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Q3556084 Inglês
Imagem associada para resolução da questão Zack Hill by John Deering and John Newcombe for September 03, 2023
What does Zack Hill accuse the mailbox of when it responds with "Ironic, isn't it?" in the comic strip?
Alternativas
Q3556083 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
What is the ultimate effect of the raven on the narrator?
Alternativas
Q3556082 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
How does the narrator feel when the raven enters his chamber?
Alternativas
Q3556081 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
Which literary element contributes to the dark atmosphere of the poem?
Alternativas
Q3556080 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
What is the emotional state of the narrator at the beginning of the poem?
Alternativas
Q3556079 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
What effect does the repetition of the word "Nevermore" have in the poem "The Raven"? 
Alternativas
Q3556078 Inglês
Read the text to answer question.

“Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of someone gently rapping, rapping at my chamber door.

Tis some visitor," I muttered, "tapping at my chamber door —

Only this, and nothing more."

        Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; — vainly I had sought to borrow

From my books surcease of sorrow — sorrow for the lost Lenore —

For the rare and radiant maiden whom the angels name Lenore —

Nameless here for evermore.

        And the silken sad uncertain rustling of each purple curtain

Thrilled me — filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating,

Tis some visitor entreating entrance at my chamber door —

Some late visitor entreating entrance at my chamber door; —

This is it, and nothing more."

        Presently my soul grew stronger; hesitating then no longer,

Sir," said I, "or Madam, truly your forgiveness I implore; 

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you"— here I opened wide the door; —

Darkness there, and nothing more.

        Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortals ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" —

Merely this, and nothing more.

        Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

Surely," said I, "surely that is something at my window lattice:

Let me see, then, what thereat is, and this mystery explore —

Let my heart be still a moment and this mystery explore; —

'Tis the wind and nothing more."

        Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore;

Not the least obeisance made he;

not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door —

Perched upon a bust of Pallas just above my chamber door —

Perched, and sat, and nothing more.

        Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore.

Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient raven wandering from the Nightly shore —

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven, "Nevermore."

        Much I marveled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning— little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blest with seeing bird above his chamber door —

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore.”

― Edgar Allan Poe, The Raven
What is the central theme of Edgar Allan Poe's poem "The Raven"?
Alternativas
Q3556057 Farmácia
O metabolismo de fármacos compreende o conjunto de reações enzimáticas que biotransformam fármacos e outros compostos estranhos (xenobióticos) em metabólitos de polaridade crescente, para que sejam excretados. Com relação ao assunto, os principais órgãos envolvidos na metabolização e eliminação de fármacos, respectivamente, são:
Alternativas
Q3556056 Farmácia
Hipoglicemiantes ou antidiabéticos são medicamentos amplamente utilizados na prática médica com o objetivo de diminuir a quantidade de glicose no sangue. São exemplos de hipoglicemiantes orais, exceto:
Alternativas
Q3556055 Farmácia
Um paciente precisou ser internando em uma enfermaria de determina unidade hospitalar. O médico ao avaliar o paciente verificou que o mesmo estava com a pressão arterial de 180mmHg/120mmHg necessitando de intervenção farmacológica. O médico liga para farmácia hospitalar e pergunta sobre quais diuréticos estavam disponíveis. Qual alternativa abaixo representar uma resposta correta dada ao médico pela farmácia hospitalar?
Alternativas
Q3556054 Farmácia
Um paciente foi ao médico dermatologista para tratamento de Acne vulgar e o profissional prescreveu um medicamento a ser manipulado conforme abaixo:

Fórmula Ácido Azeláico............ 15%. Gel (qsp) .................... 50g.

Com base nesses dados, qual a quantidade utilizada do ácido azeláico para essa formulação?
Alternativas
Q3556053 Farmácia
Um paciente foi à farmácia comprar insulina para o tratamento de diabetes mellitus tipo 2, com a prescrição médica abaixo:
Insulina Regular 10 UI antes do café da manhã 16 UI antes do almoço 10 UI antes do jantar
Sabendo-se que na farmácia a única apresentação disponível é na dosagem de 100UI/ml em frasco de 10ml, qual a quantidade a ser dispensada para esse paciente para 60 dias de tratamento completo conforme prescrição?
Alternativas
Q3556052 Farmácia
O farmacêutico responsável pela Central de Abastecimento Farmacêutica (CAF) de um determinado hospital solicitou ao auxiliar da farmácia que fizesse um documento com uma solicitação de compra de Ceftriaxona 1g Frasco-Ampola para 3 meses de uso. Sabendo que a média mensal é de 650 unidades e que há 350 unidades em estoque e que o fornecedor trabalha com embalagem mínima de 50 unidades, quantas caixas deverão ser adquiridas para o período? (sem considerar estoque mínimo, estoque de segurança e tempo de reposição)
Alternativas
Q3556051 Farmácia
Os antifúngicos são medicamento utilizados para tratamento de doenças provocadas por fungos e incluem agentes tópicos e sistêmicos. São exemplos dessa classe de medicamentos:
Alternativas
Q3556050 Farmácia
O Medicamentos Isentos de Prescrição (MIP) são medicamentos que podem ser dispensados sem exigência de prescrição, ou seja, são os medicamentos disponíveis ao autosserviço em farmácias e drogarias, que não necessitam de receita médica para que sejam vendidos. São exemplos de MIPs, exceto: 
Alternativas
Q3556049 Farmácia

Como parte de boas práticas de conservação de medicamentos, toda farmácia hospitalar deve possuir refrigerador para conservação de medicamentos termolábeis. Pertencem a esta classe:

Alternativas
Q3556048 Farmácia
Há vários tipos de sistemas de distribuição de medicamentos em farmácias hospitalares. A escolha do método depende das peculiaridades do hospital. Um desses métodos, é o Sistema Coletivo que apresenta como característica:
Alternativas
Q3556047 Farmácia
A Notificação de Receita é o documento que acompanhado de receita autoriza a dispensação de medicamentos à base de substâncias constantes das listas da Portaria 344/98. Com relação ao modelo de notificação abaixo (COR AMARELA), qual medicamento obrigatoriamente deverá ser prescrito para que seja atendida pela farmácia?

Imagem associada para resolução da questão
Alternativas
Q3556046 Farmácia
É aquele que contém o mesmo princípio ativo, na mesma dose e forma farmacêutica, é administrado pela mesma via e com a mesma posologia e indicação terapêutica do medicamento de referência, apresentando eficácia e segurança equivalentes à do medicamento de referência podendo, com este, ser intercambiável. O texto acima é a definição de:
Alternativas
Q3556045 Farmácia
A Portaria n.º 344, de 12 de maio de 1998 e suas atualizações, versa sobre o Regulamento Técnico sobre substâncias e medicamentos sujeitos a controle especial. Associe o medicamento à lista a qual o mesmo pertence descrito na referida legislação e assinale a alternativa correta.
Associe o medicamento à lista que o mesmo pertencente e assinale a alternativa correta. 
1 – Clonazepam 2 – Morfina 3 – Isotretinoína 4 – Sibutramina 5 – Carbamazepina
( ) Entorpecente pertencente à lista A1 ( ) Retinóide pertencente à lista C2 ( ) Antiepilético pertencente à lista C1 ( ) Benzodiazepínico pertencente à lista B1 ( ) Anorexígeno pertencente à lista B2
Alternativas
Respostas
2041: B
2042: A
2043: B
2044: D
2045: C
2046: C
2047: D
2048: E
2049: D
2050: D
2051: D
2052: C
2053: D
2054: A
2055: B
2056: B
2057: E
2058: D
2059: B
2060: B