alternative which presents the correct sequence, from top to bottom.
Alternativas
Q4395896 Inglês
Leia o texto a seguir para responder à questão:


    Central to an approach or method in language teaching is a view of the nature of language, and this shapes teaching goals, the organization of the curriculum, and the emphasis given in classroom teaching. A lexical approach in language teaching refers to one derived from the belief that the building blocks of language learning and communication are not grammar, functions, notions or some other unit of planning and teaching but lexis, that is, words and word combinations. The lexical view holds that only a minority of spoken sentences are entirely novel creations and that multiword units functioning as ‘chunks” or memorized patterns form a high proportion of the fluent stretches of speech heard in everyday conversations.

     Collocations are ‘language chunks’ that form an integral part of any discourse, written or spoken. The term refers to the regular occurrence together of words. For example, compare the following collocations of verbs with nouns:

    Do my hair/ the cooking /the laundry/ my work

    Make my bed/ a promise/ coffee/ a meal


(RICHARDS, Jack C.; RODGERS, Theodore S. Approaches and methods in language teaching. 2. ed. Cambridge: Cambridge University Press, 2001. Adaptado)
A correct collocation with the verb “make” is found in alternative
Alternativas
Q4395895 Inglês
Leia o texto a seguir para responder à questão:


    Central to an approach or method in language teaching is a view of the nature of language, and this shapes teaching goals, the organization of the curriculum, and the emphasis given in classroom teaching. A lexical approach in language teaching refers to one derived from the belief that the building blocks of language learning and communication are not grammar, functions, notions or some other unit of planning and teaching but lexis, that is, words and word combinations. The lexical view holds that only a minority of spoken sentences are entirely novel creations and that multiword units functioning as ‘chunks” or memorized patterns form a high proportion of the fluent stretches of speech heard in everyday conversations.

     Collocations are ‘language chunks’ that form an integral part of any discourse, written or spoken. The term refers to the regular occurrence together of words. For example, compare the following collocations of verbs with nouns:

    Do my hair/ the cooking /the laundry/ my work

    Make my bed/ a promise/ coffee/ a meal


(RICHARDS, Jack C.; RODGERS, Theodore S. Approaches and methods in language teaching. 2. ed. Cambridge: Cambridge University Press, 2001. Adaptado)
Lexical approaches stress the teaching of the lexicon because, under this perspective, words or multiword lexical chunks
Alternativas
Q4390125 Inglês

Reading Comprehension


The use of media and digital technologies has transformed English language teaching and learning in Brazil. Teachers can now use videos, podcasts, digital games, social media, online dictionaries, educational platforms, and interactive applications to create more dynamic learning experiences. These resources can provide students with contact with authentic materials and different varieties of English used around the world.


However, technology itself does not guarantee effective learning. The teacher plays an important role in selecting appropriate resources and connecting them to clear learning objectives. Digital tools should be used as pedagogical resources rather than simply as entertainment. For example, a teacher may use a video to develop listening comprehension, followed by a discussion that encourages students to express their opinions in English.


Technology can also support collaboration and student autonomy. Online projects may allow students to work together, communicate with other learners, and produce multimodal texts combining words, images, sounds, and videos. In addition, students can access English-language materials outside the classroom, creating opportunities for continuous learning.


Despite these possibilities, the use of technology in Brazilian schools also presents challenges. Unequal access to devices and reliable internet connections can create educational inequalities. Teachers may also need training to integrate digital resources effectively into their pedagogical practices.


Therefore, the meaningful use of technology requires not only access to digital tools but also critical planning, teacher mediation, and consideration of students’ social and educational contexts.

Match column 1 with the correct meanings of the words from the text in column 2.



Column 1 Words



1. support


2. resource


3. develop


4. reliable


5. provide



Column 2 Meanings



( ) able to be trusted.


( ) grow or progress.


( ) to hold something up from underneath.


( ) to give something that is needed or wanted.


( ) source of help.



Choose the alternative which presents the correct sequence, from top to bottom.

Alternativas
Q4379797 Inglês
A project team receives unexpected technical support shortly before an important deadline. One member says:
"That really saved the day."
In this context, saved the day means:
Alternativas
Q4379794 Inglês
Read the exchange.
A: "I'm afraid I won't be able to attend tomorrow's meeting."
B: "That's fine. I'll send you the notes afterwards."
The expression I'm afraid primarily functions to:
Alternativas
Q4376577 Inglês

    The Tragedy of Romeo and Juliet - Synopsis by William Shakespeare


    The prologue of Romeo and Juliet calls the title characters “star-crossed lovers”—and the stars do seem to conspire against these young lovers.


    Romeo is a Montague, and Juliet a Capulet. Their families are enmeshed in a feud, but the moment they meet—when Romeo and his friends attend a party at Juliet’s house in disguise—the two fall in love and quickly decide that they want to be married. 


    A friar secretly marries them, hoping to end the feud. Romeo and his companions almost immediately encounter Juliet’s cousin Tybalt, who challenges Romeo. When Romeo refuses to fight, Romeo’s friend Mercutio accepts the challenge and is killed. Romeo then kills Tybalt and is banished. He spends that night with Juliet and then leaves for Mantua.


    Juliet’s father forces her into a marriage with Count Paris. To avoid this marriage, Juliet takes a potion, given her by the friar, that makes her appear dead. The friar will send Romeo word to be at her family tomb when she awakes. The plan goes awry, and Romeo learns instead that she is dead. In the tomb, Romeo kills himself. Juliet wakes, sees his body, and commits suicide. Their deaths appear finally to end the feud.


SHAKESPEARE, William. Romeo and Juliet from The Folger Shakespeare. Eds. Barbara Mowat, Paul Werstine, Michael Poston, and Rebecca Niles. Folger Shakespeare Library, Accessed on: 27 Sept. 2026. Available at: https://www.folgerdigitaltexts.org/PDF/Rom.pdf 

In Shakespeare's Macbeth, what are the three prophecies the witches make to Macbeth at the beginning of the play?
Alternativas
Q4376573 Inglês

    The Tragedy of Romeo and Juliet - Synopsis by William Shakespeare


    The prologue of Romeo and Juliet calls the title characters “star-crossed lovers”—and the stars do seem to conspire against these young lovers.


    Romeo is a Montague, and Juliet a Capulet. Their families are enmeshed in a feud, but the moment they meet—when Romeo and his friends attend a party at Juliet’s house in disguise—the two fall in love and quickly decide that they want to be married. 


    A friar secretly marries them, hoping to end the feud. Romeo and his companions almost immediately encounter Juliet’s cousin Tybalt, who challenges Romeo. When Romeo refuses to fight, Romeo’s friend Mercutio accepts the challenge and is killed. Romeo then kills Tybalt and is banished. He spends that night with Juliet and then leaves for Mantua.


    Juliet’s father forces her into a marriage with Count Paris. To avoid this marriage, Juliet takes a potion, given her by the friar, that makes her appear dead. The friar will send Romeo word to be at her family tomb when she awakes. The plan goes awry, and Romeo learns instead that she is dead. In the tomb, Romeo kills himself. Juliet wakes, sees his body, and commits suicide. Their deaths appear finally to end the feud.


SHAKESPEARE, William. Romeo and Juliet from The Folger Shakespeare. Eds. Barbara Mowat, Paul Werstine, Michael Poston, and Rebecca Niles. Folger Shakespeare Library, Accessed on: 27 Sept. 2026. Available at: https://www.folgerdigitaltexts.org/PDF/Rom.pdf 

In the sentence "The plan goes awry, and Romeo learns instead that she is dead," the word "awry" is closest in meaning to which of the following Portuguese expressions? 
Alternativas
Q4376571 Inglês

    The Tragedy of Romeo and Juliet - Synopsis by William Shakespeare


    The prologue of Romeo and Juliet calls the title characters “star-crossed lovers”—and the stars do seem to conspire against these young lovers.


    Romeo is a Montague, and Juliet a Capulet. Their families are enmeshed in a feud, but the moment they meet—when Romeo and his friends attend a party at Juliet’s house in disguise—the two fall in love and quickly decide that they want to be married. 


    A friar secretly marries them, hoping to end the feud. Romeo and his companions almost immediately encounter Juliet’s cousin Tybalt, who challenges Romeo. When Romeo refuses to fight, Romeo’s friend Mercutio accepts the challenge and is killed. Romeo then kills Tybalt and is banished. He spends that night with Juliet and then leaves for Mantua.


    Juliet’s father forces her into a marriage with Count Paris. To avoid this marriage, Juliet takes a potion, given her by the friar, that makes her appear dead. The friar will send Romeo word to be at her family tomb when she awakes. The plan goes awry, and Romeo learns instead that she is dead. In the tomb, Romeo kills himself. Juliet wakes, sees his body, and commits suicide. Their deaths appear finally to end the feud.


SHAKESPEARE, William. Romeo and Juliet from The Folger Shakespeare. Eds. Barbara Mowat, Paul Werstine, Michael Poston, and Rebecca Niles. Folger Shakespeare Library, Accessed on: 27 Sept. 2026. Available at: https://www.folgerdigitaltexts.org/PDF/Rom.pdf 

No trecho “Their families are enmeshed in a feud”, a palavra enmeshed pode ser substituída, sem alteração de sentido, por:
Alternativas
Q4375767 Inglês
READ TEXT I AND ANSWER NEXT QUESTION.

TEXT I


AI is getting better at writing. Humans must get better at editing.

Writing is hard. For Franz Kafka, putting words on the page was a process of “unending torments”. George Orwell said it felt like “a long bout of some painful illness”. Hunter S. Thompson, a journalist, saw it as the opposite of sex: “only good when it’s over”. Now AI has come to the rescue. Large language models (LLMs) eagerly offer reams of text without any pain or torment. Bots can spew out emails (excellently), longer prose (passably) and poetry (poorly). To them, writer’s block is a 500-sheet pack of paper: any user of an LLM can produce as many words in a day as Kafka did in his life.

For human writers this is a blessing and a curse. If you claim to be an author but use AI, you look like a fraud—bot-busting tools like Pangram are good at spotting when someone has had an AI helping hand. […]

If LLMs keep improving, in a few years they could be as good as professional wordsmiths. In the meantime, though, their baggy prose puts a premium on editing skills. After all, even the best writers need a good editor to keep them sharp. Editing is something The Economist deals with day in, day out, so here are our tips for rewriting AI prose.

First, commission well. George R.R. Martin once said the job of editors is to “clip the wings” of writers, and “tell them in which direction to fly”. When it comes to LLMs, that means giving clear instructions about exactly what you want, and asking them to refine their output as many times as necessary. You’ll get less pushback from machines than men. Mr Martin said editors were “the writer’s natural enemy”; AI would probably say “great observation!” and “love the enemy analogy!” 

Second, pay attention to detail. AI writers will make mistakes and offer phrases that sound good but mean nothing. They like to lavish their prose with Latinate words, talking about the “bidirectional flow” and how to “expedite grid enhancements”; remind them that Anglo-Saxon words are often punchier. They like clichéd metaphors: there are lots of “Achilles’ heels”. And AI tends to use the “rule of three” far more than humans. The Economist also likes this rhetorical trick. But whereas we try to group three sensible bits of advice, AI offers such redundant sentences as: “The mystery has been solved—not partially, not ambiguously, but definitively.” Such lines should be cut—definitively.

Finally, know your audience. The editor is an intermediary between writer and reader. LLMs are sycophants and their smarmy tone is often off-key. If you are writing an email to break some bad news to your boss, tell your bot to skip the exclamation marks. AI can be pretentious or pontificating (it was trained on human writing, after all). Most people are short of time, but a verbose AI pins you to the wall like a bore at a party.

“Write drunk, edit sober,” goes the old writers’ maxim. If that’s right, when the AI-human team gets down to work, the AIs will have all the fun.

Adapted from https://www.economist.com/leaders/2026/07/30/ai-is-gettingbetter-at-writing-humans-must-get-better-at-editing 
The action mentioned in “skip the exclamation marks” (6th paragraph) is semantically equivalent to  
Alternativas
Q4375766 Inglês
READ TEXT I AND ANSWER NEXT QUESTION.

TEXT I


AI is getting better at writing. Humans must get better at editing.

Writing is hard. For Franz Kafka, putting words on the page was a process of “unending torments”. George Orwell said it felt like “a long bout of some painful illness”. Hunter S. Thompson, a journalist, saw it as the opposite of sex: “only good when it’s over”. Now AI has come to the rescue. Large language models (LLMs) eagerly offer reams of text without any pain or torment. Bots can spew out emails (excellently), longer prose (passably) and poetry (poorly). To them, writer’s block is a 500-sheet pack of paper: any user of an LLM can produce as many words in a day as Kafka did in his life.

For human writers this is a blessing and a curse. If you claim to be an author but use AI, you look like a fraud—bot-busting tools like Pangram are good at spotting when someone has had an AI helping hand. […]

If LLMs keep improving, in a few years they could be as good as professional wordsmiths. In the meantime, though, their baggy prose puts a premium on editing skills. After all, even the best writers need a good editor to keep them sharp. Editing is something The Economist deals with day in, day out, so here are our tips for rewriting AI prose.

First, commission well. George R.R. Martin once said the job of editors is to “clip the wings” of writers, and “tell them in which direction to fly”. When it comes to LLMs, that means giving clear instructions about exactly what you want, and asking them to refine their output as many times as necessary. You’ll get less pushback from machines than men. Mr Martin said editors were “the writer’s natural enemy”; AI would probably say “great observation!” and “love the enemy analogy!” 

Second, pay attention to detail. AI writers will make mistakes and offer phrases that sound good but mean nothing. They like to lavish their prose with Latinate words, talking about the “bidirectional flow” and how to “expedite grid enhancements”; remind them that Anglo-Saxon words are often punchier. They like clichéd metaphors: there are lots of “Achilles’ heels”. And AI tends to use the “rule of three” far more than humans. The Economist also likes this rhetorical trick. But whereas we try to group three sensible bits of advice, AI offers such redundant sentences as: “The mystery has been solved—not partially, not ambiguously, but definitively.” Such lines should be cut—definitively.

Finally, know your audience. The editor is an intermediary between writer and reader. LLMs are sycophants and their smarmy tone is often off-key. If you are writing an email to break some bad news to your boss, tell your bot to skip the exclamation marks. AI can be pretentious or pontificating (it was trained on human writing, after all). Most people are short of time, but a verbose AI pins you to the wall like a bore at a party.

“Write drunk, edit sober,” goes the old writers’ maxim. If that’s right, when the AI-human team gets down to work, the AIs will have all the fun.

Adapted from https://www.economist.com/leaders/2026/07/30/ai-is-gettingbetter-at-writing-humans-must-get-better-at-editing 
In the sentence “Anglo-Saxon words are often punchier” (5th paragraph), “punchier” indicates that these words tend to be more  
Alternativas
Q4375765 Inglês
READ TEXT I AND ANSWER NEXT QUESTION.

TEXT I


AI is getting better at writing. Humans must get better at editing.

Writing is hard. For Franz Kafka, putting words on the page was a process of “unending torments”. George Orwell said it felt like “a long bout of some painful illness”. Hunter S. Thompson, a journalist, saw it as the opposite of sex: “only good when it’s over”. Now AI has come to the rescue. Large language models (LLMs) eagerly offer reams of text without any pain or torment. Bots can spew out emails (excellently), longer prose (passably) and poetry (poorly). To them, writer’s block is a 500-sheet pack of paper: any user of an LLM can produce as many words in a day as Kafka did in his life.

For human writers this is a blessing and a curse. If you claim to be an author but use AI, you look like a fraud—bot-busting tools like Pangram are good at spotting when someone has had an AI helping hand. […]

If LLMs keep improving, in a few years they could be as good as professional wordsmiths. In the meantime, though, their baggy prose puts a premium on editing skills. After all, even the best writers need a good editor to keep them sharp. Editing is something The Economist deals with day in, day out, so here are our tips for rewriting AI prose.

First, commission well. George R.R. Martin once said the job of editors is to “clip the wings” of writers, and “tell them in which direction to fly”. When it comes to LLMs, that means giving clear instructions about exactly what you want, and asking them to refine their output as many times as necessary. You’ll get less pushback from machines than men. Mr Martin said editors were “the writer’s natural enemy”; AI would probably say “great observation!” and “love the enemy analogy!” 

Second, pay attention to detail. AI writers will make mistakes and offer phrases that sound good but mean nothing. They like to lavish their prose with Latinate words, talking about the “bidirectional flow” and how to “expedite grid enhancements”; remind them that Anglo-Saxon words are often punchier. They like clichéd metaphors: there are lots of “Achilles’ heels”. And AI tends to use the “rule of three” far more than humans. The Economist also likes this rhetorical trick. But whereas we try to group three sensible bits of advice, AI offers such redundant sentences as: “The mystery has been solved—not partially, not ambiguously, but definitively.” Such lines should be cut—definitively.

Finally, know your audience. The editor is an intermediary between writer and reader. LLMs are sycophants and their smarmy tone is often off-key. If you are writing an email to break some bad news to your boss, tell your bot to skip the exclamation marks. AI can be pretentious or pontificating (it was trained on human writing, after all). Most people are short of time, but a verbose AI pins you to the wall like a bore at a party.

“Write drunk, edit sober,” goes the old writers’ maxim. If that’s right, when the AI-human team gets down to work, the AIs will have all the fun.

Adapted from https://www.economist.com/leaders/2026/07/30/ai-is-gettingbetter-at-writing-humans-must-get-better-at-editing 
The word “like” in “bot-busting tools like Pangram are good at spotting” (2nd paragraph) is used in the same way as in 
Alternativas
Q4361874 Inglês
In the sentence “Could you look after this matter while I am away?”, the phrasal verb look after means:
Alternativas
Q4361866 Inglês
In the sentence “They agreed to meet on the balcony after dinner,” which word is closest in meaning to balcony?
Alternativas
Q4358826 Inglês

Drug use has been prevalent for several decades in the United States. In general, the most used are tobacco, alcohol, opioids, marijuana, amphetamines, cocaine, and psychedelics, while among teens, alcohol, marijuana, and tobacco are the top three (Most Reported Substance Use among Adolescents Held Steady in 2022). Studies on the impact of smoking and vaping use in films have found evidence of increased risk among exposed children, indicating the process of causal association (Hassanein et al., 2022). Changes in recreational and medicinal regulation process have also brought modifications to some illicit substances, like marijuana and psychedelics, for those having gained legal status in states like California, Colorado, and Oregon. However, a study in Washington, a recreational state, illustrated no increases in marijuana use among 12th graders and a decrease of 22% in 10th graders. Despite these societal process change, cigarettes, marijuana, and alcohol still pose significant dangers to individuals, especially when abused. In recent years, the landscape of alcohol consumption has changed to include unsuspecting high-alcohol beverages like seltzers, marketing via social media, and businesses that historically did not provide, but now readily provide drinks, like movie theaters and “for here, or to go” off-premises sales. Alcohol abuse can result in a process of liver damage, impaired judgment, addiction, and increased risk of accidents and violence (Jones, 2020). Cigarettes contain harmful chemicals that can lead to severe respiratory issues, cardiovascular diseases, and various forms of cancer. Marijuana, although touted for its medicinal properties, can have adverse effects on the memorization process, concentration, and mental health, particularly among young users, therefore, these health concerns are deeper than ever, as marijuana potency has increased steadily over the last two decades.


(Available in: https://digitalcommons.unmc.edu/cgi/viewcontent. Adapted. Accessed on: January 2026.)



3The text presented for reading and comprehension work for its topic of general interest – drug consumption among youngsters – is part of a project aimed at connecting curricular areas. While providing vocabulary expansion and improving informational level, linguistic knowledge development was also sought, since students reviewed and applied content already studied. Based on the observation of the highlighted word, the alternative whose plural form follows the same rule is:

Alternativas
Q4357879 Inglês

TEXT V

Turn on your light

by Ben Okri

[…]

Will you be at the harvest,

Among the gatherers of new fruits?

Then you must begin today to remake

Your mental and spiritual world,

And join the warriors and celebrants

Of freedom, realisers of great dreams.

You can't remake the world

Without remaking yourself.

Each new era begins within.

It is an inward event,

With unsuspected possibilities

For inner liberation.

We could use it to turn on

Our inward lights.

We could use it to use even the dark

And negative things positively.

We could use the new era

To clean our eyes,

To see the world differently,

To see ourselves more clearly.

Only free people can make a free world.

Infect the world with your light.

Help fulfill the golden prophecies.

Press forward the human genius.

Our future is greater than our past.

Adapted from https://greatturning.net/turn-on-your-light-by-ben-okri/

The literal meaning of the word “harvest” in “Will you be at the harvest […]?” refers to the moment of
Alternativas
Q4357877 Inglês

TEXT V

Turn on your light

by Ben Okri

[…]

Will you be at the harvest,

Among the gatherers of new fruits?

Then you must begin today to remake

Your mental and spiritual world,

And join the warriors and celebrants

Of freedom, realisers of great dreams.

You can't remake the world

Without remaking yourself.

Each new era begins within.

It is an inward event,

With unsuspected possibilities

For inner liberation.

We could use it to turn on

Our inward lights.

We could use it to use even the dark

And negative things positively.

We could use the new era

To clean our eyes,

To see the world differently,

To see ourselves more clearly.

Only free people can make a free world.

Infect the world with your light.

Help fulfill the golden prophecies.

Press forward the human genius.

Our future is greater than our past.

Adapted from https://greatturning.net/turn-on-your-light-by-ben-okri/

The sentence in the title presents a(n)  
Alternativas
Q4357859 Inglês

TEXT I 


The Multimodal Approach in English Language Teaching 

In today’s media-rich environment, the vast majority of texts students engage with daily — such as YouTube videos, Instagram reels, TikTok clips, streaming series, video games and blog posts — are not only digital but also multimodal. These texts combine language with image, sound, movement and spatial design to convey meaning, often requiring learners to interpret and respond across multiple modes simultaneously. As digital technologies evolve, the pervasiveness and complexity of multimodal communication grow, reshaping both how we communicate and what it means to be literate.

Contemporary communication extends far beyond speech and writing; it is a layered, dynamic process that includes visual, aural, gestural and spatial elements. As such, literacy can no longer be understood solely as a linguistic skill. To participate fully in today’s social, academic and professional contexts, learners need more than the ability to read and write alphabetic text — they need to view, interpret, evaluate and represent meaning through a range of semiotic resources. In this context, traditional notions of literacy are insufficient and language education must evolve to reflect the multimodal nature of communication in the 21st century […]

Importantly, multimodal literacy also promotes accessibility and inclusion. Learners with reading difficulties, sensory impairments or diverse learning needs often struggle with traditional printbased instruction. Multimodal texts provide alternative pathways to meaning, allowing information to be accessed and expressed through visuals, sound, movement and space. This not only supports learners with special educational needs but benefits all students by offering multiple modes for engagement and expression. By embedding multimodal materials and encouraging students to compose multimodal texts, teachers create more equitable and inclusive classrooms. Multimodal learning reflects how people communicate in real life — and, crucially, supports the development of diverse literacies needed for participation in contemporary society. 

In summary, integrating multimodal literacy into language teaching fosters deeper engagement, enhances learning outcomes and equips students with the skills to navigate and contribute meaningfully to today’s complex communicative landscape.


Adapted from https://film-english.com/wp-content/uploads/2025/09/themultimodal-approach-in-language-teaching.pdf

The idiom that has the same function of the discourse marker “In summary” (4th paragraph) is: 
Alternativas
Q4357854 Inglês

TEXT I 


The Multimodal Approach in English Language Teaching 

In today’s media-rich environment, the vast majority of texts students engage with daily — such as YouTube videos, Instagram reels, TikTok clips, streaming series, video games and blog posts — are not only digital but also multimodal. These texts combine language with image, sound, movement and spatial design to convey meaning, often requiring learners to interpret and respond across multiple modes simultaneously. As digital technologies evolve, the pervasiveness and complexity of multimodal communication grow, reshaping both how we communicate and what it means to be literate.

Contemporary communication extends far beyond speech and writing; it is a layered, dynamic process that includes visual, aural, gestural and spatial elements. As such, literacy can no longer be understood solely as a linguistic skill. To participate fully in today’s social, academic and professional contexts, learners need more than the ability to read and write alphabetic text — they need to view, interpret, evaluate and represent meaning through a range of semiotic resources. In this context, traditional notions of literacy are insufficient and language education must evolve to reflect the multimodal nature of communication in the 21st century […]

Importantly, multimodal literacy also promotes accessibility and inclusion. Learners with reading difficulties, sensory impairments or diverse learning needs often struggle with traditional printbased instruction. Multimodal texts provide alternative pathways to meaning, allowing information to be accessed and expressed through visuals, sound, movement and space. This not only supports learners with special educational needs but benefits all students by offering multiple modes for engagement and expression. By embedding multimodal materials and encouraging students to compose multimodal texts, teachers create more equitable and inclusive classrooms. Multimodal learning reflects how people communicate in real life — and, crucially, supports the development of diverse literacies needed for participation in contemporary society. 

In summary, integrating multimodal literacy into language teaching fosters deeper engagement, enhances learning outcomes and equips students with the skills to navigate and contribute meaningfully to today’s complex communicative landscape.


Adapted from https://film-english.com/wp-content/uploads/2025/09/themultimodal-approach-in-language-teaching.pdf

The phrase “such as” (1st paragraph) is similar in function and meaning to
Alternativas
Q4351091 Inglês
Read the text and answer question.

How AI could radically change schools by 2050


    By 2050, education will look radically different than it does now, according to psychologist and social scientist Howard Gardner — the originator of the theory of multiple intelligences — and Anthea Roberts, a visiting professor at Harvard Law School and founder and CEO of the AI tool Dragonfly Thinking.

    Gardner, speaking during a forum Wednesday at the Harvard Graduate School of Education, called AI as fundamental a change to education as the world had seen in 1,000 years — and even said it may render obsolete many of the forms of mind he is famous for describing. “The need to have everybody in the class doing the same thing, being assessed in the same way, will seem totally old-fashioned,” he said.

    The forum, titled “Thinking in an AI-Augmented World,” took place in Longfellow Hall and was hosted by Martin West, academic dean and Henry Lee Shattuck Professor of Education. “AI is already shaping the future of education in ways that everyone in the sector, from policymakers and leaders to teachers, parents, and students, needs to understand,” West said.

    Gardner and Roberts offered distinct perspectives of an AIaugmented education system.

    In Gardner’s view, by about 2050, every child would need a few years of schooling in the Three R’s: “Reading, ’riting, ’rithmetic, and a little bit of coding,” he said. After that, teachers who functioned more as coaches would expose students to activities that would challenge their thinking, expose them to ideas, and guide them toward professions that excite them. “I don’t think going to school for 10 or 15 years as we’ve done it makes sense,” said Gardner, the John H. and Elisabeth A. Hobbs Research Professor of Cognition and Education.

    Roberts offered another vision. Where previously knowledge production was “the actor on the stage, the athlete on the field, the writer of the book,” the next generation must be trained to orchestrate a team of AIs. “You become the director of the actor, you become the coach of the athlete, and you become the editor of the writer,” she said. “It requires actually having very strong faculties in terms of how you’re engaging.”

    Gardner said artificial intelligence has him rethinking some of his previous ideas on essential cognitive abilities. Gardner’s theory of multiple intelligences, first published in the 1983 book “Frames of Mind,” outlined distinct types of intellectual competency: logical-mathematical, linguistic, musical, spatial, bodily-kinesthetic, interpersonal, and intrapersonal.

Source: https://news.harvard.edu/gazette/story/2025/09/how-ai-could-radically-changeschools-by-2050/
In the sentence “the next generation must be trained to orchestrate a team of AIs,” the word orchestrate is closest in meaning to: 
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1: E
2: A
3: C
4: D
5: A
6: D
7: D
8: B
9: D
10: D
11: B
12: C
13: C
14: A
15: A
16: B
17: B
18: C
19: A
20: A