Questões de Concurso
Comentadas sobre posição dos advérbios | position of adverbs em inglês
Foram encontradas 44 questões
- […] a place where you can spend time freely […]
- Books can be returned either directly to the library […]
- Metroteka quietly transforms daily routines into cultural moments.
- By meeting people where they are, literally underground […]
The underlined words are all
Mark the item that CORRECTLY fills in the blank below.
I managed to download the song __________.
( ) The text uses the adverb genuinely, in the fifth paragraph, to modify the adjective positive, and it correctly employs the preposition at when referring to the specific location where the Tara Brooch was discovered.
( ) The phrase cater for, in the first paragraph, Íunctions as a phrasal verb, and the text uses the coordinating conjunction and to link two distinct noun phrases.
( ) The word accommodate is a synonym for cater for, in the first paragraph. In the context, as it actually refers to a type of seaside transportation rather than the process of providing housing or space for the commuters mentioned.
( ) The word order in the sentence The eight century Tara Brooch is incorrect. According to standard English syntax, the noun must always precede the subject in passive constructions.
Which alternative CORRECTLY fills in the parentheses above, from top to bottom?
(__) Advérbios de modo derivados de adjetivos terminados em -ic, como "tragic" ou "economic", exigem a inserção da sílaba intermediária -al- antes da adição do sufixo -ly, resultando em formas como "tragically".
(__) Advérbios de frequência indeterminada, como "seldom" e "often", ocupam majoritariamente a posição final da frase quando o verbo principal está no tempo presente simples, para evitar a fragmentação do sintagma verbal.
(__) O termo "hardly" funciona como um advérbio de intensidade com carga semântica negativa, não guardando relação de significado com o advérbio de modo "hard", que descreve a aplicação de esforço ou força.
(__) Advérbios conectivos (conjunctive adverbs), como "nonetheless" e "furthermore", exigem o uso de ponto e vírgula ou ponto final para separar as orações independentes que relacionam logicamente no texto.
Após análise, assinale a alternativa que apresenta a sequência CORRETA dos itens acima, de cima para baixo:
"She quickly finished her homework and went to bed."
Sobre as classes gramaticais das palavras na sentença, assinale a alternativa correta:
Use the correct conjunctions to complete the sentences.
He asked me ___ I was going on a trip.
I won’t go ____ she invites me.
She couldn’t stay longer ___ she had an appointment.
___ we have no money, we can’t buy anything.
Fill in the blanks with many, much, a lot of, a few, a little.
______ people.
______ patience.
______ time.
______ chairs.
Select the CORRECT answer.
Complete the following sentences with the appropriate adjective or adverb to make the correct comparisons or superlatives.
I’m a terrible singer. You can sing _______ than me (good).
Paul is the _______ person in his family (tall).
Fortaleza is the _______ capital in Brasil (danger).
Select the CORRECT answer.
Identifying connectors can be a very useful reading strategy when using an ESP approach. As cohesion devices, they link ideas within sentences and between them. Analyze the alternatives and choose the one that is grammatically correct.
Considerando-se palavras que expressam intensidade, numerar a 2ª coluna de acordo com a 1ª e, após, assinalar a alternativa que apresenta a sequência CORRETA:
(1) It was freezing cold.
(2) It was a bit cold.
(3) It was fairly cold.
(---) I wore a sweater, because it was windy.
(---) I wore snow boots, two pairs of pants and a winter coat, because there was a snowstorm.
(---) I wore a jacket and a scarf, because it started to snow.
Text for the questions from 38 to 50.
Sound Advice for Language Learners
1 A recent issue of a language learning magazine has
consulted a number of experts in the field of second
language acquisition. Their advice may prove invaluable for
4 those considering a language course. Ask yourself some
basic questions, they suggest. Did you enjoy studying
languages at school, for example? Can you really afford the
7 time to learn a language?
First and foremost, you have to be realistic in your
goals. If you fail to set achievable aims you are likely to give
10 up. Besides, it is worth knowing that the most expensive
courses are not necessarily the best. You should also bear in
mind that the quicker you learn a language the more quickly
13 you forget it. Sue Miller, a French teacher, attempted to
teach herself German by enrolling on a crash course.
Already fluent in three languages, her chances of making
16 progress were high. Two years on she hardly remembers
anything. “I should have chosen a regular course in order to
have more time for practice and consolidation.”
19 Sue’s comment is certainly a good piece of advice.
Internet: <www.flo‐joe.uk> (adapted).
The words “necessarily” (line 11), “quickly” (line 12), “certainly” (line 19) are adverbs. Which word from the options below is not?
Text for the questions from 28 to 37.
A Musical Genius
1 Beethoven is one of the most influential figures in
the history of classical music. His exceptional talent was
already evident when he was still a young man, trying to
4 survive a rather unorthodox upbringing. Indeed, his
eccentric father would often make him study music in the
middle of the night.
7 Soon, the young Beethoven's ability won him the
admiration of the leading contemporary musical figures.
However, just at the point when he was beginning to reap
10 the rewards of his early endeavors, he realized that he was
becoming deaf. Beethoven felt devastated as it was clear to
him that his increasing deafness was incurable. And yet, he
13 kept composing and his music displayed a striking change in
style, becoming both heavier in tone and larger in scale.
Internet: <www.flo‐joe.co.uk> (adapted).
In “Beethoven felt devastated as it was clear to him” (lines 11 and 12), the conjunction “as” is used in order to introduce a clause containing a
Read text III and answer questions 60 to 70:
Text III
The use of music and songs in the EFL classroom
There are quite a lot of positive sides of learning English via
the medium music. First of all it is a very positive way of
learning English. Music is a part of our everyday life and
especially young people are very familiar with music. If the
5 teacher provides the possibility of a positive access to a new
topic, the kids will learn the new things easier and with more
fun and readiness. I am sure that the one or the other pupil
turns out to be a little “music-expert”. This can strengthen the
self-consciousness of students who are not so good at other
10 areas because now they have the opportunity to show what
they know about a special artist or band. Another pro of
teaching language by using songs and music is that it is
something different for the students – it is an alternation to
the common methods of language learning, because it is not
15 only interested in input. Learning with music speaks more than
other language-learning-methods to the audio-channel of the
learner, which has the positive effect of training listening and
comprehending language which is modified in terms of
intonation, pronunciation and articulation. Music in the
20 classroom can also be arranged in corporation with teachers of
other subjects, so that kids have the opportunity to use and
practise the new knowledge in more than one subject.
Teachers of English could not only work together with teachers
of music, but also with teachers of German, religion, ethics and
25 history. There is a variety of different thematic blocks which
can be taught with the help of songs, for example cultural or
social studies, to name only two areas.
However, using music and songs as a method of language
teaching can also have negative effects. Not every student likes
30 singing, acting or working with music and songs. Some find it
embarrassing and childish, especially older students. If the
majority of a class consists of students who feel like that about
working with music and songs in the classroom, the teacher
should be aware of the problem that it will be hard to motivate
35 the pupils. It can also be that some pupils protest and even
refuse to do several activities given by the teacher. […] Another
problem for teachers is the question of the right choice of
songs. Nowadays the kids are crazy about music which is called
“Death Metal”, “Hip Hop” or “Acid House”. So, many teachers
40 think that it is hard to fill the pupils of today with enthusiasm
by using Oldies.
Despite the fact that there are more positive effects of
learning a second language with songs and music than negative
ones, most teachers look at this method with mixed emotions.
45 Some are of the opinion that this is no real teaching and a
waste of time with some senseless activities. This is not true, of
course. Out of my own pupil-experience I can say that I have
learned quite a lot with the help of songs. I have acquired not
only a plenty of new words and vocabulary, but also several
50 idioms and many ways to express feelings.
(From http://www.grin.com/en/e-book/122444/the-use-of-music-and-songs-in-theefl-classroom)
The adverb in “Nowadays the kids are crazy about music” (line 38) refers to
There are many different kinds of English as a Second Language (ESL) course books that are designed for students of all levels and ages. Therefore, the process of choosing the right course book for use in the classroom, especially at the college level, is a daunting task. […]
Disponível em: <http://iteslj.org/Articles/Chou-CourseBooks.html>. Acesso em: 15 fev. 2017.
No fragmento, o termo destacado é uma conjunção que indica
The Role of Museums in Education
Museums provide knowledge and inspiration, while also connecting communities. At a time of economic recovery, and in the run-up to the Olympics, they are more important than ever. Museums and galleries deliver world-class public services which offer individuals and families free and inspiring places to visit and things to do. Museums attract audiences from home and abroad. Museums provide the places and resources to which people turn for information and learning. They care for the legacy of the past while creating a legacy for the future.
Museums are uniquely egalitarian spaces. Whether you are rich, poor, or uniquely-abled, the museum door is always an open welcome. A sense of history and beauty, gifts from our cultural heritage, inspires the ordinary soul into extraordinary possibilities. They bind communities together, giving them heart, hope and resilience. They make a vital contribution to international relations and play a unique role in fostering international cultural exchange. If life was just about earning to eat, we'd be depleted and tired. Museums bring to life the opportunity to experience meaning beyond the mundane. Museums make the soul sing!
The most visible and expected offerings of a museum are its exhibitions. Exhibitions tell stories through objects. In a world where virtual experiences are ever increasing, museums provide tangible encounters with real objects.
What does looking at a crystal clear specimen of beryl, a vertebrate fossil emerging from its plaster jacket, or the flag that flew over Inge Lehman's seismological observatory provide in an educational sense? Some professionals maintain that the visceral reaction of wonder, awe or curiosity – the affective response of the viewer – is the enduring legacy of a museum visit. It opens the door to the visitor's mind, engaging them in a discipline that perhaps failed to interest them through other means, and might inspire them to learn more. Furthermore, the social context of a museum visit, where exploration occurs in a friendly atmosphere without the pressure of tests and grades, helps keep that door open.
Curators and educators also aspire to engage the rational mind of the viewer. A mineral collected in the field and displayed in the museum is out of its original context, but thoughtful juxtaposition of the mineral with other objects helps the visitor make new connections. Exhibit labels or a knowledgeable docent leading a tour not only inform directly, but also guide visitors in making their own observations of the object. Hands-on displays combined with objects can provide forceful connections – an “aha!” experience for the visitor. Alan J. Friedman, the former director of the New York Hall of Science, recounts a watershed experience during a 1970 museum visit in which a model telescope that the could touch and adjust brought to life the meaning of the antique telescope.
Museums are the world's great learning resource – they introduce new subjects, bring them alive and give them meaning. Learning in museums improves confidence and attainment: it also opens us to the views of our fellow citizens. Museum collections and the knowledge of museum professionals inspire learning. As the world around us changes, museums and galleries promote awareness of the critical questions of place, humanity, science and innovation.
Adaptado dos sites: http://tle.geoscienceworld.org/cgi/reprint/26/10/1322.pdf e http://www.nationalmuseums.org.uk/media/documents/what_we_do_documents/museums_deliver_full.pdf, pp. 3-4
The double conjunction 'whether ... or' (paragraph 2) in this context is equivalent to:
Complete the sentences about the uses of adverbs with one of the five possible endings A – B – C – D or E, marking the correct letter.
‘This is quite nice.’ ‘You’re quite wrong.’ These examples show that QUITE can be used:
“In iOS 13, the big new software update for the iPhone that launched last month, Apple is fin ally showing users how often apps have been follow ing them. You may not have known that application s like Google Maps or Uber have been tracking you all the time, even when they’re not open.”
The adverb often in
“Apple is finally showing users how often apps have been following them.” can be replaced by the adver b: