Questões ENEM de Inglês
Foram encontradas 143 questões
What is it about Serena that inspires such vitriol? Is it that she dominates in a sport that was once considered to be for the upper crust at country clubs? One would think that Althea Gibson and Arthur Ashe had put that idea to rest decades ago. Is it that she is considered too aggressive on the court? John McEnroe and Boris Becker seem to take the prize for that. Is it because she wins too much? To hate someone merely because he or she is great only speaks to one’s own insecurity. To attempt to and fault with someone because you cannot figure out how or why they win so often only shows that you have already lost. Or is it that she is unapologetically black? A #CarefreeBlackGirl who speaks her mind, supports her people, and whose only real opponent is herself.
Disponível em: https://theundefeated.com. Acesso em: 28 dez. 2018.
O texto, que discorre sobre Serena Williams, uma das
mais bem-sucedidas atletas do tênis, tem o objetivo de
SIPRESS. Disponível em: www.newyorker.com. Acesso em: 12 jun. 2018.
A presença de “at odds with” na fala da personagem do cartum revela o(a)
Exterior: Between The Museums — Day
CELINE
Americans always think Europe is perfect. But such beauty and history can be really oppressive. It reduces the individual to nothing. It just reminds you all the time you are just a little speck in a long history, where in América you feel like you could be making history. Thats why I like Los Angeles because it is so...
JESSE
Ugly?
CELINE
No, I was going to say “neutral”. Its like looking at a blank canvas. I think people go to places like Venice on their honeymoon to make sure they are not going to fight for the first two weeks of their marriage because they’l I be too busy looking around at all the beautiful things. Thats what people call a romantic place — somewhere where the prettiness will contain your primary violent instinct. A real good honeymoon spot would be like somewhere in New Jersey.
KRIZAN, K.; LINKLATER, R. Before Sunrise: screenplay.
New York: Vintage Books, 2005.
Considerando-se o olhar dos personagens, esse trecho do roteiro de um filme permite reconhecer que a avaliação sobre um lugar depende do(a)