Judge the sentences below as TRUE (T) or FALSE (F) regarding form and thematic devices in William Shakespeare's Hamlet.

(__)The "To be, or not to be" soliloquy is written predominantly in iambic pentameter, employing antithesis and occasional feminine endings to dramatize internal debate.

(__)The play uses metatheatre through "The Mousetrap" (the play-within-the-play) to test Claudius's guilt by observing his reaction to a staged regicide.

(__)Ophelia's mad songs draw exclusively on courtly love conventions and exclude folk ballad elements, avoiding colloquial or popular registers.



The CORRECT sequence is:

Regarding narrative technique and character typology in Jane Austen's Pride and Prejudice , judge the statements below:

I.The pervasive use of free indirect discourse blends narrator and Elizabeth's focalization, enabling tonal irony and calibrating reader alignment with her judgments.
II.Mr. Collins exemplifies the Byronic hero, marked by brooding individualism and rebellious erotic charisma central to Romantic mythography.
III.The novel's retitling from First Impressions to Pride and Prejudice foregrounds a dialectic of moral attributes resolved through mutual self-revision by Elizabeth and Darcy.

The following statement(s) is/are CORRECT:

Regarding structure, motifs, and doubling in Virginia Woolf's Mrs Dalloway , judge the statements below:


I.The use of stream of consciousness and free indirect style is articulated through a recurrent auditory motif — the chimes of Big Ben — which provides temporal cohesion to the shifting mental perspectives throughout the day.
II.Septimus Warren Smith functions merely as a comic counterpoint to Clarissa's social anxieties, without thematic connection to war trauma or critique of medical psychiatry.
III.The narrative covers several weeks, alternating between London and the countryside, and follows a multitemporal episodic structure.

The following statement(s) is/are CORRECT:

Read the excerpt from William Shakespeare's Hamlet (Act III, Scene I):

"To be, or not to be: that is the question:

Whether 'tis nobler in the mind to suffer

The slings and arrows of outrageous fortune,

 Or to take arms against a sea of troubles,

And by opposing end them? To die: to sleep;

No more; and by a sleep to say we end"

Source: https://poets.org/poem/hamlet-act-iii-scene-i-be-or-not-be

In the context of Shakespearean verse, the term "blank verse" refers to:

Judge the sentences below as TRUE (T) or FALSE (F) concerning intertextuality and composition in T. S. Eliot's The Waste Land.

(__)The poem assembles a collage of voices, registers, and languages, fusing fragments and citations to stage modernist cultural crisis.
(__)"April is the cruellest month" reverses Chaucer's springtime optimism in the General Prologue to The Canterbury Tales , creating an ironic counter-allusion.
(__)The poem reached print without substantial external editing; Ezra Pound's role did not affect the final architecture of the text.


The CORRECT sequence is: