Questões da Prova Colégio Pedro II - 2019 - Colégio Pedro II - Professor - Inglês

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Q1086667 Inglês

TEXT 4


“It must be fairly obvious from the discussion in the foregoing paragraphs that the very concept of ‘World Englishes’ throws a number of challenges at all those of us who are in one way or another involved in it. For ELT professionals all over the world, it means, among other things, having to take a fresh look at many of the things that have been taken for granted for long.

Consider, for instance, the following. World English is not the mother-tongue of anyone – and this includes even those who used to rejoice in their status as the ‘native-speakers’ of their own varieties of English. This is so because World English is a language that is in the making and, from the looks of it is bound to remain so for the foreseeable future. Incidentally, any temptation to consider World English a pidgin would be totally misguided in that it is not a make-shift language, nor one that is progressing towards a full-fledged language in its own right. Nor, for that matter, is it gathering a new generation of native speakers. Rather, it is resistant to the very terminology that the linguists resort to in describing conventional ‘natural’ languages.”

RAJAGOPALAN, K. The identity of "World English”: New Challenges in Language and Literature. Belo Horizonte: FALE/UFMG, 2009, p.104. 

The word “SO” is used anaphorically in two instances in the excerpt: “This is so because World English is a language that is in the making and, from the looks of it is bound to remain so for the foreseeable future.” They were used to refer respectively to the fact that
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Q1086665 Inglês

TEXT 3


“Despite the contemporary calling of the speech/textual genre conceptions to deal with privations in the educational system (ROJO, 2008), the treatment given to genre, especially in theories operating with the notion of textual genre, has mainly focused on genre’s stable characteristics and on the development of competencies/capacities that lead to the comprehension and production of the oral and written genres circulating in the social world.

One of the implications of this kind of treatment for the literacy practices at school has considerably often been the genre displacement from micro and macrolinguistic contexts that interact in meaning construction to abstractly focus on the stable characteristics defining news, comics, recipes, editorial, blogs etc. Another, and maybe more serious, unfolding is that since it doesn’t look at how genres mingle and hybridize with other genres and semiosis in processes of constant (re)designing meanings, such a treatment can end up contributing to the mere (re)production of genres legitimized by school, leaving little or no space at all for the innovations and destabilization that mingling and transgression processes print to texts in contemporaneity and, as a consequence, for a critical position in relation to meanings constructed in the margins of what school validates as acceptable literacy practices.”

OLIVEIRA, M. B. F.; SZUNDI, P. T. C. Multiliteracies Practices at School: for a responsive education to contemporaneity.

                                   Bakhtiniana, São Paulo, v. 9, n. 2, Jul./Dec. 2014, p. 206,207.

In the excerpt “the treatment given to genre, especially in theories operating with the notion of textual genre, has mainly focused on genre’s stable characteristics”, the present perfect tense has been used to express the idea that the treatment given to genre
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Q1086662 Inglês

Consider the excerpt “It’s to the organization’s credit that it’s saying that it shouldn’t be tolerated”.

The subjunctive mood has been correctly used to rephrase it in all the sentences, EXCEPT

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Respostas
1: A
2: C
3: B