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Q1820847 Inglês
Leia o texto e responda a questão. 

The Christmas Anti-drink drive campaign is in full swing, but there will always be those who think they can get away with it. Beyond the points, the driving ban and the criminal record, how do those caught handle the shame? Another Christmas, another warning about getting behind the wheel while under the influence of alcohol.
The theme of the 2019 campaign is that a conviction can ruin a driver´s life. “That is could come between you and Christmas” is the slogan. The criminal record and driving ban are automatic and for those who rely on their cars that can be punishment enough. But what about the stigma and the shame?
Mary, a 27-year-old care co-ordinator from Torquay in Devon, found that being convicted even affected her relationship whit her mother. “She made me feel really, really bad. She didn’t want to see me and shut the door in my face and told me to go away. That was the worst feeling ever.”
Mary, which is not her real name, says the incident that changed her life came at the end of a “rubbish” day at work last year, close to the anniversary of her grandmother’s death. She began drinking a bottle of wine at home and then went into town to continue drinking, but on the way she hit a parked car, failed a breath test and spent a night in a police cell. “That was lonely and horrendous. You feel very bad about yourself,” she says.
Lessons
“It gives you time to things over and how you could have killed someone. You feel embarrassed because you don’t think you could even end up in a cell.”
She was given a £300 fine and a 16-month driving ban. The ban was reduced to a year because she signed up a course with the Devon Driving Course lrun by Devon County Council, which aims to educate drink-drivers about their crime.
The court meant she had to tell her parents the truth and endure her mother’s cold shoulder, having previously told her the accident had not been fault.
I don´t want people to make the same mistake as I did. People’s silence and looks on the faces says it all. It makes you never want to do anything so stupid again”.
She learnt many things from the £145 course but among them was the fact her shame, criminal record and costs could have been avoided had she paid £ 20 for a taxi.
Text adapted whttp://news/magazine.com. Acesso em abril 2021.
As palavras em negrito apresentam diversas funções na Língua Inglesa. Classifique-as conforme o contexto em (G) Gerúndio, (S) Substantivo, (I) Infinitivo, (A) Adjetivo, (P) Passado, (PP) Particípio Passado.
I. The criminal record and driving ban are automatic… II. That was the worst feeling ever. III. She began drinking a bottle of wine at home… IV. …she hit a parked car… V. …and how you could have killed someone.
Alternativas
Q1820846 Inglês
Leia o texto e responda a questão. 

The Christmas Anti-drink drive campaign is in full swing, but there will always be those who think they can get away with it. Beyond the points, the driving ban and the criminal record, how do those caught handle the shame? Another Christmas, another warning about getting behind the wheel while under the influence of alcohol.
The theme of the 2019 campaign is that a conviction can ruin a driver´s life. “That is could come between you and Christmas” is the slogan. The criminal record and driving ban are automatic and for those who rely on their cars that can be punishment enough. But what about the stigma and the shame?
Mary, a 27-year-old care co-ordinator from Torquay in Devon, found that being convicted even affected her relationship whit her mother. “She made me feel really, really bad. She didn’t want to see me and shut the door in my face and told me to go away. That was the worst feeling ever.”
Mary, which is not her real name, says the incident that changed her life came at the end of a “rubbish” day at work last year, close to the anniversary of her grandmother’s death. She began drinking a bottle of wine at home and then went into town to continue drinking, but on the way she hit a parked car, failed a breath test and spent a night in a police cell. “That was lonely and horrendous. You feel very bad about yourself,” she says.
Lessons
“It gives you time to things over and how you could have killed someone. You feel embarrassed because you don’t think you could even end up in a cell.”
She was given a £300 fine and a 16-month driving ban. The ban was reduced to a year because she signed up a course with the Devon Driving Course lrun by Devon County Council, which aims to educate drink-drivers about their crime.
The court meant she had to tell her parents the truth and endure her mother’s cold shoulder, having previously told her the accident had not been fault.
I don´t want people to make the same mistake as I did. People’s silence and looks on the faces says it all. It makes you never want to do anything so stupid again”.
She learnt many things from the £145 course but among them was the fact her shame, criminal record and costs could have been avoided had she paid £ 20 for a taxi.
Text adapted whttp://news/magazine.com. Acesso em abril 2021.
O autor trata de qual assunto no texto:
Alternativas
Q1816878 Inglês
Instruction: answer question based on the following text.

Adapted from: grammarly.com/blog/academic-writing/
Which of the alternatives below, correct and respectively, fills out the blanks in the last paragraph?
Alternativas
Q1816877 Inglês
Instruction: answer question based on the following text.

Adapted from: grammarly.com/blog/academic-writing/
Consider the sentence “how you number your pages” (l. 17) S1, and the sentence “how the contents of your cover page are ordered” (l. 17-18) S2; then analyze the following statements about them:
I. In S1, the word “number” is a noun. II. In S2, the word “how” is an adverb. III. S1 is written in active voice, and S2 is written in passive voice.
Which statements are correct?
Alternativas
Q1816876 Inglês
Instruction: answer question based on the following text.

Adapted from: grammarly.com/blog/academic-writing/
The highlighted words “which” (l. 04), “it” (l. 05), and “them” (l. 06) are referring to, respectively:
Alternativas
Q1816875 Inglês
Instruction: answer question based on the following text.

Adapted from: grammarly.com/blog/academic-writing/
Which word below could be used to express the meaning of the adjective “daunting” (l. 05)?
Alternativas
Q1816874 Inglês
Instruction: answer question based on the following text.

Adapted from: grammarly.com/blog/academic-writing/
In the article, the author explains important characteristics of academic writing. Which of the characteristics below is NOT mentioned in the text?
Alternativas
Q1812561 Inglês
Read the text to answer.

Teaching multicultural classes
Long hailed as a melting pot of cultures, America is home to millions of immigrants – whether their ancestors sailed across on the Mayflower or they moved to the country last week. Research by the National Center for Educational Statisticsfound that one-third of U.S. students are considered racial or ethnic minorities, a number that is set to increase to more than half by 2050. In this changing educational landscape, teachers are challenged with creating inclusive classrooms where students of all backgrounds feel represented and welcomed. For teachers with a classroom full of students of different backgrounds, the responsibility to connect with them goes beyond simply knowing where they’re from, or what their favorite subjects are. These teachers must strive to understand their students in a more holistic way, incorporating their cultural traditions into lessons and activities, so students feel understood, comfortable, and focused on learning. Culture is a broad term, and one that is not easily summed up. In her book Culture Learning: The Fifth Dimension on the Language Classroom, author Louise Damen defined culture as the “learned and shared human patterns or models for living; day-to-day living patterns that pervade all aspects of human social interaction. Culture is mankind’s primary adaptive mechanism”. Individuals from varied nationalities, ethnicities, and races all bring cultural traditions to their interactions, and it’s up to teachers to recognize, celebrate and share these different perspectives. Using different activities and games in multicultural classrooms is an excellent way to foster inclusivity and encourage students to share their heritage. It’s also a beneficial way for teachers to involve students in different styles of study to immerse them in their learning. Sharing about oneself within the confines of an activity is often much easier than being asked open-ended questions and put “on the spot”. These activities can then provide a safe space for dialogue and serve as an entryway into more in-depth interactions.
(Available: https://www.accreditedschoolsonline.org. Adapted.)
Analyse the use of the ed forms, highlighted in the text. Mark the one which is not employed as a verbal.
Alternativas
Q1812560 Inglês
Read the text to answer.

Teaching multicultural classes
Long hailed as a melting pot of cultures, America is home to millions of immigrants – whether their ancestors sailed across on the Mayflower or they moved to the country last week. Research by the National Center for Educational Statisticsfound that one-third of U.S. students are considered racial or ethnic minorities, a number that is set to increase to more than half by 2050. In this changing educational landscape, teachers are challenged with creating inclusive classrooms where students of all backgrounds feel represented and welcomed. For teachers with a classroom full of students of different backgrounds, the responsibility to connect with them goes beyond simply knowing where they’re from, or what their favorite subjects are. These teachers must strive to understand their students in a more holistic way, incorporating their cultural traditions into lessons and activities, so students feel understood, comfortable, and focused on learning. Culture is a broad term, and one that is not easily summed up. In her book Culture Learning: The Fifth Dimension on the Language Classroom, author Louise Damen defined culture as the “learned and shared human patterns or models for living; day-to-day living patterns that pervade all aspects of human social interaction. Culture is mankind’s primary adaptive mechanism”. Individuals from varied nationalities, ethnicities, and races all bring cultural traditions to their interactions, and it’s up to teachers to recognize, celebrate and share these different perspectives. Using different activities and games in multicultural classrooms is an excellent way to foster inclusivity and encourage students to share their heritage. It’s also a beneficial way for teachers to involve students in different styles of study to immerse them in their learning. Sharing about oneself within the confines of an activity is often much easier than being asked open-ended questions and put “on the spot”. These activities can then provide a safe space for dialogue and serve as an entryway into more in-depth interactions.
(Available: https://www.accreditedschoolsonline.org. Adapted.)
When students’ traditions are not incorporated in lessons, students feel
Alternativas
Q1812559 Inglês
Read the text to answer.

Teaching multicultural classes
Long hailed as a melting pot of cultures, America is home to millions of immigrants – whether their ancestors sailed across on the Mayflower or they moved to the country last week. Research by the National Center for Educational Statisticsfound that one-third of U.S. students are considered racial or ethnic minorities, a number that is set to increase to more than half by 2050. In this changing educational landscape, teachers are challenged with creating inclusive classrooms where students of all backgrounds feel represented and welcomed. For teachers with a classroom full of students of different backgrounds, the responsibility to connect with them goes beyond simply knowing where they’re from, or what their favorite subjects are. These teachers must strive to understand their students in a more holistic way, incorporating their cultural traditions into lessons and activities, so students feel understood, comfortable, and focused on learning. Culture is a broad term, and one that is not easily summed up. In her book Culture Learning: The Fifth Dimension on the Language Classroom, author Louise Damen defined culture as the “learned and shared human patterns or models for living; day-to-day living patterns that pervade all aspects of human social interaction. Culture is mankind’s primary adaptive mechanism”. Individuals from varied nationalities, ethnicities, and races all bring cultural traditions to their interactions, and it’s up to teachers to recognize, celebrate and share these different perspectives. Using different activities and games in multicultural classrooms is an excellent way to foster inclusivity and encourage students to share their heritage. It’s also a beneficial way for teachers to involve students in different styles of study to immerse them in their learning. Sharing about oneself within the confines of an activity is often much easier than being asked open-ended questions and put “on the spot”. These activities can then provide a safe space for dialogue and serve as an entryway into more in-depth interactions.
(Available: https://www.accreditedschoolsonline.org. Adapted.)
Since America is the home of millions of immigrants
Alternativas
Q1812558 Inglês
Read the text to answer.

Teaching multicultural classes
Long hailed as a melting pot of cultures, America is home to millions of immigrants – whether their ancestors sailed across on the Mayflower or they moved to the country last week. Research by the National Center for Educational Statisticsfound that one-third of U.S. students are considered racial or ethnic minorities, a number that is set to increase to more than half by 2050. In this changing educational landscape, teachers are challenged with creating inclusive classrooms where students of all backgrounds feel represented and welcomed. For teachers with a classroom full of students of different backgrounds, the responsibility to connect with them goes beyond simply knowing where they’re from, or what their favorite subjects are. These teachers must strive to understand their students in a more holistic way, incorporating their cultural traditions into lessons and activities, so students feel understood, comfortable, and focused on learning. Culture is a broad term, and one that is not easily summed up. In her book Culture Learning: The Fifth Dimension on the Language Classroom, author Louise Damen defined culture as the “learned and shared human patterns or models for living; day-to-day living patterns that pervade all aspects of human social interaction. Culture is mankind’s primary adaptive mechanism”. Individuals from varied nationalities, ethnicities, and races all bring cultural traditions to their interactions, and it’s up to teachers to recognize, celebrate and share these different perspectives. Using different activities and games in multicultural classrooms is an excellent way to foster inclusivity and encourage students to share their heritage. It’s also a beneficial way for teachers to involve students in different styles of study to immerse them in their learning. Sharing about oneself within the confines of an activity is often much easier than being asked open-ended questions and put “on the spot”. These activities can then provide a safe space for dialogue and serve as an entryway into more in-depth interactions.
(Available: https://www.accreditedschoolsonline.org. Adapted.)
The term “culture” is not easily summed up because it is:
Alternativas
Q1812557 Inglês
Read the text to answer.

English Language teaching as a social interprise
   In Communicative ELT (English Language Teaching), text genre analysis is essential to uncover the social and the cultural basis of language. The notion of genre has largely drawn the attention of many scholars. It is incontestable that a genre-based approach to teaching greatly improves learners’ skills, not only in academic settings, but also in professional scenarios. A genre--oriented approach to language teaching incorporates an understanding that language is purposeful and that structures emerge from use. Additionally, there is an increasing recognition of the relevance of taking into consideration language varieties, text--types, and text genres while designing reading and writing language programs. As Martin (2002) points out, genres have been defined as staged, goal-oriented social processes. In these terms, as a level of context, genres represent “the system of staged goal-oriented social processes through which social subjects in a given culture live their lives”. In ELT, the concept of text genre sheds light on the influence of the context of culture on language. From that viewpoint, every culture structures particular ways of achieving communication goals in a given context through the production of written and oral texts. The fact that English is considered the predominant language for communicating research findings makes it paramount  that users of English as a Foreign Language (EFL) develop proficiency in research English across the skills of reading and writing. In order to be part of the scientific community, EFL researchers need to understand “the social processes by which knowledge about reality and the world are made”, that is, they need to be able to understand several genres that are part of academic social practice. Failure to understand written genres as social action may result in instruction that encourages the creation of texts to fit formal requirements, as opposed to the practice of achieving social goals. Technology also plays a role in assisting second/foreign language (L2) writing instruction. The Internet, social networks and digital media may provide EFL learners with greater opportunities for meaningful and authentic language use, which are usually interactive, social and multimodal. Learners can interact with other speakers of the language from different parts of the world, write blogs or create webpages and profiles in social networks and produce both written and oral language with a targeted community of speakers in mind.
(Available: http://www.scielo.br. Adapted.)
Paramount, highlighted in the text, does NOT mean
Alternativas
Q1812556 Inglês
Read the text to answer.

English Language teaching as a social interprise
   In Communicative ELT (English Language Teaching), text genre analysis is essential to uncover the social and the cultural basis of language. The notion of genre has largely drawn the attention of many scholars. It is incontestable that a genre-based approach to teaching greatly improves learners’ skills, not only in academic settings, but also in professional scenarios. A genre--oriented approach to language teaching incorporates an understanding that language is purposeful and that structures emerge from use. Additionally, there is an increasing recognition of the relevance of taking into consideration language varieties, text--types, and text genres while designing reading and writing language programs. As Martin (2002) points out, genres have been defined as staged, goal-oriented social processes. In these terms, as a level of context, genres represent “the system of staged goal-oriented social processes through which social subjects in a given culture live their lives”. In ELT, the concept of text genre sheds light on the influence of the context of culture on language. From that viewpoint, every culture structures particular ways of achieving communication goals in a given context through the production of written and oral texts. The fact that English is considered the predominant language for communicating research findings makes it paramount  that users of English as a Foreign Language (EFL) develop proficiency in research English across the skills of reading and writing. In order to be part of the scientific community, EFL researchers need to understand “the social processes by which knowledge about reality and the world are made”, that is, they need to be able to understand several genres that are part of academic social practice. Failure to understand written genres as social action may result in instruction that encourages the creation of texts to fit formal requirements, as opposed to the practice of achieving social goals. Technology also plays a role in assisting second/foreign language (L2) writing instruction. The Internet, social networks and digital media may provide EFL learners with greater opportunities for meaningful and authentic language use, which are usually interactive, social and multimodal. Learners can interact with other speakers of the language from different parts of the world, write blogs or create webpages and profiles in social networks and produce both written and oral language with a targeted community of speakers in mind.
(Available: http://www.scielo.br. Adapted.)
Analyse the use of that is, highlighted in the text. Mark the item which brings the connotation of that is in the context.
Alternativas
Q1812555 Inglês
Read the text to answer.

English Language teaching as a social interprise
   In Communicative ELT (English Language Teaching), text genre analysis is essential to uncover the social and the cultural basis of language. The notion of genre has largely drawn the attention of many scholars. It is incontestable that a genre-based approach to teaching greatly improves learners’ skills, not only in academic settings, but also in professional scenarios. A genre--oriented approach to language teaching incorporates an understanding that language is purposeful and that structures emerge from use. Additionally, there is an increasing recognition of the relevance of taking into consideration language varieties, text--types, and text genres while designing reading and writing language programs. As Martin (2002) points out, genres have been defined as staged, goal-oriented social processes. In these terms, as a level of context, genres represent “the system of staged goal-oriented social processes through which social subjects in a given culture live their lives”. In ELT, the concept of text genre sheds light on the influence of the context of culture on language. From that viewpoint, every culture structures particular ways of achieving communication goals in a given context through the production of written and oral texts. The fact that English is considered the predominant language for communicating research findings makes it paramount  that users of English as a Foreign Language (EFL) develop proficiency in research English across the skills of reading and writing. In order to be part of the scientific community, EFL researchers need to understand “the social processes by which knowledge about reality and the world are made”, that is, they need to be able to understand several genres that are part of academic social practice. Failure to understand written genres as social action may result in instruction that encourages the creation of texts to fit formal requirements, as opposed to the practice of achieving social goals. Technology also plays a role in assisting second/foreign language (L2) writing instruction. The Internet, social networks and digital media may provide EFL learners with greater opportunities for meaningful and authentic language use, which are usually interactive, social and multimodal. Learners can interact with other speakers of the language from different parts of the world, write blogs or create webpages and profiles in social networks and produce both written and oral language with a targeted community of speakers in mind.
(Available: http://www.scielo.br. Adapted.)
It is true, according to the text that:
Alternativas
Q1812554 Inglês
Read the text to answer.

English Language teaching as a social interprise
   In Communicative ELT (English Language Teaching), text genre analysis is essential to uncover the social and the cultural basis of language. The notion of genre has largely drawn the attention of many scholars. It is incontestable that a genre-based approach to teaching greatly improves learners’ skills, not only in academic settings, but also in professional scenarios. A genre--oriented approach to language teaching incorporates an understanding that language is purposeful and that structures emerge from use. Additionally, there is an increasing recognition of the relevance of taking into consideration language varieties, text--types, and text genres while designing reading and writing language programs. As Martin (2002) points out, genres have been defined as staged, goal-oriented social processes. In these terms, as a level of context, genres represent “the system of staged goal-oriented social processes through which social subjects in a given culture live their lives”. In ELT, the concept of text genre sheds light on the influence of the context of culture on language. From that viewpoint, every culture structures particular ways of achieving communication goals in a given context through the production of written and oral texts. The fact that English is considered the predominant language for communicating research findings makes it paramount  that users of English as a Foreign Language (EFL) develop proficiency in research English across the skills of reading and writing. In order to be part of the scientific community, EFL researchers need to understand “the social processes by which knowledge about reality and the world are made”, that is, they need to be able to understand several genres that are part of academic social practice. Failure to understand written genres as social action may result in instruction that encourages the creation of texts to fit formal requirements, as opposed to the practice of achieving social goals. Technology also plays a role in assisting second/foreign language (L2) writing instruction. The Internet, social networks and digital media may provide EFL learners with greater opportunities for meaningful and authentic language use, which are usually interactive, social and multimodal. Learners can interact with other speakers of the language from different parts of the world, write blogs or create webpages and profiles in social networks and produce both written and oral language with a targeted community of speakers in mind.
(Available: http://www.scielo.br. Adapted.)
Choose the item that matches the text.
Alternativas
Q1812553 Inglês
Read the text to answer.

Incidental vocabulary learning through
the viewing of video
   There is growing evidence that L2 learners pick up new words while viewing video but little is known about the role of individual differences. This study explores incidental learning after the viewing of a French documentary containing 15 pseudowords and investigates whether learning is moderated by participants’ prior vocabulary knowledge and working memory. Sixty-three higher-intermediate learners of French participated in this study. Prior vocabulary knowledge was measured by means of a French meaning recognition test. Participants also took a forward digit-span (phonological shortterm memory), a backward digit-span, and an operation-span task (complex working memory). After viewing the video, four surprise vocabulary tests on form and meaning were administered. Results revealed that learning gains occurred at the level of form and meaning recognition. Vocabulary knowledge was positively related to picking up new words from video. Complex working memory correlated with the recognition tests showed more incidental learning gains for learners with higher complex working memory.
(Available: https://www.cambridge.org.Abstract published online: 10 January 2020. Adapted.)
Analyse the use of the gerund forms highlighted in the text. Mark the one used as a noun.
Alternativas
Q1812552 Inglês
Read the text to answer.

Incidental vocabulary learning through
the viewing of video
   There is growing evidence that L2 learners pick up new words while viewing video but little is known about the role of individual differences. This study explores incidental learning after the viewing of a French documentary containing 15 pseudowords and investigates whether learning is moderated by participants’ prior vocabulary knowledge and working memory. Sixty-three higher-intermediate learners of French participated in this study. Prior vocabulary knowledge was measured by means of a French meaning recognition test. Participants also took a forward digit-span (phonological shortterm memory), a backward digit-span, and an operation-span task (complex working memory). After viewing the video, four surprise vocabulary tests on form and meaning were administered. Results revealed that learning gains occurred at the level of form and meaning recognition. Vocabulary knowledge was positively related to picking up new words from video. Complex working memory correlated with the recognition tests showed more incidental learning gains for learners with higher complex working memory.
(Available: https://www.cambridge.org.Abstract published online: 10 January 2020. Adapted.)
Whether, highlighted in the text, means
Alternativas
Q1806173 Inglês

O texto seguinte servirá de base para responder à questão.


Pensioners face £1,000 fine if they don't get TV licence this week


1º§ The BBC confirmed it will start to charge everyone for the licence from August 1, so you only have until Saturday before the change comes in. Anybody who watches live telly has to pay for a licence. Brits over the age of 75 used to get free TV licences, but the benefit was axed last year - unless you claim pension credit.

2º§ The government stopped funding the free licences for over-75s in 2015, handing the responsibility over to the BBC. But the BBC last year announced it would also pull the plug on the initiative to save cash.

3º§ There was a transition period set up because of the coronavirus crisis, which meant anyone who couldn't afford a TV licence wouldn't be fined. But that all comes to an end this weekend, and anyone without a licence that needs one after the end date of July 31 will face the fine.

4º§ The BBC has said that more than nine in 10 over-75s households have already made arrangements for a paid licence, or updated changes in their circumstances to entitle them to a free one. In its latest update on the changes, the broadcasting house said it would otherwise write to the remaining 260,000 customers who hadn't yet made arrangements. Over 2,838,000 people now have a paid-for licence.

5º§ Since the over-75s have been forced to pay the annual fee, the BBC has reportedly raked in an extra £250million in licence fees, and this will only go up with the end of the grace period looming. You'll want to make sure to get a licence before the deadline or risk paying the hefty fine. 6º§ You need a TV licence to watch or record live programmes on any channel in the UK, or if you're watching something live on a streaming service too.

7º§ If you're using those services but you don't pay the fee then you could face prosecution plus a fine of up to £1,000. To get one, it's going to cost you £159 for a standard colour TV licence, otherwise it's £53.50 for a black and white one.

8º§ You don't have to pay for the licence if you're over 75 and on Pension Credit though, but you'll need to apply for a free licence on the TV licensing website or call 0300 790 6117.

9º§ You can apply for a TV licence online or by calling 0300 790 6165. The fee you pay will last you a whole year and starts from the day that you buy it.

10º§ You'll want to make a note of when this is so you know when to renew it next year too - after 12 months you'll have to pay the £159 (or £53.50) all over again.

11º§ You'll only need one per household and it doesn't matter how many people live with you. But if you or someone you live with is blind or severely sight-impaired, you can get 50% off the fee.

12º§ If you live in a residential care home or sheltered accommodation, you may be able to apply for a reduced licence which will normally cost you £7.50 instead. Plus if you're a student you don't have to pay yourself as you can be covered by your parents licence despite living away from home, but you can't watch something plugged into the mains in this case.


source(adapted):https://www.thesun.co.uk/money/15704333/pensioners-face-fine-for-no-tv-licence-this-week/


(Adapted):https://www.thesun.co.uk/money/15704333/pensioners-face-fine-for-no-tv-licence-this-week/ 

"Face prosecution" (7º §) could be translated as:
Alternativas
Q1806172 Inglês

O texto seguinte servirá de base para responder à questão.


Pensioners face £1,000 fine if they don't get TV licence this week


1º§ The BBC confirmed it will start to charge everyone for the licence from August 1, so you only have until Saturday before the change comes in. Anybody who watches live telly has to pay for a licence. Brits over the age of 75 used to get free TV licences, but the benefit was axed last year - unless you claim pension credit.

2º§ The government stopped funding the free licences for over-75s in 2015, handing the responsibility over to the BBC. But the BBC last year announced it would also pull the plug on the initiative to save cash.

3º§ There was a transition period set up because of the coronavirus crisis, which meant anyone who couldn't afford a TV licence wouldn't be fined. But that all comes to an end this weekend, and anyone without a licence that needs one after the end date of July 31 will face the fine.

4º§ The BBC has said that more than nine in 10 over-75s households have already made arrangements for a paid licence, or updated changes in their circumstances to entitle them to a free one. In its latest update on the changes, the broadcasting house said it would otherwise write to the remaining 260,000 customers who hadn't yet made arrangements. Over 2,838,000 people now have a paid-for licence.

5º§ Since the over-75s have been forced to pay the annual fee, the BBC has reportedly raked in an extra £250million in licence fees, and this will only go up with the end of the grace period looming. You'll want to make sure to get a licence before the deadline or risk paying the hefty fine. 6º§ You need a TV licence to watch or record live programmes on any channel in the UK, or if you're watching something live on a streaming service too.

7º§ If you're using those services but you don't pay the fee then you could face prosecution plus a fine of up to £1,000. To get one, it's going to cost you £159 for a standard colour TV licence, otherwise it's £53.50 for a black and white one.

8º§ You don't have to pay for the licence if you're over 75 and on Pension Credit though, but you'll need to apply for a free licence on the TV licensing website or call 0300 790 6117.

9º§ You can apply for a TV licence online or by calling 0300 790 6165. The fee you pay will last you a whole year and starts from the day that you buy it.

10º§ You'll want to make a note of when this is so you know when to renew it next year too - after 12 months you'll have to pay the £159 (or £53.50) all over again.

11º§ You'll only need one per household and it doesn't matter how many people live with you. But if you or someone you live with is blind or severely sight-impaired, you can get 50% off the fee.

12º§ If you live in a residential care home or sheltered accommodation, you may be able to apply for a reduced licence which will normally cost you £7.50 instead. Plus if you're a student you don't have to pay yourself as you can be covered by your parents licence despite living away from home, but you can't watch something plugged into the mains in this case.


source(adapted):https://www.thesun.co.uk/money/15704333/pensioners-face-fine-for-no-tv-licence-this-week/


(Adapted):https://www.thesun.co.uk/money/15704333/pensioners-face-fine-for-no-tv-licence-this-week/ 

According to the text, how do you get a TV licence?
Alternativas
Q1806171 Inglês

O texto seguinte servirá de base para responder à questão.


Pensioners face £1,000 fine if they don't get TV licence this week


1º§ The BBC confirmed it will start to charge everyone for the licence from August 1, so you only have until Saturday before the change comes in. Anybody who watches live telly has to pay for a licence. Brits over the age of 75 used to get free TV licences, but the benefit was axed last year - unless you claim pension credit.

2º§ The government stopped funding the free licences for over-75s in 2015, handing the responsibility over to the BBC. But the BBC last year announced it would also pull the plug on the initiative to save cash.

3º§ There was a transition period set up because of the coronavirus crisis, which meant anyone who couldn't afford a TV licence wouldn't be fined. But that all comes to an end this weekend, and anyone without a licence that needs one after the end date of July 31 will face the fine.

4º§ The BBC has said that more than nine in 10 over-75s households have already made arrangements for a paid licence, or updated changes in their circumstances to entitle them to a free one. In its latest update on the changes, the broadcasting house said it would otherwise write to the remaining 260,000 customers who hadn't yet made arrangements. Over 2,838,000 people now have a paid-for licence.

5º§ Since the over-75s have been forced to pay the annual fee, the BBC has reportedly raked in an extra £250million in licence fees, and this will only go up with the end of the grace period looming. You'll want to make sure to get a licence before the deadline or risk paying the hefty fine. 6º§ You need a TV licence to watch or record live programmes on any channel in the UK, or if you're watching something live on a streaming service too.

7º§ If you're using those services but you don't pay the fee then you could face prosecution plus a fine of up to £1,000. To get one, it's going to cost you £159 for a standard colour TV licence, otherwise it's £53.50 for a black and white one.

8º§ You don't have to pay for the licence if you're over 75 and on Pension Credit though, but you'll need to apply for a free licence on the TV licensing website or call 0300 790 6117.

9º§ You can apply for a TV licence online or by calling 0300 790 6165. The fee you pay will last you a whole year and starts from the day that you buy it.

10º§ You'll want to make a note of when this is so you know when to renew it next year too - after 12 months you'll have to pay the £159 (or £53.50) all over again.

11º§ You'll only need one per household and it doesn't matter how many people live with you. But if you or someone you live with is blind or severely sight-impaired, you can get 50% off the fee.

12º§ If you live in a residential care home or sheltered accommodation, you may be able to apply for a reduced licence which will normally cost you £7.50 instead. Plus if you're a student you don't have to pay yourself as you can be covered by your parents licence despite living away from home, but you can't watch something plugged into the mains in this case.


source(adapted):https://www.thesun.co.uk/money/15704333/pensioners-face-fine-for-no-tv-licence-this-week/


(Adapted):https://www.thesun.co.uk/money/15704333/pensioners-face-fine-for-no-tv-licence-this-week/ 

Consider the §12 and the following assertives:


I.The "residential care home" could be translated as "casa de repouso".

II.In the context of the sentence in the paragraph, the word "cost" is an adverb.

III.The word "apply" could be replaced by "request".


Which one(s) is(are) CORRECT?

Alternativas
Respostas
14041: A
14042: C
14043: E
14044: D
14045: A
14046: B
14047: C
14048: C
14049: D
14050: C
14051: C
14052: B
14053: B
14054: A
14055: D
14056: D
14057: A
14058: A
14059: D
14060: D