Questões de Concurso
Sobre interpretação de texto | reading comprehension em inglês
Foram encontradas 13.077 questões
Ano: 2012
Banca:
CESGRANRIO
Órgão:
TERMOBAHIA
Prova:
CESGRANRIO - 2012 - TERMOBAHIA - Técnico de Administração e Controle Júnior |
Q323560
Inglês
According to the text,the reduction of the thermoelectric power generation is justified because :
Ano: 2012
Banca:
CESGRANRIO
Órgão:
TERMOBAHIA
Provas:
CESGRANRIO - 2012 - TERMOBAHIA - Técnico de Administração e Controle Júnior
|
CESGRANRIO - 2012 - TERMOBAHIA - Técnico de Segurança Júnior |
CESGRANRIO - 2012 - TERMOBAHIA - Técnico de Suprimento de Bens e Serviços - Júnior |
Q323558
Inglês
According to the text, CMSE decided on May 30, 2012 to:
Ano: 2012
Banca:
UNEMAT
Órgão:
CEPROMAT
Prova:
UNEMAT - 2012 - CEPROMAT - Analista de Tecnologia da Informação |
Q299168
Inglês
Releia o fragmento abaixo.
No fragmento, a expressão It also means é utilizada para:
No fragmento, a expressão It also means é utilizada para:
Ano: 2012
Banca:
UNEMAT
Órgão:
CEPROMAT
Prova:
UNEMAT - 2012 - CEPROMAT - Analista de Tecnologia da Informação |
Q299164
Inglês
A análise e projeto de sistemas procura, através dos analistas de sistemas:
Ano: 2012
Banca:
UNEMAT
Órgão:
CEPROMAT
Prova:
UNEMAT - 2012 - CEPROMAT - Analista de Tecnologia da Informação |
Q299163
Inglês
As palavras consultant, supporting expert e agent of change que aparecem na L.37, estão relacionadas diretamente com:
Ano: 2012
Banca:
IBFC
Órgão:
INEP
Prova:
IBFC - 2012 - INEP - Pesquisador-Tecnologista em Informações e Avaliações Educacionais - Área III |
Q297298
Inglês
Read the following sentences I, II and III.
I. For sure I wouldn't know what to tell them if they showed up.
II. I must admit, I am a drug addicted.
III. I'm in terrible shape. I must exercise more, otherwise I'll be in trouble.
The alternative that respectively brings the meaning of each one is
I. For sure I wouldn't know what to tell them if they showed up.
II. I must admit, I am a drug addicted.
III. I'm in terrible shape. I must exercise more, otherwise I'll be in trouble.
The alternative that respectively brings the meaning of each one is
Ano: 2012
Banca:
IBFC
Órgão:
INEP
Prova:
IBFC - 2012 - INEP - Pesquisador-Tecnologista em Informações e Avaliações Educacionais - Área III |
Q297292
Inglês
Texto associado
Read the text and answer questions 19), 20), 21), 22), 23) and 24).
Lawsuits claim Knoedler made huge profits on fakes
For more than a dozen years the Upper East Side gallery Knoedler & Company was “substantially dependent” on profits it made from selling a mysterious collection of artwork that is at the center of a federal forgery investigation, former clients of this former gallery have charged in court papers. The analysis is based on financial records turned over as part of a lawsuit against the gallery filed by Domenico and Eleanore De Sole, who in 2004 paid $8.3 million for a painting attributed to Mark Rothko that they now say is a worthless fake. The Rothko is one of approximately 40 works that Knoedler, which closed last year, obtained from Glafira Rosales, a littleknown dealer whose collection of works attributed to Modernist masters has no documented provenance and is the subject of an F.B.I. investigation. Between 1996 and 2008, the suit asserts, Knoedler earned approximately $60 million from works that Ms. Rosales provided on consignment or sold outright to the gallery and cleared $40 million in profits. In one year, 2002, for example, the complaint says the gallery’s entire profit — $5.6 million — was derived from the sale of Ms. Rosales’s works. “Knoedler’s viability as a business was substantially — and, in some years, almost entirely — dependent on sales from the Rosales Collection,” the De Soles claimed last month in an amended version of the suit they filed this year. While the forgery allegations are well known and have been the subject of three federal lawsuits against Knoedler, the recent filings expand the known number of Rosales artworks that were handled by the gallery, which was in business for 165 years, and assert that they played a pivotal role in the gallery’s success. After the F.B.I. issued subpoenas to the gallery in the fall of 2009, Michael Hammer, Knoedler’s owner, halted the sale of any Rosales works. Knoedler ended up losing money that year and in 2010, the court papers say. http://www.nytimes.com/2012/10/22/arts/design/knoe...
Lawsuits claim Knoedler made huge profits on fakes
For more than a dozen years the Upper East Side gallery Knoedler & Company was “substantially dependent” on profits it made from selling a mysterious collection of artwork that is at the center of a federal forgery investigation, former clients of this former gallery have charged in court papers. The analysis is based on financial records turned over as part of a lawsuit against the gallery filed by Domenico and Eleanore De Sole, who in 2004 paid $8.3 million for a painting attributed to Mark Rothko that they now say is a worthless fake. The Rothko is one of approximately 40 works that Knoedler, which closed last year, obtained from Glafira Rosales, a littleknown dealer whose collection of works attributed to Modernist masters has no documented provenance and is the subject of an F.B.I. investigation. Between 1996 and 2008, the suit asserts, Knoedler earned approximately $60 million from works that Ms. Rosales provided on consignment or sold outright to the gallery and cleared $40 million in profits. In one year, 2002, for example, the complaint says the gallery’s entire profit — $5.6 million — was derived from the sale of Ms. Rosales’s works. “Knoedler’s viability as a business was substantially — and, in some years, almost entirely — dependent on sales from the Rosales Collection,” the De Soles claimed last month in an amended version of the suit they filed this year. While the forgery allegations are well known and have been the subject of three federal lawsuits against Knoedler, the recent filings expand the known number of Rosales artworks that were handled by the gallery, which was in business for 165 years, and assert that they played a pivotal role in the gallery’s success. After the F.B.I. issued subpoenas to the gallery in the fall of 2009, Michael Hammer, Knoedler’s owner, halted the sale of any Rosales works. Knoedler ended up losing money that year and in 2010, the court papers say. http://www.nytimes.com/2012/10/22/arts/design/knoe...
According to the text, it's not correct to say that
Ano: 2012
Banca:
IBFC
Órgão:
INEP
Prova:
IBFC - 2012 - INEP - Pesquisador-Tecnologista em Informações e Avaliações Educacionais - Área III |
Q297291
Inglês
Texto associado
Read the text and answer questions 19), 20), 21), 22), 23) and 24).
Lawsuits claim Knoedler made huge profits on fakes
For more than a dozen years the Upper East Side gallery Knoedler & Company was “substantially dependent” on profits it made from selling a mysterious collection of artwork that is at the center of a federal forgery investigation, former clients of this former gallery have charged in court papers. The analysis is based on financial records turned over as part of a lawsuit against the gallery filed by Domenico and Eleanore De Sole, who in 2004 paid $8.3 million for a painting attributed to Mark Rothko that they now say is a worthless fake. The Rothko is one of approximately 40 works that Knoedler, which closed last year, obtained from Glafira Rosales, a littleknown dealer whose collection of works attributed to Modernist masters has no documented provenance and is the subject of an F.B.I. investigation. Between 1996 and 2008, the suit asserts, Knoedler earned approximately $60 million from works that Ms. Rosales provided on consignment or sold outright to the gallery and cleared $40 million in profits. In one year, 2002, for example, the complaint says the gallery’s entire profit — $5.6 million — was derived from the sale of Ms. Rosales’s works. “Knoedler’s viability as a business was substantially — and, in some years, almost entirely — dependent on sales from the Rosales Collection,” the De Soles claimed last month in an amended version of the suit they filed this year. While the forgery allegations are well known and have been the subject of three federal lawsuits against Knoedler, the recent filings expand the known number of Rosales artworks that were handled by the gallery, which was in business for 165 years, and assert that they played a pivotal role in the gallery’s success. After the F.B.I. issued subpoenas to the gallery in the fall of 2009, Michael Hammer, Knoedler’s owner, halted the sale of any Rosales works. Knoedler ended up losing money that year and in 2010, the court papers say. http://www.nytimes.com/2012/10/22/arts/design/knoe...
Lawsuits claim Knoedler made huge profits on fakes
For more than a dozen years the Upper East Side gallery Knoedler & Company was “substantially dependent” on profits it made from selling a mysterious collection of artwork that is at the center of a federal forgery investigation, former clients of this former gallery have charged in court papers. The analysis is based on financial records turned over as part of a lawsuit against the gallery filed by Domenico and Eleanore De Sole, who in 2004 paid $8.3 million for a painting attributed to Mark Rothko that they now say is a worthless fake. The Rothko is one of approximately 40 works that Knoedler, which closed last year, obtained from Glafira Rosales, a littleknown dealer whose collection of works attributed to Modernist masters has no documented provenance and is the subject of an F.B.I. investigation. Between 1996 and 2008, the suit asserts, Knoedler earned approximately $60 million from works that Ms. Rosales provided on consignment or sold outright to the gallery and cleared $40 million in profits. In one year, 2002, for example, the complaint says the gallery’s entire profit — $5.6 million — was derived from the sale of Ms. Rosales’s works. “Knoedler’s viability as a business was substantially — and, in some years, almost entirely — dependent on sales from the Rosales Collection,” the De Soles claimed last month in an amended version of the suit they filed this year. While the forgery allegations are well known and have been the subject of three federal lawsuits against Knoedler, the recent filings expand the known number of Rosales artworks that were handled by the gallery, which was in business for 165 years, and assert that they played a pivotal role in the gallery’s success. After the F.B.I. issued subpoenas to the gallery in the fall of 2009, Michael Hammer, Knoedler’s owner, halted the sale of any Rosales works. Knoedler ended up losing money that year and in 2010, the court papers say. http://www.nytimes.com/2012/10/22/arts/design/knoe...
The suing against Knoedler & Company gallery was established by
Ano: 2012
Banca:
IBFC
Órgão:
INEP
Prova:
IBFC - 2012 - INEP - Pesquisador-Tecnologista em Informações e Avaliações Educacionais - Área III |
Q297290
Inglês
Texto associado
Read the text and answer questions 19), 20), 21), 22), 23) and 24).
Lawsuits claim Knoedler made huge profits on fakes
For more than a dozen years the Upper East Side gallery Knoedler & Company was “substantially dependent” on profits it made from selling a mysterious collection of artwork that is at the center of a federal forgery investigation, former clients of this former gallery have charged in court papers. The analysis is based on financial records turned over as part of a lawsuit against the gallery filed by Domenico and Eleanore De Sole, who in 2004 paid $8.3 million for a painting attributed to Mark Rothko that they now say is a worthless fake. The Rothko is one of approximately 40 works that Knoedler, which closed last year, obtained from Glafira Rosales, a littleknown dealer whose collection of works attributed to Modernist masters has no documented provenance and is the subject of an F.B.I. investigation. Between 1996 and 2008, the suit asserts, Knoedler earned approximately $60 million from works that Ms. Rosales provided on consignment or sold outright to the gallery and cleared $40 million in profits. In one year, 2002, for example, the complaint says the gallery’s entire profit — $5.6 million — was derived from the sale of Ms. Rosales’s works. “Knoedler’s viability as a business was substantially — and, in some years, almost entirely — dependent on sales from the Rosales Collection,” the De Soles claimed last month in an amended version of the suit they filed this year. While the forgery allegations are well known and have been the subject of three federal lawsuits against Knoedler, the recent filings expand the known number of Rosales artworks that were handled by the gallery, which was in business for 165 years, and assert that they played a pivotal role in the gallery’s success. After the F.B.I. issued subpoenas to the gallery in the fall of 2009, Michael Hammer, Knoedler’s owner, halted the sale of any Rosales works. Knoedler ended up losing money that year and in 2010, the court papers say. http://www.nytimes.com/2012/10/22/arts/design/knoe...
Lawsuits claim Knoedler made huge profits on fakes
For more than a dozen years the Upper East Side gallery Knoedler & Company was “substantially dependent” on profits it made from selling a mysterious collection of artwork that is at the center of a federal forgery investigation, former clients of this former gallery have charged in court papers. The analysis is based on financial records turned over as part of a lawsuit against the gallery filed by Domenico and Eleanore De Sole, who in 2004 paid $8.3 million for a painting attributed to Mark Rothko that they now say is a worthless fake. The Rothko is one of approximately 40 works that Knoedler, which closed last year, obtained from Glafira Rosales, a littleknown dealer whose collection of works attributed to Modernist masters has no documented provenance and is the subject of an F.B.I. investigation. Between 1996 and 2008, the suit asserts, Knoedler earned approximately $60 million from works that Ms. Rosales provided on consignment or sold outright to the gallery and cleared $40 million in profits. In one year, 2002, for example, the complaint says the gallery’s entire profit — $5.6 million — was derived from the sale of Ms. Rosales’s works. “Knoedler’s viability as a business was substantially — and, in some years, almost entirely — dependent on sales from the Rosales Collection,” the De Soles claimed last month in an amended version of the suit they filed this year. While the forgery allegations are well known and have been the subject of three federal lawsuits against Knoedler, the recent filings expand the known number of Rosales artworks that were handled by the gallery, which was in business for 165 years, and assert that they played a pivotal role in the gallery’s success. After the F.B.I. issued subpoenas to the gallery in the fall of 2009, Michael Hammer, Knoedler’s owner, halted the sale of any Rosales works. Knoedler ended up losing money that year and in 2010, the court papers say. http://www.nytimes.com/2012/10/22/arts/design/knoe...
The alternative that brings the most comprehensive idea about the text is
Q291546
Inglês
According to Text II, Dr. Adam Bernstein affirmed that
Q291545
Inglês
One negative effect of sugar-sweetened beverage consumption and one negative effect of diet soft drink consumption are respectively
Q291544
Inglês
According to Text II, a detrimental habit among Americans is a(n)
Q291542
Inglês
According to Text I, the platform will NOT provide
Q291541
Inglês
According to Text I, if the Shtokman project goes ahead, it
Q291540
Inglês
According to Text I, Infield Systems Ltd has
Q291539
Inglês
According to Text I, it is clear that
Ano: 2012
Banca:
CESGRANRIO
Órgão:
EPE
Provas:
CESGRANRIO - 2012 - EPE - Nível Superior - Conhecimentos Básicos - Todos os Cargos
|
CESGRANRIO - 2012 - EPE - Analista de Pesquisa Energética - Economia de Energia |
Q291260
Inglês
In Text II, Joe Lykken states that
Ano: 2012
Banca:
CESGRANRIO
Órgão:
EPE
Provas:
CESGRANRIO - 2012 - EPE - Nível Superior - Conhecimentos Básicos - Todos os Cargos
|
CESGRANRIO - 2012 - EPE - Analista de Pesquisa Energética - Economia de Energia |
Q291258
Inglês
The excerpt “Many physicists have already swung into action” (lines 8-9, Text II) could be properly completed in
Ano: 2012
Banca:
CESGRANRIO
Órgão:
EPE
Provas:
CESGRANRIO - 2012 - EPE - Nível Superior - Conhecimentos Básicos - Todos os Cargos
|
CESGRANRIO - 2012 - EPE - Analista de Pesquisa Energética - Economia de Energia |
Q291257
Inglês
Text II reports that
Ano: 2012
Banca:
CESGRANRIO
Órgão:
EPE
Provas:
CESGRANRIO - 2012 - EPE - Nível Superior - Conhecimentos Básicos - Todos os Cargos
|
CESGRANRIO - 2012 - EPE - Analista de Pesquisa Energética - Economia de Energia |
Q291255
Inglês
In Text I, Lu answers that if he was reduced to $10 for entertainment, he would
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