Questões de Vestibular
Comentadas sobre pronome demonstrativo | demonstrative pronoun em inglês
Foram encontradas 9 questões
Q2054666
Inglês
Texto associado
Don’t Look Up: four climate experts on the
polarising disaster film
Critics haven’t been kind to Adam
McKay’s eco-satire, but many climate experts are
lauding it. Here four give their views
Rarely has a film been as divisive as
Adam McKay’s climate satire Don’t Look Up.
Although it has been watched by millions, and is
already Netflix’s third most watched film ever, the
response from critics was largely negative. Many
found its story of scientists who discover an
asteroid heading for Earth a clumsy allegory for
the climate crisis, while others just found it
boring. But many in the climate movement
have praised the film, and audience reviews have
been generally positive.
We asked four climate experts to give
their views on the film. Warning: spoilers ahead.
Ketan Joshi: ‘The main character of
the climate crisis is absent’
[…]
Fiona Harvey: ‘The role of the technoloon, played by Mark Rylance, struck a chord’
[…]
After 17 years of reporting on the climate
crisis, I doubted at first that the film had much to
tell me about the frustrations of communicating a
hypothetical catastrophe. As the film’s scientists
first struggled to clothe their data in sober,
measured terms, then broke into swearing, armwaving shrieks about provable imminent
apocalypse, I nodded along. Yes, that’s what it
feels like, and no, no one listens, not until it is too
late.
Yet it was illuminating in unexpected ways
– something I’ve always struggled with is how
rational people can fail to grasp the scale of
climate breakdown, how we could leave it so late.
As the film shows, it’s partly because vested
interests keep it that way, but it’s also just
because we’re human. Believing in disaster
before it strikes is fundamentally not how we
work.
The role of the techno-loon, played by
Mark Rylance, struck another chord. Cop26 was
not a failure, though on the surface that was the
obvious conclusion – it was more nuanced than
that. Soon after the Cop26 circus left Glasgow,
the danger of painting the outcome in such blackand-white terms became apparent, as wellmeaning experts concluded – in all seriousness –
as talking didn’t work, our best hope would be for
billionaires to bypass the UN and geoengineer
the climate from space. Because obviously the
answer to a vast uncontrolled experiment on the
atmosphere is to conduct a vast uncontrolled
experiment on the atmosphere.
[…]
Nina Lakhani: ‘Jennifer Lawrence’s
character will resonate with many female
climate scientists’
[…]
How Kate Dibiasky, the postgraduate
student played by Jennifer Lawrence who
discovered the comet, is portrayed as an
unhinged hysterical woman, will resonate with
many female climate scientists and activists
whose crucial knowledge has been sidelined.
The scene where her parents declare that they’re
in favour of the jobs the comet will provide will
resonate with millions of people, including me,
trying to deal with relatives who have bought into
political lies.
[…]
Damian Carrington: ‘It highlights the
absurdity of staring disaster in the face, then
looking away’
I loved Don’t Look Up, both as an
entertainment and as a climate crisis parable. But
the movie has been panned by many critics, with
the main charge being that it is heavy-handed,
blunt and too obvious. But that is exactly the
point.
Scientists have been issuing blunt
warnings about obvious dangers of global
heating for years and have been ignored –
carbon emissions are still rising. The film
perfectly skewers the key ways in which they
have been ignored: for short-term political
expediency and short-term corporate profit.
In particular, the movie beautifully
portrays the incredulity of scientists that their
carefully constructed evidence can be dismissed
with bluster such as “we’ll sit tight and assess” by
leaders more concerned about today’s political
weather and a media more interested in the
minutiae of celebrities’ lives.
[…]
The point of the film is savagely
highlighting the absurdity of staring disaster in
the face, then looking away rather than acting. In
that respect, it is a triumph.
Source: https://www.theguardian.com/film/2022/jan/08/dont-look-upfour-climate-experts-on-the-polarising-disaster-film. Access:
08/01/2022.
Concerning the excerpt: “Critics haven’t been
kind to Adam McKay’s eco-satire, but many
climate experts are lauding it”, and the
context it was taken from, mark the correct
option regarding the usage of the pronoun
“it”.
Ano: 2021
Banca:
UPENET/IAUPE
Órgão:
UPE
Prova:
UPENET/IAUPE - 2021 - UPE - Vestibular - 1º Fase - 1º Dia |
Q1680911
Inglês
Texto associado
Text
The School of the Future
Disponível em: https://www.typekids.com/blog/the-school-of-the-future/ Texto adaptado. Acesso em: 30 ago. 2020.
In the 3rd paragraph, the pronoun it appears twice: The possibilities and potential it offers
…..… / …..… and it could extend into the world of education too.
The pronoun it is referring respectively to
The pronoun it is referring respectively to
Ano: 2020
Banca:
FGV
Órgão:
FGV
Prova:
FGV - 2020 - FGV - Graduação em Economia - Inglês e Física - 1° Dia |
Q1796831
Inglês
(nytimes.com)
Shimmering white and gracefully statuesque, the Mount Washington Hotel is a granite fortress, a manmade anomaly among the raw wilderness of the surrounding White Mountains in remote northern New Hampshire, U.S. Even to this day, the hotel is geographically secured by 800,000 acres of the White Mountain National Forest around it. This was the main reason why the Hotel was chosen for a World War Two meeting – a meeting that shaped present-day global economic policies.
(Linda Laban. www.bbc.com, 26.08.2020. Adapted.)
The term “this”, which introduces the last sentence in the text, refers to the fact that the Mount Washington Hotel
Q949453
Inglês
A frase nominal “this kind of barrier” (L. 14‐15) refere‐se
Q1395576
Inglês
Texto associado
The true potential of technology to change behavior
Technology could successfully change behaviours where decades of campaigns and legislation have failed. With the quantified self already walking among us and the internet of things within easy reach, digital technology is creating unprecedented opportunities to encourage, enable and empower more sustainable behaviours.
If we are to unlock the power of technology we must be more ambitious than simply digitising analogue strategies or creating another communications channel.
The true potential of technology lies in its ability to do things that nothing else can do. In behaviour change terms, the potential to succeed where decades of education programmes, awareness campaigns and product innovation have failed; to make a difference where government policy and legislation has had limited impact.
Using behavioural insights, it is possible to highlight the bottlenecks, drop out points and achilles heels of traditional behaviour change efforts — the reasons why we have failed in the past — and apply the unique possibilities of technology to these specific challenges.
Overcoming our limitations
Luckily, the history of the human race is almost defined by its ability to invent stuff that bolsters its feeble capabilities. That stuff is, of course, what we generically refer to as 'technology'. And in the same way that the internal combustion engine and the light bulb allow us to overcome our relatively feeble powers of motion and perception, so digital technology can be directed to overcoming our relatively feeble powers of reasoning, selfcontrol, motivation, self-awareness and agency—the factors that make behaviour change so difficult.
Herein lies the true potential of technology: not in the laboratory or the workshop, but in an understanding of the behavioural dynamics that define the human condition, both generally and within the context of a specific user-group, market segment or community.
Fonte: JOHNSON, Steven. Recognising the true potential of technology to change behaviour. Disponível em:<https://www.theguardian.com/sustainablebusiness/behavioural-insights/true-potential-technology-change-behaviour>
Analisando-se aspectos linguísticos e estruturais do texto, constata-se que
Q1261542
Inglês
Texto associado
What Parents Can Do to Nurture Good Writers
Steve Graham, a professor at Arizona State University’s Teachers College, has been researching how young
people learn to write for more than 30 years. He is a co-author of numerous books on writing instruction,
including “Powerful Writing Strategies for All Students.”
How does reading at home help children become better writers?
is really critical, but it’s not enough. We don’t have much evidence that if you just read more, you’ll
be a better writer. But analyzing text does make a difference. So when we read to kids, we can also have
conversations with them about the author’s craft. How did this author make this place seem real in terms of
description? What words did they use? How did they present this idea or this argument?
Should a parent correct a child’s writing, or just be encouraging?
Sometimes when kids come to you to share what they’re writing, they’re not coming for feedback. They are
coming for affirmation. It’s really important we emphasize first and foremost what we really like about it.
And if you’re going to give feedback, just pick one or two things. English teachers — and parents are guilty
of this, too — sometimes overwhelm kids with more feedback than they can absorb all at once. The other
thing that’s really important, particularly for parents, is to remember that they don’t own this piece. It’s their
child’s.
What should parents look for to assess the writing instruction at their child’s school?
After about third grade, very little time is devoted to explicit writing instruction. It’s like we’ve imagined
that kids have acquired what they need to know to be good writers by then! In middle and high school, the
most common activities are fill-in-the-blanks on worksheets, writing single sentences, making lists or writing
a paragraph summary. When you start talking about persuasive essays or an informative paper, those things
occur infrequently in English class and even less so in social studies and science.
So the first questions are: “Is my kid writing at school, and was he given writing assignments to work on at
home? Do those require writing more extended thoughts for the purposes of analysis and interpretation?”
That’s what they need to be able to do for college.
Fonte: adaptado de < https://www.nytimes.com/2017/08/02/education/edlife/parents-children-writing.html>
Mark the INCORRECT alternative.
Ano: 2016
Banca:
IF Sudeste - MG
Órgão:
IF Sudeste - MG
Prova:
IF Sudeste - MG - 2016 - IF Sudeste - MG - Vestibular - Primeiro Semestre |
Q1272599
Inglês
Read the following excerpt from a newspaper, ignoring the gaps numbered (1-5). After that,
choose the CORRECT alternative.
Published in 1981, Todd Strasser’s The Wave recounts a true incident that took place in a history class at a Palo Alto, California, high school in 1969. The teacher of the class, Ron Jones, (1)__________ is fictionally renamed Ben Ross in the book, actually formulated the experiment described in the narrative in an effort to help his students understand how the Holocaust could have happened without the mass condemnation of the German people. What begins as a simple class project quickly takes on a life of its own, (2) __________, as students conform mindlessly to the experimental system, and others are pressured ruthlessly to join in. Group dynamics and peer influence bordering on coercion create a sinister atmosphere of fear and mistrust, The Wave spontaneously takes on the characteristics of a cult. The event disrupts an entire school (3) __________ raises a plethora of dark questions concerning responsibility, freedom, and group dynamics. Ron Jones calls it “one of the most frightening events ever experienced in the classroom.” As a novelization of a teleplay by Johnny Dawkins, based on a short story by Ron Jones, Strasser’s book (4) __________ not have attracted an abundance of criticism as a literary entity in itself, (5) __________ The Wave clearly holds an important place in the canon of young adult literature. (…) Available at: <http://www.enotes.com/topics/the-wave/critical-essays>. Accessed on: 20 set. 2016
Choose the CORRECT alternative..
Published in 1981, Todd Strasser’s The Wave recounts a true incident that took place in a history class at a Palo Alto, California, high school in 1969. The teacher of the class, Ron Jones, (1)__________ is fictionally renamed Ben Ross in the book, actually formulated the experiment described in the narrative in an effort to help his students understand how the Holocaust could have happened without the mass condemnation of the German people. What begins as a simple class project quickly takes on a life of its own, (2) __________, as students conform mindlessly to the experimental system, and others are pressured ruthlessly to join in. Group dynamics and peer influence bordering on coercion create a sinister atmosphere of fear and mistrust, The Wave spontaneously takes on the characteristics of a cult. The event disrupts an entire school (3) __________ raises a plethora of dark questions concerning responsibility, freedom, and group dynamics. Ron Jones calls it “one of the most frightening events ever experienced in the classroom.” As a novelization of a teleplay by Johnny Dawkins, based on a short story by Ron Jones, Strasser’s book (4) __________ not have attracted an abundance of criticism as a literary entity in itself, (5) __________ The Wave clearly holds an important place in the canon of young adult literature. (…) Available at: <http://www.enotes.com/topics/the-wave/critical-essays>. Accessed on: 20 set. 2016
Choose the CORRECT alternative..
Ano: 2014
Banca:
UniCEUB
Órgão:
UniCEUB
Prova:
UniCEUB - 2014 - UniCEUB - Vestibular - 1º Vestibular |
Q515704
Inglês
A clever ad for ................... new breakfast options, an aim to hit at McDonald’s domination of the market, includes a bunch of people who share the same name as Ronald McDonald but proclaim ................... love for Taco Bell’s new morning offerings.
TIME
TIME
Q382416
Inglês
Texto associado
Finally, a Billboard That Creates Drinkable Water Out of Thin Air
1Five Man Electrical Band: nome de um grupo de rock canadense.
2gimmick: algo que não é sério, usado para atrair a atenção das pessoas temporariamente, especialmente para fazê-las comprar algo.
3ingenuity: habilidade de pensar em novos meios inteligentes de se fazer algo.
I’ve never cared much for billboards. Not in the city, not out of the city - not anywhere, really. It’s like the saying in that old Five Man Electrical Band1 song. So when the creative director of an ad agency in Peru sent me a picture of what he claimed was the frst billboard that produces potable water from air, my initial reaction was: gotta be a hoax, or at best, a gimmick2
Except it’s neither: the billboard pictured here is real, it’s located in Lima, Peru, and it produces around 100 liters of water a day (about 26 gallons) from nothing more than humidity, a basic fltration system and a little gravitational ingenuity3 .
Let’s talk about Lima for a moment, the largest city in Peru and the ffth largest in all of the Americas, with some 7.6 million people (closer to 9 million when you factor in the surrounding metro area). Because it sits along the southern Pacifc Ocean, the humidity in the city averages 83% (it’s actually closer to 100% in the mornings). But Lima is also part of what’s called a coastal desert: it lies at the northern edge of the Atacama, the driest desert in the world, meaning the city sees perhaps half an inch of precipitation annually (Lima is the second largest desert city in the world after Cairo). Lima thus depends on drainage from the Andes as well as runof from glacier melt - both sources on the decline because of climate change. (...)
Except it’s neither: the billboard pictured here is real, it’s located in Lima, Peru, and it produces around 100 liters of water a day (about 26 gallons) from nothing more than humidity, a basic fltration system and a little gravitational ingenuity3 .
Let’s talk about Lima for a moment, the largest city in Peru and the ffth largest in all of the Americas, with some 7.6 million people (closer to 9 million when you factor in the surrounding metro area). Because it sits along the southern Pacifc Ocean, the humidity in the city averages 83% (it’s actually closer to 100% in the mornings). But Lima is also part of what’s called a coastal desert: it lies at the northern edge of the Atacama, the driest desert in the world, meaning the city sees perhaps half an inch of precipitation annually (Lima is the second largest desert city in the world after Cairo). Lima thus depends on drainage from the Andes as well as runof from glacier melt - both sources on the decline because of climate change. (...)
1Five Man Electrical Band: nome de um grupo de rock canadense.
2gimmick: algo que não é sério, usado para atrair a atenção das pessoas temporariamente, especialmente para fazê-las comprar algo.
3ingenuity: habilidade de pensar em novos meios inteligentes de se fazer algo.
No terceiro parágrafo, o pronome it em – Because it sits along the southern Pacifc Ocean – pode ser substituído, de maneira a manter o sentido original do texto, por
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