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Q2567209
Inglês
Concerning the underlined pronouns (l. 11),
Q2567207
Inglês
Consider the passages below:
“I wanna leave my footprints on the sands of time” (l. 1) “Leave something to remember, so they won’t forget” (l. 5)
It’s possible to understand that
“I wanna leave my footprints on the sands of time” (l. 1) “Leave something to remember, so they won’t forget” (l. 5)
It’s possible to understand that
Q2567205
Inglês
Texto associado
TEXT III
The world is changing
Posted on April 4, 2020 by Sandy Millin
The title of this week’s post is inspired by this cartoon from
Michael Leunig which appeared on my Facebook stream this
week:
Adapted from: https://sandymillin.wordpress.com/2020/04/04
/the-world-is-changing/ Accessed on March 06th, 2024
The underlined word “ever”
Q2567204
Inglês
Texto associado
TEXT III
The world is changing
Posted on April 4, 2020 by Sandy Millin
The title of this week’s post is inspired by this cartoon from
Michael Leunig which appeared on my Facebook stream this
week:
Adapted from: https://sandymillin.wordpress.com/2020/04/04
/the-world-is-changing/ Accessed on March 06th, 2024
The duck from the comic strip thinks life is
Q2567203
Inglês
Texto associado
TEXT III
The world is changing
Posted on April 4, 2020 by Sandy Millin
The title of this week’s post is inspired by this cartoon from
Michael Leunig which appeared on my Facebook stream this
week:
Adapted from: https://sandymillin.wordpress.com/2020/04/04
/the-world-is-changing/ Accessed on March 06th, 2024
Read the sentences and choose TRUE or FALSE:
( ) one of them is afraid of death, the other treats the topic as ordinary.
( ) life’s unpredictability is seen as positive by one of the characters.
( ) according to the characters, life is more dangerous now than in the past.
( ) the man is skeptical whereas the duck is realistic.
( ) both characters are trying to cheer each other up.
Mark the correct option:
( ) one of them is afraid of death, the other treats the topic as ordinary.
( ) life’s unpredictability is seen as positive by one of the characters.
( ) according to the characters, life is more dangerous now than in the past.
( ) the man is skeptical whereas the duck is realistic.
( ) both characters are trying to cheer each other up.
Mark the correct option:
Q2567202
Inglês
Check an event that is common for both texts:
Q2280164
Inglês
Texto associado
Leia o texto a seguir para responder a questão
On the surface, there is little to distinguish the Woolf Social Club from any other hipster
hangout in Seoul, South Korea. Customers perch on wooden stools at formica tables,
tapping on laptops while they sip their coffee. Records and cds line the walls, soft jazz
trickles from speakers. On the white wall above the bar, in big black letters, is the statement:
“More dignity, less bullshit”.
It is only on closer inspection that you realise this is more than just another coffee shop. On
the mugs are cartoon drawings of Virginia Woolf, an angry wolf roaring from her shirt. A
bookshelf contains South Korean feminist novels and works of self-help (titles include
“Lessons on Being Unmarried”) alongside “The Second Sex” by Simone de Beauvoir and
“The Handmaid’s Tale” by Margaret Atwood. On the wall is a poster for an exhibition of
feminist art at a nearby gallery.
“I wanted a space for like-minded women to meet and talk,” says Kim Jina, a 47-year-old
former advertising executive and politician who founded the café six years ago. Kim was
inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred
[pounds] a year and a room with a lock on the door”. That is, financial independence and a
place to think. The café’s casual vibe is deliberate: she wanted to avoid creating barriers to
entry for women who were merely curious, rather than fully committed to the movement.
Besides, she adds, “If I limited myself to feminist customers, I could never make a living.”
South Korea, even its trendy capital, is a difficult place to be a woman. The wage gap
between the sexes is the highest in the rich world. Traditional expectations about gender
roles, beauty standards and the way women should conduct themselves remain pervasive.
“Misogyny surrounds you so naturally that you barely even notice it,” says Kim. “I had no
role models, so my idea of how a successful woman should be came straight from ‘Sex and
the City’.” For much of her 20s and 30s, she spent most of her money on make-up and
expensive handbags, partying every weekend and dreaming about meeting her version of
Mr Big, the rich, smooth-talking love interest of the show’s main character, Carrie.
“I never worried about misogyny because I thought being sexually attractive was a form of
power,” says Kim. “But eventually I realised that men with real power don’t wear make-up
and expensive dresses.” Her epiphany came when she was passed over for promotion in
favour of a male colleague. “My boss said, ‘He needs it more than you because he has a
wife and a child to take care of,’ and I realised that I had been wrong to think that all I needed
to do was work hard and be good at my job.”
Kim’s burgeoning feminism crystallised in the summer of 2016, after a woman was murdered
in a public toilet in an upmarket part of Seoul. The killer initially claimed that he had done it
because he had been ignored by women. “I lived right around the corner, and I thought: that
could have been me,” says Kim. Like many other women, she was upset by media coverage
that ignored the misogynist motives for his crime and blamed it entirely on his mental-health
problems.
The murder prompted South Korean women to come together, initially in online
communities, and discuss how to fight back against sexism. Then they took to the streets.
In 2018 there was a series of protests against the widespread practice of recording illegal
footage of women by hiding small cameras in public toilets or changing rooms.
Kim founded the Woolf Social Club in 2017. “I thought, we talk to each other on the internet,
but it would be good to have a physical space in which to do that,” she says. “If you walk
around Seoul, you see all these cafés aimed at couples, where women look pretty and lower
their voices. I wanted a space where they could raise them.”
[Fonte: Lena Schipper. “Virginia Woolf is inspiring South Korean feminists”. In: The
Economist, 09/05/2022,<http://www.economist.com/1843/2022/05/09/virginia-woolf-is-inspiring-south-korean-feminists>. Adaptado. Data de acesso: 27/08/2023.]
Dentre as razões expostas no texto sobre as dificuldades encontradas pelas
mulheres coreanas, são corretas as afirmações, EXCETO:
Q2280163
Inglês
Texto associado
Leia o texto a seguir para responder a questão
On the surface, there is little to distinguish the Woolf Social Club from any other hipster
hangout in Seoul, South Korea. Customers perch on wooden stools at formica tables,
tapping on laptops while they sip their coffee. Records and cds line the walls, soft jazz
trickles from speakers. On the white wall above the bar, in big black letters, is the statement:
“More dignity, less bullshit”.
It is only on closer inspection that you realise this is more than just another coffee shop. On
the mugs are cartoon drawings of Virginia Woolf, an angry wolf roaring from her shirt. A
bookshelf contains South Korean feminist novels and works of self-help (titles include
“Lessons on Being Unmarried”) alongside “The Second Sex” by Simone de Beauvoir and
“The Handmaid’s Tale” by Margaret Atwood. On the wall is a poster for an exhibition of
feminist art at a nearby gallery.
“I wanted a space for like-minded women to meet and talk,” says Kim Jina, a 47-year-old
former advertising executive and politician who founded the café six years ago. Kim was
inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred
[pounds] a year and a room with a lock on the door”. That is, financial independence and a
place to think. The café’s casual vibe is deliberate: she wanted to avoid creating barriers to
entry for women who were merely curious, rather than fully committed to the movement.
Besides, she adds, “If I limited myself to feminist customers, I could never make a living.”
South Korea, even its trendy capital, is a difficult place to be a woman. The wage gap
between the sexes is the highest in the rich world. Traditional expectations about gender
roles, beauty standards and the way women should conduct themselves remain pervasive.
“Misogyny surrounds you so naturally that you barely even notice it,” says Kim. “I had no
role models, so my idea of how a successful woman should be came straight from ‘Sex and
the City’.” For much of her 20s and 30s, she spent most of her money on make-up and
expensive handbags, partying every weekend and dreaming about meeting her version of
Mr Big, the rich, smooth-talking love interest of the show’s main character, Carrie.
“I never worried about misogyny because I thought being sexually attractive was a form of
power,” says Kim. “But eventually I realised that men with real power don’t wear make-up
and expensive dresses.” Her epiphany came when she was passed over for promotion in
favour of a male colleague. “My boss said, ‘He needs it more than you because he has a
wife and a child to take care of,’ and I realised that I had been wrong to think that all I needed
to do was work hard and be good at my job.”
Kim’s burgeoning feminism crystallised in the summer of 2016, after a woman was murdered
in a public toilet in an upmarket part of Seoul. The killer initially claimed that he had done it
because he had been ignored by women. “I lived right around the corner, and I thought: that
could have been me,” says Kim. Like many other women, she was upset by media coverage
that ignored the misogynist motives for his crime and blamed it entirely on his mental-health
problems.
The murder prompted South Korean women to come together, initially in online
communities, and discuss how to fight back against sexism. Then they took to the streets.
In 2018 there was a series of protests against the widespread practice of recording illegal
footage of women by hiding small cameras in public toilets or changing rooms.
Kim founded the Woolf Social Club in 2017. “I thought, we talk to each other on the internet,
but it would be good to have a physical space in which to do that,” she says. “If you walk
around Seoul, you see all these cafés aimed at couples, where women look pretty and lower
their voices. I wanted a space where they could raise them.”
[Fonte: Lena Schipper. “Virginia Woolf is inspiring South Korean feminists”. In: The
Economist, 09/05/2022,<http://www.economist.com/1843/2022/05/09/virginia-woolf-is-inspiring-south-korean-feminists>. Adaptado. Data de acesso: 27/08/2023.]
In the excerpt from the third paragraph “I wanted a space for like-minded
women to meet and talk,” the underlined term expresses an idea of:
Q2280157
Inglês
Texto associado
Leia o texto a seguir para responder a questão.
Read Your Way Through Salvador
By Itamar Vieira Junior and translated by Johnny Lorenz. July 19, 2023.
I was born in Salvador, in the Brazilian state of Bahia, and lived in the general vicinity until I
reached the age of 15. But it was when I left that I really came to know my city. How was I
able to discover more about my birthplace while traveling far from home? It might sound
rather clichéd but, I assure you, literature made this possible: It took me on a journey, long
and profound, back home, enveloping me in words and imagination.
To understand the formation of our unique society and, consequently, the cityscape of
Salvador, one should read, before anything else, “The Story of Rufino: Slavery, Freedom
and Islam in the Black Atlantic,” by João José Reis, Flávio dos Santos Gomes and Marcus
J.M. de Carvalho. Rufino was an alufá, or Muslim spiritual leader, born in the Oyo empire in
present-day Nigeria and enslaved during his adolescence. “The Story of Rufino” is an epic
tale, encapsulating the life of one man in search of freedom as well as the history of the
development of Salvador itself, a place inextricably linked with the diaspora across the Black
Atlantic. Another book for which I have deep affection is “The City of Women,” by the
American anthropologist Ruth Landes. It offers an intriguing perspective, focusing on
matriarchal power in candomblé, an Afro-Brazilian sacred practice, and revealing how the
social organization of its spiritual communities reverberates across the city.
If you want to feel the intensity of life on the streets of Salvador, these two books, both by
Amado, are indispensable: “Captains of the Sands” and “Dona Flor and Her Two
Husbands.” The first is a coming-of-age story in which we follow a group of children and
adolescents living on the streets and on the beaches around the Bay of All Saints. Written
more than 80 years ago, the book was banned and even burned in the public square during
the dictatorship of Getúlio Vargas in the first half of the 20th century. As a portrait of
Salvador, it is still relevant and reveals our deep inequalities. “Dona Flor and her Two
Husbands” is one of Amado’s most popular novels, translated into more than 30 languages
and adapted many times for theater, cinema, and television. The book is a kind of manifesto
for a woman’s liberation. Dona Flor possesses great culinary talent, and oppressed by a
patriarchal society, finds herself divided between two men, one being her deceased
husband. While the novel captures the daily life of the city in the 1940s, it is also a wonderful
guide to the cuisine of Salvador, with its African and Portuguese influences.
I invite readers to travel into the interior of Bahia, many hours by car from Salvador to the
region known as the Sertão, whose name translates loosely to “backwoods.” Two books can
also transport you there, and they are sides of the same story: “Backlands: The Canudos
Campaign,” by Euclides da Cunha, and “The War of the End of the World,” by Mario
Vargas Llosa.
“Backlands” is one of the most important works in the history of Brazilian literature. It is a
journalistic telling that introduces us not only to the brutal War of Canudos, but also to the
intriguing landscape of the Sertão, a place so full of contradictions. In his writing of the
conflict, da Cunha tells the story of the genesis of the tough sertanejo: a mythic,
cowboyesque figure of the drought-stricken, lawless interior. “The War of the End of the
World” is an essential epic that amplifies the narrative of “Backlands,” bringing a more imaginative, creative aspect to the story of Antônio Conselheiro, the spiritual leader of a
rebellion, and of the multitude that followed him to their deaths.
[Fonte: “Read Your Way Through Salvador”. In: The New York Times, 19/07/2023,<http://www.nytimes.com/2023/07/19/books/salvador-bahia-brazil-books.html> . Adaptado. Data
de acesso: 01/09/2023.]
No trecho do terceiro parágrafo “As a portrait of Salvador, it is still relevant and
reveals our deep inequalities”, o termo sublinhado contém um prefixo de negação. Assinale
a alternativa que apresenta o termo que NÃO contém prefixo de negação.
Ano: 2023
Banca:
Aeronáutica
Órgão:
EEAR
Prova:
Aeronáutica - 2023 - EEAR - Sargento da Aeronáutica – BMA – Mecânico de Aeronaves |
Q2201227
Inglês
Read the comic strip. The only alternative that does not
express a contrary idea to complete the sentence is
Ano: 2023
Banca:
Aeronáutica
Órgão:
EEAR
Prova:
Aeronáutica - 2023 - EEAR - Sargento da Aeronáutica – BMA – Mecânico de Aeronaves |
Q2201226
Inglês
Texto associado
Read the text and answer the question.
Choose the alternative that contains the plural form of
the following words from the comic strip: man - cat - dog
Ano: 2023
Banca:
Aeronáutica
Órgão:
EEAR
Prova:
Aeronáutica - 2023 - EEAR - Sargento da Aeronáutica – BMA – Mecânico de Aeronaves |
Q2201225
Inglês
Texto associado
Read the text and answer the question.
According to the comic strip, we can conclude that
Ano: 2023
Banca:
Aeronáutica
Órgão:
EEAR
Prova:
Aeronáutica - 2023 - EEAR - Sargento da Aeronáutica – BMA – Mecânico de Aeronaves |
Q2201224
Inglês
Texto associado
Read the text and answer the question.
The verbs “was”, “ate” and “chewed” are in the