Questões ENEM de Inglês

Which skin colour are you? The human swatch chart

that confronts racism

In 1933, in a book called The Masters and the Slaves, the Brazilian anthropologist Gilberto Freyre wrote: “Every Brazilian, even the light-skinned, fair-haired one, carries about him on his soul, when not on soul and body alike, the shadow, or at least the birthmark, of the aborigine or the negro.” This was forefront in the mind of the French artist Pierre David when he moved to Brazil in 2009. “When I was in the streets, I could see so many skin colours”, he says. He decided to make a human colour chart, like one you would find in the paint section of B&Q shop, but showing the gradations and shades of our skin colour. The project, called Nuancier or “swatches”, was first shown at the Museu de Arte Moderna in Salvador – Bahia, and is now on show in his native France. “Brazil has a better attitude to skin colour than other developed nations”, he says. “There's no doubt, because the concept of skin colour difference was recognised very early in their history. Now, it even appears on identity documents.”

Yet Nuancier, David says, is still a critique of racism, in Brazil and around the world. “This work may seem provocative – to classify men by colour, to industrially produce the colour of an individual so it can be store-bought. But this is a demonstration of the commodification of bodies. It denounces racism anywhere it is found in the world.”

SEYMOUR, T. Disponível em: www.theguardian.com. Acesso em: 21 out. 2015 (adaptado).

O artista francês Pierre David, ao evidenciar seu encantamento com a diversidade de cores de peles no Brasil, no projeto Nuancier, também

Pelas expressões do it yourself e How-Tos, entende-se que a pesquisa realizada na página da internet revela uma busca por 

                    1984 (excerpt)

      ‘Is it your opinion, Winston, that the past has real existence?' [...] O'Brien smiled faintly. ‘I will put it more precisely. Does the past exist concretely, in space? Is there somewhere or other a place, a world of solid objects, where the past is still happening?'

      ‘No.'

      ‘Then where does the past exist, if at all?'

      ‘In records. It is written down.'

      ‘In records. And-------?'

      ‘In the mind. In human memories.'

      ‘In memory. Very well, then. We, the Party, control all records, and we control all memories. Then we control the past, do we not?'

ORWELL, G. Nineteen Eighty-Four. New York: SignetClassics, 1977.

O romance 1984 descreve os perigos de um Estado totalitário. A ideia evidenciada nessa passagem é que o controle do Estado se dá por meio do(a)

TEXTO I

A Free World-class Education for Anyone Anywhere

The Khan Academy is an organization on a mission. We're a not-for-profit with the goal of changing education for the better by providing a free world-class education to anyone anywhere. All of the site's resources are available to anyone. The Khan Academy's materials and resources are available to you completely free of charge.

Disponível em: www.khanacademy.org. Acesso em: 24fev. 2012 (adaptado).

TEXTO II

I didn't have a problem with Khan Academy site until very recently. For me, the problem is the way Khan Academy is being promoted. The way the media sees it as “revolutionizing education”. The way people with power and money view education as simply “sit-and-get”. If your philosophy of education is “sit-and-get”, i.e., teaching is telling and learning is listening, then Khan Academy is way more efficient than classroom lecturing. Khan Academy does it better. But TRUE progressive educators, TRUE education visionaries and revolutionaries don't want to do these things better. We want to DO BETTER THINGS.

Disponível em: http://fnoschese.wordpress.com. Acesso em: 2 mar. 2012.

Com o impacto das tecnologias e a ampliação das redes sociais, consumidores encontram na internet possibilidades de opinar sobre serviços oferecidos. Nesse sentido, o segundo texto, que é um comentário sobre o site divulgado no primeiro, apresenta a intenção do autor de

Don't write in English, they said,

English is not your mother tongue...

...The language I speak

Becomes mine, its distortions, its queerness

All mine, mine alone, it is half English, half

Indian, funny perhaps, but it is honest,

It is as human as I am human...

...It voices my joys, my longings my

Hopes...

(Kamala Das, 1965:10)

GARGESH, R. South Asian Englishes. In: KACHRU, B. B; KACHRU, Y.; NELSON, C. L. (Eds.). The Handbook of World Englishes. Singapore: Blackwell, 2006.

A poetisa Kamala Das, como muitos escritores indianos, escreve suas obras em inglês, apesar de essa não ser sua primeira língua. Nesses versos, ela