Text I

A Day in the Life of the Women of O&G

by Jaime Kammerzell

From Rigzone Contributor. Tuesday, February 14, 2012

Although far fewer women work in the oil and gas

(O&G) industry compared to men, many women find

rewarding careers in the industry. Five women were

asked the same questions regarding their career

5 choices in the oil and gas industry.

Question 1: Why did you choose the oil and gas

industry?

Woman 1: Cool technology, applying science and

money.

10Woman 2: It seemed interesting and the pay was

good.

Woman 3: They offered me a job! I couldn’t turn down

the great starting salary and a chance to live in New

Orleans.

15Woman 4: I did not really choose the oil and gas

industry as much as it chose me.

Woman 5: I chose the oil and gas industry because of

the challenging projects, and I want to be part of our

country’s energy solution.

20Question 2: How did you get your start in the oil

and gas industry?

Woman 1: I went to a university that all major oil

companies recruit. I received a summer internship with

Texaco before my last year of my Master’s degree.

25Woman 2: I was recruited at a Texas Tech Engineering

Job Fair.

Woman 3: At the time, campus recruiters came

to the geosciences department of my university

annually and they sponsored scholarships for

30graduate students to help complete their research.

Even though my Master’s thesis was more geared

toward environmental studies, as a recipient of one

of these scholarships, my graduate advisor strongly

encouraged me to participate when the time came for

35O&G Industry interviews.

Woman 4: I was working for a company in another

state where oil and gas was not its primary business.

When the company sold its division in the state

where I was working, they offered me a position at

40the company’s headquarters in Houston managing

the aftermarket sales for the company’s largest

region. Aftermarket sales supported the on-highway,

construction, industrial, agricultural and the oil and

gas markets. After one year, the company asked me

45to take the position of managing their marine and

offshore power products division. I held that position

for three years. I left that company to join a new startup

company where I hold the position of president.

Woman 5: My first job in the oil and gas industry was

50an internship with Mobil Oil Corp., in New Orleans.

I worked with a lot of smart, focused and talented

geoscientists and engineers.

Question 3: Describe your typical day.

Woman 1: Tough one to describe a typical day. I

55generally read email, go to a couple of meetings and

work with the field’s earth model or look at seismic.

Woman 2: I talk with clients, help prepare bids and

work on getting projects out the door. My days are

never the same, which is what I love about the job I

60have.

Woman 3: I usually work from 7:30 a.m. – 6:30 p.m.

(although the official day is shorter). We call the field

every morning for an update on operations, security,

construction, facilities and production engineering

65activities. I work with my team leads on short-term

and long-term projects to enhance production (a lot of

emails and Powerpoint). I usually have 2-3 meetings

per day to discuss/prioritize/review ongoing or

upcoming work (production optimization, simulation

70modeling, drilling plans, geologic interpretation,

workovers, etc.). Beyond our team, I also participate

in a number of broader business initiatives and

leadership teams.

Woman 4: A typical day is a hectic day for me. My

75day usually starts well before 8 a.m. with phone

calls and emails with our facility in Norway, as well

as other business relationships abroad. At the office,

I am involved in the daily business operations and

also stay closely involved in the projects and the

80sales efforts. On any given day I am working on

budgets and finance, attending project meetings,

attending engineering meetings, reviewing drawings

and technical specifications, meeting with clients

and prospective clients, reviewing sales proposals,

85evaluating new business opportunities and making a

lot of decisions.

Woman 5: On most days I work on my computer

to complete my projects. I interpret logs, create

maps, research local and regional geology or write

90documents. I go to project meetings almost every day.

I typically work only during business hours, but there

are times when I get calls at night or on weekends

from a rig or other geologists for assistance with a

technical problem.

Adapted from URL: <http://www.rigzone.com/news/article

.asp?a_id=11508>. Retrieved on February 14, 2012.

Read the text Picasso and Monets Are Stolen in Dutch Heist and answer questions 25), 26), 27),and 28).

Picasso and Monets Are Stolen in Dutch Heist

AMSTERDAM (AP) — Thieves broke into a Rotterdam museum on Tuesday and walked off with works from the likes of Picasso, Monet, Gauguin and Matisse potentially worth hundreds of millions.

Police haven't said how they pulled off the early hours heist, but an expert who tracks stolen art said the robbers clearly knew what they were after.

"Those thieves got one hell of a haul," said Chris Marinello, who directs the Art Loss Register.

The heist at the Kunsthal museum is one of the largest in years in the Netherlands, and is a stunning blow for the private Triton Foundation collection, which was being exhibited publicly as a group for the first time.

"It's every museum director's worst nightmare," said Kunsthal director Emily Ansenk, who had been in Istanbul on business but returned immediately.

News of the theft "struck like a bomb," she said at a press conference in the museum's cafe.

She declined to reveal any details of how the thieves struck, or how the museum is protected, other than describing its security as "state of the art" and "functional."

Willem van Hassel, the museum's chairman, said its security systems are automated, and do not use guards on site.

Police arrived at the scene five minutes after an alarm was triggered, he said. He described the museum's insurance as adequate for the exhibition.

The collection was on display as part of celebrations surrounding the museum's 20th anniversary.

Police spokeswoman Willemieke Romijn said investigators were reviewing videotapes of the theft, which took place around 3 a.m. local time, and calling for any witnesses to come forward.

The Art Loss Register's Marinello said the items taken could be worth "hundreds of millions of euros" if sold legally at auction. However, he said that was now impossible, as the paintings have already been registered internationally as stolen.

The stolen paintings were Pablo Picasso's 1971 "HAsenk said she spoke on behalf of tarlequin Head"; Claude Monet's 1901 "Waterloo Bridge, London" and "Charing Cross Bridge, London"; Henri Matisse's 1919 "Reading Girl in White and Yellow"; Paul Gauguin's 1898 "Girl in Front of Open Window"; Meyer de Haan's "Self-Portrait," around 1890, and Lucian Freud's 2002 work "Woman with Eyes Closed."

Marinello said the thieves have limited options available, such as seeking a ransom from the owners, the museum or the insurers. They could conceivably sell the paintings in the criminal market too, though any sale would likely be a small fraction of their potential auction value.

The Triton Foundation is a collection of avant-garde art put together by multimillionaire Willem Cordia, an investor and businessman, and his wife, Marijke Cordia-VanThe Kunsthal museu der Laan.

Asenk said she spoke on behalf of the family in saying "we are shocked, but we will go on."

"All involved want the public to still be able to see these kinds of special collections and private collections," she said.

The museum was cordoned off as police carried out their investigation Tuesday, but the museum will reopen Wednesday, she said.

The Kunsthal museum is a display space that has no permanent collection of its own — the name means "art gallery" in Dutch.

The Cordia family collection includes works by more than 150 famed artists. Others whose work was on show include Paul Cezanne, Marc Chagall, Salvador Dali, Edgar Degas and Andy Warhol.

Curators of the Cordia family collection aim to have the works on display for the public, and pieces have been shown in the past.

http://www.nytimes.com/aponline/2012/10/16/world/europe/ap-eu-netherlands-art-heist.html?_r=1&hp